Motor-mimetic music cognition

Leonardo

Volumn 36, Issue 4, 2003, Pages 317-319

  Godøy, Rolf Inge ^a  

^a UNIVERSITY OF OSLO   (Norway)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33751216235     PISSN: 0024094X     EISSN: None     Source Type: Journal    
DOI: 10.1162/002409403322258781     Document Type: Conference Paper

References (17)

1. A.S. Bregman, Auditory Scene Analysis (Cambridge, MA, and London: MIT Press, 1990)
2. B.E. Stein and M.A. Meredith, The Merging of the Senses (Cambridge, MA: MIT Press, 1993)
3. A. Berthoz, Le sens du mouvement (Paris: Odile Jacob, 1997)
4. See R.I. Godøy, Formalization and Epistemology (Oslo, Norway: Scandinavian Univ. Press, 1997) for a discussion of this phenomenon
5. D.F. Rosenthal and. H.G. Okuno, eds., Computational Auditory Scene Analysis (Mahwah, NJ: Lawrence Erlbaum, 1998)
6. H. McGurk and J. MacDonald, "Hearing Lips and Seeing Voices," Nature 264 (1976) pp. 746-748
7. G.A. Calvert et al., "Crossmodal Identification," Trends in Cognitive Science 2, No. 7, 247-253 (1998)
8. R.I. Godøy, "Knowledge in Music Theory by Shapes of Musical Objects and Sound-Producing Actions," in M. Leman, ed., Music, Gestalt, and Computing (Berlin: Springer Verlag, 1997) pp. 106-110
9. G.A. Miller, "The Magic Number Seven Plus or Minus Two: Some Limits on Our Capacity for Processing Information," Psychological Review 63 (1956) pp. 81-97
10. R.I. Godøy and. H. Jørgensen, eds., Elements of Musical Imagery (Lisse, the Netherlands: Swets & Zeitlinger, 2001)
11. M. Mikumo, Encoding Strategies for Pitch Information, Japanese Psychological Monographs No. 27 (The Japanese Psychological Association, 1998)
12. S. Handel, "Timbre Perception and Auditory Object Identification," in B.C. Moore, ed., Hearing (San Diego: Academic Press, 1995) pp. 425-461
13. D.J. Freed, "Auditory Correlates of Perceived Mallet Hardness for a Set of Recorded Percussive So und Events," Journal of the Acoustical Society of America 87 (1990) pp. 311-322
14. J. Mandelbrojt, Les cheveux de la réalité (Nice, France: Alliage, 1991)
15. D.A. Rosenbaum, Human Motor Control (San Diego, CA: Academic Press, 1991)
16. AM. Libermann and I.G. Mattingly, "The Motor Theory of Speech Perception Revised," Cognition 21 (1985) pp. 1-36
17. See W. Slawson, Tone Colour (Berkeley, Los Angeles, London: University of California Press, 1985) for a discussion of such tone-color terms