Generating musical performances with director musices

Computer Music Journal

Volumn 24, Issue 3, 2000, Pages 23-29

  Friberg, Anders ^a   Colombo, Vittorio ^a   Frydén, Lars ^a   Sundberg, Johan ^a  

^a ROYAL INSTITUTE OF TECHNOLOGY   (Sweden)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0013239883     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.1162/014892600559407     Document Type: Review

References (13)

1. Bresin, R. 1993. "MELODIA: A Program for Performance Rules Testing, Teaching, and Piano Score Performance." In Proceedings of the X Colloquio di Informatica Musicale, Milano, December 1993. Milano: University of Milano, pp. 325-327.
2. Bresin, R., and A. Friberg. 1997. "A Multimedia Environment for Interactive Music Performance". In A. Camurri, ed. Proceedings of KANSEI - The Technology of Emotion AIMI International Workshop, Milano. Genova: University of Genova, pp. 64-67.
3. Bresin, R., and A. Friberg. 1998. "Emotional Expression in Music Performance: Synthesis and Decoding." TMH-QPSR, Speech Music and Hearing Quarterly Progress and Status Report 4: 83-92.
4. Friberg, A. 1991. "Generative Rules for Music Performance: A Formal Description of a Rule System." Computer Music Journal 15(2):56-71.
5. Friberg, A. 1995a. "Matching the Rule Parameters of Phrase Arch to Performances of Träumerei: A Preliminary Study." In A. Friberg and J. Sundberg, eds. Proceedings of the KTH Symposium on Grammars for Music Performance. Stockholm: Royal Institute of Technology, pp. 37-44.
6. Friberg, A. 1995b. A Quantitative Rule System for Musical Performance. Stockholm: Royal Institute of Technology.
7. Friberg, A., et al. 1991. "Performance Rules for Computer-Controlled Contemporary Keyboard Music." Computer Music Journal 15(2):49-55.
8. Friberg, A., et al. 1998. "Musical Punctuation on the Microlevel: Automatic Identification and Performance of Small Melodic Units." Journal of New Music Research 27(3):271-292.
9. Friberg, A., and J. Sundberg. 1999. "Does Music Performance Allude to Locomotion? A Model of Final Ritardandi Derived from Measurements of Stopping Runners." Journal of the Acoustical Society of America 105(3): 1469-1484.
10. Juslin, P., A. Friberg, and R. Bresin. 1999. "Towards a Computational Model of Performance Expression: The GERM Model." Paper presented at the Society for Music Perception and Cognition 1999 Conference, Evanston, Illinois, USA.
11. Sundberg, J. 1988. "Computer Synthesis of Music Performance." In J. A. Sloboda, ed. Generative Processes in Music. New York: Oxford University Press.
12. Sundberg, J. 1993. "How Can Music Be Expressive?" Speech Communication 13:239-253.
13. Sundberg, J. 1999. "Cognitive Aspects of Music Performance." In I. Zannos, ed. Music and Signs, Semiotic and Cognitive Studies in Music. Bratislava: ASCO Art and Science, pp. 219-230.