Spatial composition techniques and sound spatialisation technologies

Organised Sound

Volumn 15, Issue 3, 2010, Pages 209-218

  Baalman, Marije A J ^a  

^a NONE   (Netherlands)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79955159335     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: 10.1017/S1355771810000245     Document Type: Article

References (31)

1. Adriaensen, F. 2007. A Tetrahedral Microphone Processor for Ambisonic Recording. Proceedings of the Linux Audio Conference 2007, Technische Universitat Berlin, 22-25 March.
2. Baalman, M.A.J. 2002. Spaciousness in Concert Halls: Perceptibility of IACC-differences. Master's thesis, Technische Universitat Delft.
3. Baalman, M.A.J. 2007. On Wave Field Synthesis and Electro-Acoustic Music: State of the Art 2007. Proceedings of the International Computer Music Conference 2007, Copenhagen, Denmark, 27-31 August.
4. Baalman, M.A.J. 2008. On Wave Field Synthesis and Electro-Acoustic Music, with a Particular Focus on the Reproduction of Arbitrarily Shaped Sound Sources. PhD thesis, Technische Universitat Berlin.
5. Barrett, N. 2002. Spatio-Musical Composition Strategies. Organised Sound 7(3): 313-23.
6. Bartetzki, A. 2007. A Software Based Mixing Desk for Acousmatic Sound Diffusion. Proceedings of the Linux Audio Conference 2007, Technische Universitat Berlin.
7. Berkhout, A.J. 1988. A Holographic Approach to Acoustic Control. Journal of the Audio Engineering Society 36(12): 977-95.
8. Blauert, J. 1997. Spatial Hearing. Cambridge, MA: The MIT Press.
9. Bohmer, K. 1961. Raum-Former. In Das böse Ohr: Texte zur Musik 1961-1991, ed. Burkhardt Soll. Cologne: DuMont, 1993.
10. Daniel, J., Nicol, R. and Moreau, S. 2003. Further Investigations of High Order Ambisonics and Wavefield Synthesis for Holophonic Sound Imaging. Proceedings of the 114th Convention of the Audio Engineering Society, Amsterdam, 22-25 March.
11. De Bruijn, W.P.J. and Boone, M.M. 2003. Application of Wave Field Synthesis in Life-Size Videoconferencing. Proceedings of the 114th Convention of the Audio Engineering Society, Amsterdam, 22-25 March.
12. Gertich, F., Gerlach, J. and Follmer, G. 1996. Musik y, verwandelt. Das Elektronische Studio der TU Berlin 1953-1995. Hofheim: Wolke Verlag.
13. Huygens, C. 1690. Traité de la lumière; où sont expliquées les causes de ce qui luy arrive dans la réflexion et dans la refraction et particulièrement dans l'étrange refraction du cristal d'Islande; avec un discours de la cause de la pesanteur. Leiden: P. van der Aa.
14. Kendall, G.S. 1995. The Decorrelation of Audio Signals and its Impact on Spatial Imagery. Computer Music Journal 19(4): 71-87.
15. Kendall, G.S. 2007. The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata. Proceedings of the International Computer Music Conference 2007, Copenhagen, 27-31 August, vol. 1: 63-8.
16. Kendall, G.S., Peters, N. and Geier, M. 2008. Towards an Interchange Format for Spatial Audio Scenes. Proceedings of the International Computer Music Conference (ICMC), Belfast, August.
17. Kopp, S. 2005. Programmierung eines Plugins zur Deko-dierung quadrofon matrizierter Audiosignale. Master's thesis, Technische Universitat Berlin.
18. Lossius, T., Balthazar, P. and De la Hogue, Th. 2009. DBAP: Distance Based Amplitude Panning. Proceedings of the International Computer Music Conference (ICMC) 2009, Montreal, QC: 489-92.
19. Malham, D.G. and Myatt, A. 1995. 3-D Sound Spatiali-zation using Ambisonic Techniques. Computer Music Journal 19(4): 58-70.
20. Momeni, A. and Wessel, D. 2003. Characterizing and Controlling Musical Material Intuitively with Geometric Models. Proceedings of the 2003 International Conference on New Interfaces for Musical Expression, McGill University, Montreal, QC, 22-24 May: 54-61.
21. Moore, B.C.J. 2004. An Introduction to the Psycholog Hearing. London: Elsevier Academic Press.
22. Plogsties, J., Baum, O. and Grill, B. 2003. Conve Spatial Sound using MPEG-4. Proceedings of the 24th Conference, Banff, 26-28 June.
23. Potard, G. 2006. 3D-Audio Object Oriented Coding. thesis, University of Wollongong.
24. Pulkki, V. 2001. Spatial Sound Generation and Perceptio Amplitude Panning Techniques. PhD thesis, Hels University of Technology.
25. Ramakrishnan, C., Goßmann, J. and Brummer, L. 2 The ZKM Klangdom. Proceedings of the New Interf for Musical Expression - NIME 06. Paris: IRCA Centre Pompidou in collaboration with MINT/O Sorbonne University, 140-3.
26. Rutz, H.H. 2004. Meloncillo - eine graphische Benut oberfläche zur musikalischen Raumklangsteuerung Implementierung einer OSC-Schnittstelle zur Kl synthese. Master's thesis, Technische Universitat Be
27. Schroeder, M.R. 1962. Natural Sounding Artificial Re beration. Journal of the Audio Engineering Society 1 219-23.
28. Treib, M. 1996. Space Measured in Seconds. Princeton, Princeton University Press.
29. Vaggione, H. 2001. Composing Musical Spaces by M of Decorrelation of Audio Signals. Addendum of COST G-6 Conference on Digital Audio Eff (DAFX-01), Limerick, 6-8 December: Addendum
30. Varese, E. 1936. New Instruments and New Music C. Cox and D. Warner (eds), Audio Culture: Readin Modern Music. New York: Continuum, 2006.
31. Wittek, H. 2002. OPSI: Optimised Phantom Source Ima of the High Frequency Content of Virtual Source Wave Field Synthesis. Munich: Institut fur Rundf technik.