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Volumn 7, Issue 3, 2002, Pages 313-323

Spatio-musical composition strategies

(1)  Barrett, Natasha a  

a NONE   (Norway)

Author keywords

[No Author keywords available]

Indexed keywords


EID: 85017094065     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: 10.1017/S1355771802003114     Document Type: Article
Times cited : (42)

References (17)
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  • 2
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    • Granny
    • Three-dimensional granulation software, http://www. notam02.no/~natashab/granny.html
    • Barrett, N., and Hammer, K. 2002. Granny. Three-dimensional granulation software, http://www.notam02.no/~natashab/granny.html
    • (2002)
    • Barrett, N.1    Hammer, K.2
  • 3
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    • Handbook of Environmental Psychology
    • New York: John Wiley and Sons, Inc.
    • Bechtel, C. 2002. Handbook of Environmental Psychology. New York: John Wiley and Sons, Inc.
    • (2002)
    • Bechtel, C.1
  • 4
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    • Spatial Hearing - the Psychophysics of Human Sound Localization
    • Second Edn. Cambridge, MA: MIT Press.
    • Blauert, J. 2001. Spatial Hearing - the Psychophysics of Human Sound Localization, Second Edn. Cambridge, MA: MIT Press.
    • (2001)
    • Blauert, J.1
  • 5
    • 0006695176 scopus 로고    scopus 로고
    • Sound, space, sculpture: some thoughts on the ‘what’, ‘how’, and ‘why’ of sound diffusion
    • Harrison, J. 1998. Sound, space, sculpture: some thoughts on the ‘what’, ‘how’, and ‘why’ of sound diffusion. Organised Sound 3(2): 117–27.
    • (1998) Organised Sound , vol.3 , Issue.2 , pp. 117-127
    • Harrison, J.1
  • 6
    • 18344386012 scopus 로고    scopus 로고
    • Toward reality equivalence in spatial sound diffusion
    • Malham, D. 2001. Toward reality equivalence in spatial sound diffusion. Computer Music Journal 25(4): 31–8.
    • (2001) Computer Music Journal , vol.25 , Issue.4 , pp. 31-38
    • Malham, D.1
  • 7
    • 85022896849 scopus 로고
    • Three-dimensional sound spatialisation using ambisonic techniques. Computer Music Journal 19 (4) : 58-70. Martin, R., McAnally, K., and Senova, M. 2001. Free-held equivalent of virtual audio. Journal of the Audio Engineering Society
    • Malham, D., and Myatt, A. 1995. Three-dimensional sound spatialisation using ambisonic techniques. Computer Music Journal 19(4): 58-70. Martin, R., McAnally, K., and Senova, M. 2001. Free-held equivalent of virtual audio. Journal of the Audio Engineering Society 49(1): 14–23.
    • (1995) , vol.49 , Issue.1 , pp. 14-23
    • Malham, D.1    Myatt, A.2
  • 8
  • 9
    • 0004149074 scopus 로고
    • The Tuning of the World
    • Vermont: Destiny Books.
    • Murray-Shafer, R. 1977. The Tuning of the World. Vermont: Destiny Books.
    • (1977)
    • Murray-Shafer, R.1
  • 10
    • 0004178503 scopus 로고
    • The Science of Sound
    • Addison-Wesley Publishing Company.
    • Rossing, T. 1990. The Science of Sound. Addison-Wesley Publishing Company.
    • (1990)
    • Rossing, T.1
  • 11
    • 0038200322 scopus 로고
    • Spectromorphology and structuring processes
    • In S. Emmerson (ed.), London: Macmillan Press.
    • Smalley, D. 1986. Spectromorphology and structuring processes. In S. Emmerson (ed.) The Language of Electroacoustic Music. London: Macmillan Press.
    • (1986) The Language of Electroacoustic Music.
    • Smalley, D.1
  • 12
    • 85022774239 scopus 로고    scopus 로고
    • Organised Sound 2 (2) : 107–26. Nattiez, J-J. 1990. Music and Discourse
    • Princeton: University Press.
    • Smalley, D. 1997. Organised Sound 2(2): 107–26. Nattiez, J-J. 1990. Music and Discourse. Princeton: University Press.
    • (1997)
    • Smalley, D.1
  • 13
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    • On Sonic Art. York : Imagineering Press. Barrett, N. 2000. ‘The Utility of Space’. Stereo version released on Isostasis
    • IMED 0262. Ambisonics version available from the composer.
    • Wishart, T. 1985. On Sonic Art. York: Imagineering Press. Barrett, N. 2000. ‘The Utility of Space’. Stereo version released on Isostasis. IMED 0262. Ambisonics version available from the composer.
    • (1985)
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  • 14
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    • ‘Prince Prospero’s Party’. Stereo version in press. Ambisonics version available from the composer
    • Barrett, N. 2002. ‘Prince Prospero’s Party’. Stereo version in press. Ambisonics version available from the composer.
    • (2002)
    • Barrett, N.1
  • 15
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    • ‘Espace/Escape’. Released on
    • IMED
    • Dhomont, F. 1989. ‘Espace/Escape’. Released on Mouvances ~Metaphores. IMED 9607.
    • (1989) Mouvances ~Metaphores.
    • Dhomont, F.1
  • 16
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    • ‘Presque Rien’. INA C
    • Ferrari, L. 1977. ‘Presque Rien’. INA C 2008.
    • (1977)
    • Ferrari, L.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.