Stochastics of sex and death in Basic |filmic| Instinct

Semiotica

Volumn 112, Issue 1-2, 1996, Pages 109-122

  Cohen, Alain J J ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84867955129     PISSN: 00371998     EISSN: 16133692     Source Type: Journal    
DOI: 10.1515/semi.1996.112.1-2.109     Document Type: Article

References (16)

1. Almodovar, Pedro (1987). Matador. Cinevista.
2. Barthes, Roland (1970). S/Z. Paris: Seuil.
3. Cohen, Alain J.J. (1988). Rosebud: il Nome della ‘Ruse’ (un film di Greimas). Carte semiotiche 4/5, 285–292. Firenze: La Casa Usher.
4. Cohen, Alain J.J. (1989). Psycho: Programmes filmiques de la psychose. Documents de Travail, C.I.S.e.L. Urbino, 186(F), 1–16.
5. Cohen, Alain J.J. (1992). Godard/Lang/Godard — the film-within-the-film: Finite regress and other semiotic conventions. American Journal of Semiotics 4, 115–130.
6. Freud, Sigmund (1955). An Infantile Neurosis. Standard edition, vol. 17. London: Hogarth Press. [First published in 1914.]
7. Greimas, Algirdas (1976). Maupassant. La sémiotique du texte. Paris: Seuil.
8. Hitchcock, Alfred (1945). Spellbound. The Selznick Studio.
9. Hitchcock, Alfred (1958). Vertigo. Universal Films.
10. Hitchcock, Alfred (1960). Psycho. Universal Films.
11. Jakobson, Roman (1956). Two aspects of language and two types of aphasic disturbances. In Fundamentals of Language, part 2, R. Jakobson and M. Halle (eds.), 53–82. The Hague: Mouton.
12. Leclaire, Serge (1966). A propos de l'Analyse par Freud de l'Homme aux Loups. In Cahiers pour l'analyse 5, 1–36. Paris: Le Graphe/Seuil.
13. Metz, Christian (1968). Essais sur la signification au cinéma, I. Paris: Klincksieck.
14. Metz, Christian (1977). Le Signifiant imaginaire: Psychanalyse et Cinéma. Paris: Union Générale d'Editions.
15. Metz, Christian (1991). L'Enonciation impersonnelle ou le site du film. Paris: Méridiens Klincksieck.
16. Verhoeven, Paul (1992). Basic Instinct. Carolco/Canal +.