Natural born killers: Rhythms of the filmic image and styles of violence

Semiotics of the Media: State of the Art, Projects, and Perspectives

Volumn , Issue , 2016, Pages 239-253

  Cohen, Alain J J ^a  

^a NONE

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[No Author keywords available]

Indexed keywords

EID: 79954729857     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1515/9783110803617-018     Document Type: Chapter

References (13)

1. Baudrillard, Jean 1981 Simulacres et simulations, Paris: Galilée.
2. Baudrillard, Jean 1990 La transparence du mal. Paris: Galilée.
3. Cohen, Alain J.-J. 1989 Psycho: programmes filmiques de la psychose. (Documents de Travail, No. 186). Urbino: Centro Internazionale di Semiotica e Linguistica.
4. Cohen, Alain J.-J. 1992 “Godard/Lang/Godard: The film-within-the-film”, American Journal of Semiotics 9(4): 115-130.
5. Cohen, Alain J.-J. 1996 “Stochastics of sex and death in Basic|filmic|Instinct” Semiotica 112: 109-121.
6. Deleuze, Gilles 1985 Cinéma 2: L’image-temps. Paris: Minuit.
7. Greimas, Algirdas-Julien (ed.) 1972 Essais de sémiotique poétique. Paris: Larousse.
8. Groupe u 1992 Traité du signe visuel. Paris: Seuil.
9. Jousse, Thierry 1994 “O. Stone et les tueurs de l’image”, Cahiers du Cinéma No. 484: 50-53.
10. Metz, Christian 1968 Essais sur la signification au cinéma. Paris: Klincksieck.
11. Metz, Christian 1982 [1977] The imaginary signifier. Bloomington: Indiana Univ. Press.
12. Nöth, Winfried 1990 Handbook of semiotics. Bloomington: Indiana Univ. Press.
13. Truffaut, François 1985 Hitchcock. New York: Simon and Schuster.