Musical movement and aesthetic metaphors

British Journal of Aesthetics

Volumn 43, Issue 3, 2003, Pages 209-223

  Budd, Malcolm ^a  

^a NONE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33746174973     PISSN: 00070904     EISSN: None     Source Type: Journal    
DOI: 10.1093/bjaesthetics/43.3.209     Document Type: Article

References (6)

1. 1' The majority of page references will he to Seruton's The Aesthetics of Music (Oxford: Clarendon Press, 1997), which is the definitive statement of his position. These references will consist of bare page numbers. References to the early version of his view, 'Understanding Music', in The Aesthetic Understanding: Essays in the Philosophy of Art and Culture (London and New York: Methuen, 1983), will have page numbers preceded by 'UM'.
2. See Levinson's review of The Aesthetics of Music, in the Philosophical Review, vol. 109, no. 4 (October 2000), pp. 608-614.
3. See Malcolm Budd, 'Understanding Music', The Aristotelian Society, Supplementary Volume LIX (1985).
4. Compare Nelson Goodman, Languages of Art (London: Oxford U.P., 1969), pp. 71-72.
5. See Malcolm Budd, Music and the Emotions (London: Routledge and Kegan Paul, 1985), pp. 41-43.
6. Compare Stephen Davies, Musical Meaning and Expression (Ithaca, NY and London: Cornell U.P., 1994), pp. 235-236.