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Volumn 17, Issue 2, 1998, Pages 205-218

Theatre space as virtual place: Audio technology, the reconfigured singing body, and the megamusical

(1)  Burston, Jonathan a  

a NONE

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Indexed keywords


EID: 36248967808     PISSN: 02611430     EISSN: None     Source Type: Journal    
DOI: 10.1017/s026114300000060x     Document Type: Review
Times cited : (28)

References (22)
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  • 2
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    • Born, Georgina. 1993. 'Against negation, for a politics of cultural production: Adorno, aesthetics, the social', Screen, 34, 3, pp. 223-42
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    • Born, G.1
  • 6
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    • Look who's talking: Microphones
    • 22 January, section 2, pp
    • Canby, Vincent. 1995. 'Look who's talking: microphones', New York Times, 22 January, section 2, pp. 1, 4
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    • Canby, V.1
  • 7
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    • Personal interview with Head of Sound
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    • (1995) The Who's Tommy
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  • 8
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  • 9
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    • Art versus technology: The strange case of popular music
    • Frith, Simon. 1986. 'Art versus technology: the strange case of popular music', Media, Culture and Society, 8, 3, pp. 263-79
    • (1986) Media, Culture and Society , vol.8 , Issue.3 , pp. 263-279
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    • Rationalisation and democratisation in the new technologies of popular music
    • Second Edition, ed. James Lull London, pp
    • Goodwin, Andrew. 1992. 'Rationalisation and democratisation in the new technologies of popular music', in Popular Music and Communication, Second Edition, ed. James Lull (London), pp. 75-100
    • (1992) Popular Music and Communication , pp. 75-100
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  • 15
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  • 17
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    • Theater is discovering a new voice
    • 22 January, section 2, p
    • O'Toole, Lawrence. 1995. 'Theater is discovering a new voice', New York Times, 22 January, section 2, p. 4
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  • 18
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    • Cyberdemocracy: Internet and the public sphere
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    • Poster, M. 1995. 'Cyberdemocracy: internet and the public sphere', Difference Engine, vol. 2. Available at http://www.gold.ac.uk/difference/poster. html. Accessed on 20 November 1996
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  • 21
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    • The "sound" of music: Technological rationalization and the production of popular music
    • Théberge, Paul. 1989. 'The "sound" of music: technological rationalization and the production of popular music', New Formations, 8, pp. 99-111
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    • Reinstating corporeality: Feminism and body politics
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.