Scruton's musical experiences

Philosophy

Volumn 85, Issue 1, 2010, Pages 91-104

  Zangwill, Nick ^a  

^a DURHAM UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 77953688715     PISSN: 00318191     EISSN: 1469817X     Source Type: Journal    
DOI: 10.1017/S0031819109990453     Document Type: Review

References (29)

1. Roger Scruton, The Aesthetics of Music, Oxford: Oxford University Press 1997: 88-94
2. Scruton, 'Understanding Music', in The Aesthetic Understanding, Manchester: Carcanet, 1983
3. Scruton, Art and Imagination, London: Methuen, 1974
4. Jerrold Levinson 'Musical Expressiveness', in The Pleasures of Aesthetics, Ithaca; Cornell. 1996
5. Levinson, 'Musical Expressiveness as Hearability-as-Expression', in his Contemplating Art, Oxford: Oxford University Press, 2006
6. Colin McGinn, Mindsight: Image, Dream, Meaning, Cambridge, Mass. Harvard University Press, 2004
7. Scruton Art and Imagination, The Aesthetics of Music
8. Scruton 'Reply to Budd', British Journal of Aesthetics 44, 2004: 184-187
9. Eduard Hanslick, On the Musically Beautiful, Indianapolis: Hackett. 1986, chapter 3
10. Victor Zuckerkandl, Sound and Symbol, New York: Prometheus, 1956
11. Nick Zangwill: 'Music, Metaphor and Emotion', Journal of Aesthetic and Art Criticism 65, 2007: 391-400
12. Malcolm Budd: 'Musical Movement and Aesthetic Metaphors', British Journal of Aesthetics 43, 2003: 209-223, section IV
13. Mark Johnston, 'How to Speak of the Colors', Philosophical Studies 68, 1992: 221-263
14. Eddy Zemach, Real Beauty, State Park, PA: Penn State Press, 1997
15. Nick Zangwill 2003: 'Aesthetic Realism I', in Oxford Companion to Aesthetics, Jerrold Levinson (ed.), Oxford: Oxford University Press
16. Peter Kivy, New Essays on Musical Understanding, Oxford: Oxford University Press, 2001
17. Zangwill Metaphysics of Beauty, Ithaca; Cornell, 2001, chapter 10
18. Malcolm Budd, 'Aesthetic Realism and the Emotional Qualities of Music', British Journal of Aesthetics 45, 2005: 111-122
19. Nick Zangwill. 'Aesthetic Concepts and Musical Aesthetic Realism', British Journal of Aesthetics, 2010
20. Nick Zangwill, Music, Essential Metaphor and Private Language, American Philosophical Quarterly, 2010
21. Donald Davidson, 'What Metaphors Mean', in Inquiries into Truth and Interpretation, Oxford: Clarendon, 1982
22. Scruton, 'The First Person', in Sexual Desire, London: Weidenfeld and Nicolson, 1986, appendix 1
23. Scruton, Modern Philosophy, London: Sinclair Stevenson, 1994, chapter 5
24. Ludwig Wittgenstein, Philosophical Investigations, Blackwell: Oxford, 1953
25. Jaakko Hintikka and Merrill B. Hintikka, Investigating Wittgenstein, Oxford: Blackwell, 1986
26. Paul Boghossian and David Velleman, 'Colour as a Secondary Quality', Mind, 1989: 81-103
27. Paul Boghossian, 'On Hearing the Music in the Sound: Scruton on Musical Expression', Journal of Aesthetics and Art Criticism 60, 2002: 51
28. Zangwill 'Aesthetic Realism I', part 2
29. Richard Wollheim, 'Seeing-as, Seeing-in, and Pictorial Representation', in Art and its Objects, second edition, Cambridge: Cambridge University Press, 1980