HMM-based approach for automatic chord detection using refined acoustic features

ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings

Volumn , Issue , 2010, Pages 5518-5521

  Ueda, Yushi ^a   Uchiyama, Yuki ^a   Nishimoto, Takuya ^a   Ono, Nobutaka ^a   Sagayama, Shigeki ^a  

^a UNIVERSITY OF TOKYO   (Japan)

Author keywords

Audio chord detection; Diagonalization; Dynamic features; HMM; HPSS

Indexed keywords

AUDIO ACOUSTICS; FEATURE EXTRACTION; MUSIC; SIGNAL PROCESSING;

ACOUSTIC FEATURES; ACOUSTIC SIGNALS; AUDIO CHORD DETECTION; CHORD SEQUENCE; DIAGONALIZATIONS; DYNAMIC FEATURES; HARMONIC/PERCUSSIVE SOUND SEPARATIONS; HMM; HMM-BASED; MUSICAL ACOUSTICS;

COVARIANCE MATRIX;

EID: 78049378319     PISSN: 15206149     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1109/ICASSP.2010.5495218     Document Type: Conference Paper

References (17)

1. T. Kawakami, M. Nakai, H. Shimodaira and S. Sagayama, "Harmonization for melody using HMM," in Proc. JHES, F-61, p. 361, 1999. (in Japanese)
2. T. Kawakami, M. Nakai, H. Shimodaira and S. Sagayama, "Hidden Markov Model Applied to Automatic Harmonization of Given Melodies," in Technical Report of IPSJ, 1999-MUS-034, pp. 59-66, 2000
3. and in Technical Report of IEICE, SP99-156, pp. 25-32, 2000. (in Japanese)
4. A. Sheh and D. P. W. Ellis, "Chord segmentation and recognition using EM-trained hidden Markov models," in Proc. ISMIR, pp. 183-189, 2003.
5. T. Fujishima, "Real-time chord recognition of musical sound: A system using common lisp music," in Proc. ICMC, pp. 464-467, 1999.
6. J. P. Bello and J. Pickens, "A robust mid-level representation for harmonic content in music signal," in Proc. ISMIR, pp. 304-311, 2005.
7. K. Lee andM. Slaney, "Acoustic chord transcription and key extraction from audio using key-dependent HMMs trained on synthesized audio," IEEE Trans. on Audio Speech and Language Processing, vol. 16, no. 2, pp. 291-301, 2008.
8. H. Papadopoulos and G. Peeters, "Large-scale study of chord estimation algorithms based on chroma representation and HMM," in Proc. CBMI, pp. 53-60, 2007.
9. M. Mauch and S. Dixon, "A discrete mixture model for chord labelling," in Proc. ISMIR, pp. 45-50, 2008.
10. N. Ono, K. Miyamoto, J. L. Roux, H. Kameoka and S. Sagayama, "Separation of a monaural audio signal into harmonic/percussive components by complementary diffusion on spectrogram," in Proc. EUSIPCO, 2008.
11. J. Brown, "Calculation of a Constant Q Spectral Transform," Journal of the Acoustical Society of America, vol. 89, no. 1, pp. 425-434, 1991.
12. http://www.music-ir.org/mirex/2008/index.php/Main-Page
13. G. Golub and C. Van Loan, Matrix Computations, Johns Hopkins University Press, 1996.
14. C. Harte, M. Sandler, and M. Gasser, "Detecting harmonic change in musical audio," in Proc. Audio Music Computer Multimedia Work Shop, pp. 21-26, 2006.
15. S. Sagayama and F. Itakura, "On individuality in a dynamic measure of speech," in Proc. Spring ASJ Meeting, 3-2-7, pp. 589-590, June 1979. (in Japanese)
16. L. Rabiner and B.-H. Juang, Fundamentals of Speech Recognition, Upper Saddle River, NJ: Prentice Hall, 1993.
17. C. Harte, M. Sandler, S. Abdallah and E. Gómez, "Symbolic representation of musical chords: A proposed syntax for text annotations," in Proc. ISMIR, pp. 66-71, 2005.