La Cavalcata Sarda: Performing Identities in a Contemporary Sardinian Festival

Festivals, Tourism and Social Change: Remaking Worlds

Volumn , Issue , 2006, Pages 32-45

  Azara, Iride ^a   Crouch, David ^a  

^a UNIVERSITY OF DERBY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79960315390     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (21)

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12. Kaeppler, A. (1983) Dance in Tonga: The communication of social values through an artistic medium. Journal for the Anthropological Study of Human Movement 2 (3), 122-28.
13. MacCannell, D. (1989) The Tourist: A New Theory of the Leisure Class. New York:Schoken Books.
14. Magliocco, S. (2001) Coordinates of power and performance. Festivals as sites of (re)presentation and reclamation in Sardinia. In Ethnologies 23 (1), 167-88.
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16. Mazzette, A. (2002) Modelli di turismo in Sardegna, tra sviluppo locale e processi di globalizzazione. Milano: FrancoAngeli.
17. Meloni, A. (2001) La prima festa laica dell’isola. In La Nuova Sardegna, inserto speciale ‘La Cavalcata Sarda’, 19 May 2001, p. III.
18. Odermatt, P. (1996) A case of neglect? The politics of (re)presentation: A Sardinian case. In J. Boissevain (ed.) Coping with Tourists, European Reactions to Mass Tourism (pp.112-42). New York: Berghahn Books.
19. Van Gennep, A. (1960) The Rites of Passage. London: Routledge and Kegan Paul Ltd.
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21. Worsley, P. (1968) The Trumpet Shall Sound: A Study of ‘Cargo’ Cults in Melanesia. London: Mackibbon & Kee.