Recombinant broadway

Continuum

Volumn 23, Issue 2, 2009, Pages 159-169

  Burston, Jonathan ^a  

^a UNIVERSITY OF WESTERN ONTARIO   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77958190221     PISSN: 10304312     EISSN: 14693666     Source Type: Journal    
DOI: 10.1080/10304310802710504     Document Type: Review

References (20)

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4. Benjamin, W. [1936] 1968. The work of art in the age of mechanical reproduction. In Illuminations: Essays and reflections, ed. Hannah Arendt, 217-52. New York: Shocken Books.
5. Burston, J. 1998. Theatre space as virtual place: Audio technology, the reconfigured singing body, and the megamusical. Popular Music 17, no. 2: 205-18.
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12. Gubernick, L. 1994. Hollywood angels. Forbes 153, no. 11: 126.
13. Lister, D. 1995. The cloning of Andrew Lloyd Webber. Independent, 11 February: 25.
14. Moran, A. 1998. Copycat television. Luton: University of Luton Press.
15. Robertson, C. 2007. 'Mermaid' approaches, so 'Beauty' will close. New York Times, 18 January: B1, 7.
16. Russell, S. 2007. The performance of discipline on Broadway. Studies in Musical Theatre 1, no. 1: 97-108.
17. Siegel, T. 2008. H'W'D's musical mania. Variety, 6-12 October: 1, 63.
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19. Walsh, D., and L. Platt. 2003. Musical theatre and American culture. Westport, CT: Praeger.
20. Wolf, M.J. 1999. The entertainment economy: How mega-media forces are transforming our lives. New York: Times Books.