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Volumn , Issue , 2008, Pages 45-50

A discrete mixture model for chord labelling

Author keywords

[No Author keywords available]

Indexed keywords

CROSS VALIDATION; DISCRETE MIXTURE; END-PRODUCTS; GAMMA-DISTRIBUTED; HIGH DEMAND; INPUT FEATURES; MUSIC SIMILARITY; STATE-OF-THE-ART APPROACH; TEMPORAL COHERENCE;

EID: 77955840442     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (14)

References (16)
  • 1
    • 33751526124 scopus 로고    scopus 로고
    • Using duration models to reduce fragmentation in audio segmentation
    • Samer Abdallah, Mark Sandler, Christophe Rhodes, and Michael Casey. Using duration models to reduce fragmentation in audio segmentation. Machine Learning, 65: 485-515, 2006.
    • (2006) Machine Learning , vol.65 , pp. 485-515
    • Abdallah, S.1    Sandler, M.2    Rhodes, C.3    Casey, M.4
  • 2
    • 84873553947 scopus 로고    scopus 로고
    • A robust mid-level representation for harmonic content in music signals
    • Juan P. Bello and Jeremy Pickens. A Robust Mid-level Representation for Harmonic Content in Music Signals. In Proc. ISMIR 2005, London, UK, 2005.
    • (2005) Proc. ISMIR 2005, London, UK
    • Bello, J.P.1    Pickens, J.2
  • 3
    • 84873464288 scopus 로고    scopus 로고
    • Allgemeine musikpsychologie, volume 1 of VII musikpsychologie, chapter 12
    • Hogrefe, Göttingen, Enzyklopädie der Psychologie edition
    • Herbert Bruhn. Allgemeine Musikpsychologie, Volume 1 of VII Musikpsychologie, chapter 12. Mehrstimmigkeit und Harmonie, pages 403-449. Hogrefe, Göttingen, Enzyklopädie der Psychologie edition, 2005.
    • (2005) Mehrstimmigkeit und Harmonie , pp. 403-449
    • Bruhn, H.1
  • 5
    • 85099848325 scopus 로고    scopus 로고
    • Real time chord recognition of musical sound: A system using common lisp music
    • Takuya Fujishima. Real Time Chord Recognition of Musical Sound: a System using Common Lisp Music. In Proceedings of ICMC 1999, 1999.
    • (1999) Proceedings of ICMC 1999
    • Fujishima, T.1
  • 6
    • 84873416786 scopus 로고    scopus 로고
    • Automatic chord identifcation using a quantised chromagram
    • Audio Engineering Society
    • Christopher Harte and Mark Sandler. Automatic Chord Identifcation using a Quantised Chromagram. In Proceedings of 118th Convention. Audio Engineering Society, 2005.
    • (2005) Proceedings of 118th Convention
    • Harte, C.1    Sandler, M.2
  • 7
    • 84873531256 scopus 로고    scopus 로고
    • Symbolic representation of musical chords: A proposed syntax for text annotations
    • London, UK
    • Christopher Harte, Mark Sandler, Samer A. Abdallah, and Emilia Gomez. Symbolic representation of musical chords: A proposed syntax for text annotations. In Proc. ISMIR 2005, London, UK, 2005.
    • (2005) Proc. ISMIR 2005
    • Harte, C.1    Sandler, M.2    Abdallah, S.A.3    Gomez, E.4
  • 10
    • 47749132959 scopus 로고    scopus 로고
    • Acoustic chord transcription and key extraction from audio using key-dependent HMMs trained on synthesized audio
    • February
    • Kyogu Lee and Malcolm Slaney. Acoustic Chord Transcription and Key Extraction From Audio Using Key-Dependent HMMs Trained on Synthesized Audio. IEEE Transactions on Audio, Speech, and Language Processing, 16 (2), February 2008.
    • (2008) IEEE Transactions on Audio, Speech, and Language Processing , vol.16 , Issue.2
    • Lee, K.1    Slaney, M.2
  • 11
    • 51849168570 scopus 로고    scopus 로고
    • A unified system for chord transcription and key extraction using hidden Markov models
    • Vienna, Austria
    • Kyogu Lee and Malcolm Slaney. A Unified System for Chord Transcription and Key Extraction Using Hidden Markov Models. In Proceedings of the 2007 ISMIR Conference, Vienna, Austria, 2007.
    • (2007) Proceedings of the 2007 ISMIR Conference
    • Lee, K.1    Slaney, M.2
  • 15
    • 84873421782 scopus 로고    scopus 로고
    • Chroma-based estimation of musical key from audio-signal analysis
    • Victoria, Canada
    • Geoffroy Peeters. Chroma-based estimation of musical key from audio-signal analysis. In ISMIR 2006 Conference Proceedings, Victoria, Canada, 2006.
    • (2006) ISMIR 2006 Conference Proceedings
    • Peeters, G.1
  • 16
    • 0002313843 scopus 로고    scopus 로고
    • Modeling meter and harmony: A preference-rule approach
    • David Temperley and Daniel Sleator. Modeling Meter and Harmony: A Preference-Rule Approach. Computer Music Journal, 25 (1): 10-27, 1999.
    • (1999) Computer Music Journal , vol.25 , Issue.1 , pp. 10-27
    • Temperley, D.1    Sleator, D.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.