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Volumn 35, Issue 2, 2011, Pages 36-48

Design and evaluation of human-computer rhythmic interaction in a tutoring system

Author keywords

[No Author keywords available]

Indexed keywords

HAND-CLAPPING; HUMAN-COMPUTER; INTERACTION FRAMEWORK; TEMPORAL ASPECTS; TRAINING SESSIONS; TUTORING SYSTEM; VIRTUAL TUTORS; VISUAL CUES;

EID: 79957585373     PISSN: 01489267     EISSN: 15315169     Source Type: Journal    
DOI: 10.1162/COMJ_a_00055     Document Type: Article
Times cited : (17)

References (21)
  • 1
    • 21244495127 scopus 로고    scopus 로고
    • Collaborative musical experiences for novices
    • Blaine, T., and S. Fels. 2003. "Collaborative Musical Experiences for Novices." Journal of New Music Research 32(4):411-428
    • (2003) Journal of New Music Research , vol.32 , Issue.4 , pp. 411-428
    • Blaine, T.1    Fels, S.2
  • 6
    • 78649424858 scopus 로고    scopus 로고
    • iPalmas-An Interactive flamenco rhythm machine
    • Jylhä, A., et al. 2009. "iPalmas-An Interactive Flamenco Rhythm Machine." In Proceedings of Audio Mostly, pp. 69-76.
    • (2009) Proceedings of Audio Mostly , pp. 69-76
    • Jylhä, A.1
  • 13
    • 57949090493 scopus 로고    scopus 로고
    • Real-Time visual feedback for learning to perform short rhythms with expressive variations in timing and loudness
    • Sadakata, M., et al. 2008. "Real-Time Visual Feedback for Learning to Perform Short Rhythms with Expressive Variations in Timing and Loudness." Journal of New Music Research 37(3):207-220.
    • (2008) Journal of New Music Research , vol.37 , Issue.3 , pp. 207-220
    • Sadakata, M.1
  • 14
    • 14644439590 scopus 로고    scopus 로고
    • Computational models of musical meter recognition
    • Department of Information Technology, Tampere University of Technology
    • Seppänen, J. 2001. "Computational Models of Musical Meter Recognition." Master's Thesis, Department of Information Technology, Tampere University of Technology.
    • (2001) Master's Thesis
    • Seppänen, J.1
  • 15
    • 70349512516 scopus 로고    scopus 로고
    • Evaluation of live human- computer music-making: Quantitative and qualitative approaches
    • Stowell, D., et al. 2009. Evaluation of Live Human- Computer Music-Making: Quantitative and Qualitative Approaches. International Journal of Human Computer Studies 67(11):960-975.
    • (2009) International Journal of Human Computer Studies , vol.67 , Issue.11 , pp. 960-975
    • Stowell, D.1
  • 18
    • 0036750135 scopus 로고    scopus 로고
    • Evaluation of input devices for musical expression: Borrowing tools from HCI
    • DOI 10.1162/014892602320582981
    • Wanderley, M., and N. Orio. 2002. "Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI." Computer Music Journal 26(3) :62-76. (Pubitemid 35201867)
    • (2002) Computer Music Journal , vol.26 , Issue.3 , pp. 62-76
    • Wanderley, M.M.1    Orio, N.2
  • 19
    • 40549125346 scopus 로고    scopus 로고
    • The Beatbug-Evolution of a musical controller
    • Weinberg, G. 2008. "The Beatbug-Evolution of a Musical Controller." Digital Creativity 19(1):3-18.
    • (2008) Digital Creativity , vol.19 , Issue.1 , pp. 3-18
    • Weinberg, G.1
  • 20
    • 34548259245 scopus 로고    scopus 로고
    • The interactive robotic percussionist: New developments in form, mechanics, perception and interaction design
    • DOI 10.1145/1228716.1228730, HRI 2007 - Proceedings of the 2007 ACM/IEEE Conference on Human-Robot Interaction - Robot as Team Member
    • Weinberg, G., and S. Driscoll. 2007. "The Interactive Robotic Percussionist: New Developments in Form, Mechanics, Perception and Interaction Design." In Proceedings of the ACM/IEEE International Conference on Human-Robot Interaction, pp. 97-104. (Pubitemid 47327132)
    • (2007) HRI 2007 - Proceedings of the 2007 ACM/IEEE Conference on Human-Robot Interaction - Robot as Team Member , pp. 97-104
    • Weinberg, G.1    Driscoll, S.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.