A historical analysis of hip-hop's influence in Dakar from 1984 - 2000

American Behavioral Scientist

Volumn 55, Issue 1, 2011, Pages 24-35

  Herson, Ben ^a  

^a Nomadic Wax   (United States)

Author keywords

African hip hop; Dakar; global hip hop; Hip hop; international hip hop; Senegal; youth bulge; youth culture

Indexed keywords

EID: 78650784226     PISSN: 00027642     EISSN: 15523381     Source Type: Journal    
DOI: 10.1177/0002764210381727     Document Type: Article

References (9)

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2. Diouf, M. (1996). Urban youth and Senegalese politics: Dakar 1988-1994. Public Culture, 8(2), 225-250.
3. El-Kenz, A. (1996). Youth and violence. In S. Ellis (Ed.), Africa now: People, policies, and institutions. London: Heinemann.
4. Fatton, R., Jr. (1987). The making of a liberal democracy: Senegal's passive revolution. Boulder, CO: Lynn Rienner.
5. Hebdige, D. (1987). Cut 'n' mix: Culture, identity and Caribbean music. London, UK: Methuen.
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7. Lipsitz, G. (1994). Dangerous crossroads: Popular music, postmodernism, and the poetics of place. London, UK: Verso.
8. Rose, T. (1994). Black noise: Rap music and Black culture in contemporary America. Hanover, NH: Wesleyan University Press; published by University Press of New England.
9. Wallis, R., & Malm, K. (1984). Big sounds from small peoples: The music industry in small countries. New York, NY: Pendragon.