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Volumn , Issue , 2001, Pages

Articulation Rules For Automatic Music Performance

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC;

EID: 78650867381     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (12)

References (21)
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  • 2
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    • Analysis and synthesis of musical rhythm
    • J. Sundberg (Ed), Stockholm: Publications issued by the Royal Swedish Academy of Music
    • Bengtsson, I. and A. Gabrielsson. 1983. “Analysis and synthesis of musical rhythm.” In J. Sundberg (Ed.), Studies of music performance, Stockholm: Publications issued by the Royal Swedish Academy of Music, 39:27-59
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    • Bengtsson, I.1    Gabrielsson, A.2
  • 4
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    • Articulation strategies in expressive piano performance. Analysis of legato, staccato, and repeated notes in performances of the Andante movement of Mozart's sonata in G major (K 545)
    • (2000)
    • Bresin, R., and G.U. Battel. 2000. “Articulation strategies in expressive piano performance. Analysis of legato, staccato, and repeated notes in performances of the Andante movement of Mozart's sonata in G major (K 545).” Journal of New Music Research, 29 (2000), No 3, 211-224
    • (2000) Journal of New Music Research , vol.29 , Issue.3 , pp. 211-224
    • Bresin, R.1    Battel, G.U.2
  • 5
    • 0002549801 scopus 로고    scopus 로고
    • Emotional Coloring of Computer-Controlled Music Performances
    • Bresin, R. and A. Friberg. 2000. “Emotional Coloring of Computer-Controlled Music Performances.” Computer Music Journal, 24:4, 44-63
    • (2000) Computer Music Journal , vol.24 , Issue.4 , pp. 44-63
    • Bresin, R.1    Friberg, A.2
  • 6
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    • Production of staccato articulation in Mozart sonatas played on a grand piano. Preliminary results
    • Stockholm: KTH
    • Bresin, R., and G. Widmer. 2000. “Production of staccato articulation in Mozart sonatas played on a grand piano. Preliminary results.” Speech Music and Hearing Quarterly Progress and Status Report, Stockholm: KTH, 2000(4):1-6
    • (2000) Speech Music and Hearing Quarterly Progress and Status Report , vol.2000 , Issue.4 , pp. 1-6
    • Bresin, R.1    Widmer, G.2
  • 7
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    • Combining Instrument and Performance Models for high-quality Music Synthesis
    • Dannenberg, R., and I. Derenyi. 1998. “Combining Instrument and Performance Models for high-quality Music Synthesis.” Journal of New Music Research, 27(3):211-238
    • (1998) Journal of New Music Research , vol.27 , Issue.3 , pp. 211-238
    • Dannenberg, R.1    Derenyi, I.2
  • 9
    • 11344283979 scopus 로고
    • Intention and emotional expression in music performance
    • A. Friberg, J. Iwarsson, E. Jansson & J. Sundberg (Eds) Stockholm: Royal Swedish Academy of Music
    • Gabrielsson, A. 1994. “Intention and emotional expression in music performance.” In A. Friberg, J. Iwarsson, E. Jansson & J. Sundberg (Eds.) Proceedings of the Stockholm Music Acoustics Conference 1993, Stockholm: Royal Swedish Academy of Music, 108-111
    • (1994) Proceedings of the Stockholm Music Acoustics Conference 1993 , pp. 108-111
    • Gabrielsson, A.1
  • 11
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    • Emotional expression in music performance: between the performer's intention and the listener's experience
    • Gabrielsson, A., and P.N. Juslin. 1996. “Emotional expression in music performance: between the performer's intention and the listener's experience.” Psychology of Music, 24:68-91
    • (1996) Psychology of Music , vol.24 , pp. 68-91
    • Gabrielsson, A.1    Juslin, P.N.2
  • 12
    • 0242506128 scopus 로고    scopus 로고
    • Toward a computational model of expression in performance: The GERM model
    • press
    • Juslin, P. N., A. Friberg, and R. Bresin. In press. “Toward a computational model of expression in performance: The GERM model.” Musicae Scientiae.
    • Musicae Scientiae
    • Juslin, P. N.1    Friberg, A.2    Bresin, R.3
  • 15
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    • Automatic Synthesizer Articulation
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  • 16
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    • Repp, B.1
  • 17
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    • (1997) Journal of Acoustical Society of America , vol.102 , Issue.3 , pp. 1878-1890
    • Repp, B.1
  • 19
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    • Performances of Chopin, Bach and Bartok: studies in motor programming
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  • 21
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    • Woody, R.H. 1997. “Perceptibility of changes in piano tone articulation.” Psychomusicology, 16:102-109
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    • Woody, R.H.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.