It's not tv, it's online drama: The return of the intimate screen

International Journal of Cultural Studies

Volumn 14, Issue 6, 2011, Pages 591-606

  Creeber, Glen ^a  

^a ABERYSTWYTH UNIVERSITY   (United Kingdom)

Author keywords

aesthetics; digital; Internet; online drama; television; webcam; YouTube

Indexed keywords

EID: 80054761003     PISSN: 13678779     EISSN: 1460356X     Source Type: Journal    
DOI: 10.1177/1367877911402589     Document Type: Article

References (38)

1. Ang IWatching Dallas. London: Methuen; 1985:.
2. Armstrong S.Analyse this.Sunday Times. 2007;:.
3. Author Unknown (2008) KateModern: New online drama. thelondonpaper, accessed at http://www.thelondonpaper.com/cs/Satellite/london/the%20web/article/1157148503413?packedargs=suffix%3DArticleController.
4. Brown MESoap Opera & Women's Talk: The Pleasure of Resistance. London: Sage; 1994:.
5. Buonanno MThe Age of Television: Experiences and Theories. Bristol: Intellect Books; 2008:.
6. Burgess J.,Green JYouTube. Cambridge: Polity; 2009:.
7. Butler JGThe New Media Book. Harries D, ed. London: BFI; 2002:40-51.
8. Caldwell JTTelevisuality: Style, Crisis and Authority in American Television. New Jersey: Rutgers University Press; 1995:.
9. Caldwell JTProduction Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham, MD: Duke University Press; 2008:.
10. Carter M.Online drama proves a lucrative hit.The Guardian. 2007;:12.
11. Cohan SCSI: Crime Scene Investigation. London: BFI; 2008:.
12. DavisJ (2006) The secret world of Lonelygirl15. Wired14(12). Also at: http://www.wired.com/wired/archive/14.12/lonelygirl.html.
13. Ellis JVisible Fictions: Cinema, Television, Video. London: Routledge; 1982:.
14. Fetveit A.Reality TV in the digital era: A paradox in visual culture.Media, Culture & Society. 1999;21:787-804.
15. FirthS (1998) Live!: From my bedroom. At: http://archive.salon.com/21st/feature/1998/01/cov_08feature.html.
16. Gunning TEarly Cinema: Space, Frame, Narrative. Elsaesser T, ed. London: BFI; 1991:.
17. Hartley JTelevision Truths. Oxford: Blackwell; 2008:.
18. Hartley J (2009) Uses of YouTube: Digital literacy and the growth of knowledge. In: Burgess J and Green J (eds) YouTube (Digital Media & Society Series). Cambridge: Polity Press, 126-143.
19. HeffernanV (2008) Serial killers. New York Times Magazine, August, 22. Also see http://www.nytimes.com/2008/08/24/magazine/24wwln.
20. Horton D,Wohl RR.Mass communication and para-social interaction: Observations on intimacy at a distance.Psychiatry. 1956;19:215-229.
21. Jacobs JThe Intimate Screen: Early British Television Drama. Oxford: Oxford University Press; 2000:.
22. Jenkins H.The cultural logic of media convergence.International Journal of Cultural Studies. 2004;7:33-43.
23. Jenkins HConvergence Culture: Where Old Media and New Media Collide. New York: New York University Press; 2006:.
24. Jordan M (1981) Realism and convention. In: Dyer R et al. (eds) Coronation Street (BFI Monograph). London: BFI.
25. Kelso T (2008) And now no word from our sponsor: How HBO puts the risks back into television. In: Leverette M, Ott BL and Buckley CL (eds) It's Not TV: Watching HBO in the Post-Television Era. New York: Routledge, 46-64.
26. KornblumJ (2006) Now playing on YouTube. USA Today, 18July. Also at: http://www.usatoday.com/tech/news/2006-07-17-digital-download-youtube_x.htm.
27. It's Not TV: Watching HBO in the Post-Television Era. Leverette MOtt BLBuckley CL, ed. New York: Routledge; 2008:.
28. Lury KInterpreting Television. London: Arnold; 2005:.
29. McPherson T (2007) Techno-soap: 24, masculinity and hybrid forms. In: Peakcock S (ed.), Reading 24: TV Against the Clock. London: I.B. Tauris
30. Miller T (2008) Foreword: It's television. It's HBO. In: Leverette M, Ott BL and Buckley CL (eds), It's Not TV: Watching HBO in the Post-Television Era. New York: Routledge
31. Mittell JThe Television Genre Book. 2008) Lost. In: CreeberG (ed.), The Television Genre Book (2nd ed.) London: BFI.Creeber G, ed. London: BFI; 2008:.
32. Nelson RState of Play: Contemporary 'High-End' TV Drama. Manchester: Manchester University Press; 2007:.
33. NetburnD (2007) The Strange Web Saga of Emokid21. At http://alissabrooke.proboards.com/index.cgi?board=otherseries&action=display&thread=1727.
34. Newcomb HTV: The Most Popular Art. New York: Anchor Books; 1974:.
35. Roberts G (2004) Movie-making in the new media age. In: Gauntlett D and Horsley R (eds) Web Studies. London: Arnold.
36. Rushfield R,Hoffman C.Lonelygirl15 video blog is brainchild of 3 filmmakers.Los Angeles Times. 2006;:.
37. Smith B.Jennicam, or the telematic theatre of a real life.International Journal of Performance Arts and Digital Media. 2005;1:91-100.
38. WolkD (2006) The syncher, not the song: The irresistible rise of the Numa Numa dance. The Believer. At http://believermag.com/issues/200606/?read=article_wolk.