-
1
-
-
61949278092
-
'Loaded': Indie guitar rock, canons, white masculinities
-
Bannister, M. (2006). 'Loaded': indie guitar rock, canons, white masculinities. Popular Music, 25(1), 77-95.
-
(2006)
Popular Music
, vol.25
, Issue.1
, pp. 77-95
-
-
Bannister, M.1
-
2
-
-
85044879256
-
Rock in a hard place: Grassroots cultural production in the post-Elvis era
-
Bielby, W.T. (2004). Rock in a hard place: grassroots cultural production in the post-Elvis era. American Sociological Review, 69(1), 1-13.
-
(2004)
American Sociological Review
, vol.69
, Issue.1
, pp. 1-13
-
-
Bielby, W.T.1
-
3
-
-
34347297445
-
Don't tread on me: The ethos of 60's garage punk
-
Bovey, S. (2006). Don't tread on me: The ethos of 60's garage punk. Popular Music and Society, 29(4), 451-459.
-
(2006)
Popular Music and Society
, vol.29
, Issue.4
, pp. 451-459
-
-
Bovey, S.1
-
4
-
-
77951669799
-
Electronic music and life
-
Chadabe, J. (2004). Electronic music and life. Organised Sound, 9(1), 3-6.
-
(2004)
Organised Sound
, vol.9
, Issue.1
, pp. 3-6
-
-
Chadabe, J.1
-
5
-
-
77951689162
-
(Re) presenting electroacoustic music
-
Couprie, P. (2006). (Re) presenting electroacoustic music. Organised Sound, 11(2), 119-123.
-
(2006)
Organised Sound
, vol.11
, Issue.2
, pp. 119-123
-
-
Couprie, P.1
-
6
-
-
0004149207
-
-
Oxford: Oxford University Press
-
Dawkins, R. (1989). The selfish gene. Oxford: Oxford University Press.
-
(1989)
The Selfish Gene
-
-
Dawkins, R.1
-
7
-
-
84900054650
-
Foreword by Brian Eno
-
In M. Nyman (Ed.), Cambridge, UK: Cambridge University Press
-
Eno, B. (1999). Foreword by Brian Eno. In M. Nyman (Ed.), Experimental music: Cage and beyond (pp. xi-xv). Cambridge, UK: Cambridge University Press.
-
(1999)
Experimental Music: Cage and Beyond
-
-
Eno, B.1
-
8
-
-
77951692541
-
Evolutionary psychology: A natural selection for music education?
-
Graham, R. (2006). Evolutionary psychology: a natural selection for music education? Music Education Research, 8(3),433-437.
-
(2006)
Music Education Research
, vol.8
, Issue.3
, pp. 433-437
-
-
Graham, R.1
-
9
-
-
33645470108
-
Cutaneous grooves: Composing for the sense of touch
-
Gunther, E. & O'Modhrain, S. (2003). Cutaneous grooves: composing for the sense of touch. Journal of New Music Research, 32, 369-381.
-
(2003)
Journal of New Music Research
, vol.32
, pp. 369-381
-
-
Gunther, E.1
O'Modhrain, S.2
-
10
-
-
0141764834
-
Music and dance as a coalition signalling system
-
Hagen, E.H. & Bryant, G.A. (2003). Music and dance as a coalition signalling system. Human Nature, 14, 21-51.
-
(2003)
Human Nature
, vol.14
, pp. 21-51
-
-
Hagen, E.H.1
Bryant, G.A.2
-
11
-
-
61949405324
-
'Cheaper than a CD, plus we really mean it': Bay Area underground hip hop tapes as subcultural artefacts
-
Harrison, A.K. (2006). 'Cheaper than a CD, plus we really mean it': Bay Area underground hip hop tapes as subcultural artefacts. Popular Music, 25(2), 283-302.
-
(2006)
Popular Music
, vol.25
, Issue.2
, pp. 283-302
-
-
Harrison, A.K.1
-
12
-
-
34347283586
-
Take those old records off the shelf: Youth and music consumption in the postmodern age
-
Hayes, D. (2006). Take those old records off the shelf: youth and music consumption in the postmodern age. Popular Music and Society, 29(1), 51-68.
-
(2006)
Popular Music and Society
, vol.29
, Issue.1
, pp. 51-68
-
-
Hayes, D.1
-
13
-
-
0004318427
-
-
(2nd ed.; J.B. Baillie, Trans.). London: Allen & Unwin
-
Hegel, G.W.F. (1931). The phenomenology of the mind (2nd ed.; J.B. Baillie, Trans.). London: Allen & Unwin.
-
(1931)
The Phenomenology of The Mind
-
-
Hegel, G.W.F.1
-
14
-
-
0036513627
-
Acid House and Thatcherism: Noise, the mob, and the English countryside
-
Hill, A. (2002). Acid House and Thatcherism: noise, the mob, and the English countryside. The British Journal of Sociology, 53(1), 89-105.
-
(2002)
The British Journal of Sociology
, vol.53
, Issue.1
, pp. 89-105
-
-
Hill, A.1
-
15
-
-
0039025484
-
At the threshold of an aesthetic
-
In S. Emerson (Ed.), London: MacMillan Press
-
Keane, D. (1986). At the threshold of an aesthetic. In S. Emerson (Ed.), The language of electroacoustic music (pp. 97-118). London: MacMillan Press.
-
(1986)
The Language of Electroacoustic Music
, pp. 97-118
-
-
Keane, D.1
-
16
-
-
4243867344
-
New perspectives on the beginnings of music: Archaeological and musicological analysis of a Middle Paleolithic bone 'flute'
-
In N.L. Wallin, B. Merker & S. Brown (Eds.), Cambridge, MA: MIT Press
-
Kunej, D. & Turk, I. (2000). New perspectives on the beginnings of music: archaeological and musicological analysis of a Middle Paleolithic bone 'flute'. In N.L. Wallin, B. Merker & S. Brown (Eds.), The origins of music (pp. 234-268). Cambridge, MA: MIT Press.
-
(2000)
The Origins of Music
, pp. 234-268
-
-
Kunej, D.1
Turk, I.2
-
17
-
-
61149152574
-
Varese the visionary
-
Pape, G. (2004). Varese the visionary. Contemporary Music Review, 23(2), 19-25.
-
(2004)
Contemporary Music Review
, vol.23
, Issue.2
, pp. 19-25
-
-
Pape, G.1
-
18
-
-
84995158454
-
Producing artistic value: The case of rock music
-
Regev, M. (1994). Producing artistic value: the case of rock music. The Sociological Quarterly, 35(1), 85-102.
-
(1994)
The Sociological Quarterly
, vol.35
, Issue.1
, pp. 85-102
-
-
Regev, M.1
-
19
-
-
0039045063
-
Towards a theory of creativity
-
Reprinted in Vernon, P.E. (Ed.) (1970), New York: Penguin Books
-
Rogers, C.R. (1954). Towards a theory of creativity. Reprinted in Vernon, P.E. (Ed.) (1970), Creativity (pp. 137-151). New York: Penguin Books.
-
(1954)
Creativity
, pp. 137-151
-
-
Rogers, C.R.1
-
20
-
-
35048826154
-
Gestural control of digital audio environments
-
Sapir, S. (2002). Gestural control of digital audio environments. Journal of New Music Research, 31(2), 119-129.
-
(2002)
Journal of New Music Research
, vol.31
, Issue.2
, pp. 119-129
-
-
Sapir, S.1
-
21
-
-
61149430227
-
Using contemporary technology in live performance: The dilemma of the performer
-
Schloss, W.A. (2003). Using contemporary technology in live performance: the dilemma of the performer. Journal of New Music Research, 32(3), 239-242.
-
(2003)
Journal of New Music Research
, vol.32
, Issue.3
, pp. 239-242
-
-
Schloss, W.A.1
-
22
-
-
77951693784
-
Music: Where cognition and emotion meet
-
In J. Sloboda (Ed.), New York: Oxford University Press
-
Sloboda, J. (2005). Music: where cognition and emotion meet. In J. Sloboda (Ed.), Exploring the musical mind (pp. 333-344). New York: Oxford University Press.
-
(2005)
Exploring the Musical Mind
, pp. 333-344
-
-
Sloboda, J.1
-
23
-
-
85047683777
-
What is the common thread of creativity? Its dialectical relation to intelligence and wisdom
-
Sternberg, R. (2001). What is the common thread of creativity? Its dialectical relation to intelligence and wisdom. American Psychologist, 56(4), 360-362.
-
(2001)
American Psychologist
, vol.56
, Issue.4
, pp. 360-362
-
-
Sternberg, R.1
-
26
-
-
61149134103
-
Breaking out: The trip back
-
Thornington, H. (2005). Breaking out: the trip back. Contemporary Music Review, 24(6), 445-458.
-
(2005)
Contemporary Music Review
, vol.24
, Issue.6
, pp. 445-458
-
-
Thornington, H.1
-
28
-
-
34347286787
-
Fur Elise, circa 2000: Postmodern readings of Beethoven in popular contexts
-
Yang, M. (2006). Fur Elise, circa 2000: Postmodern readings of Beethoven in popular contexts. Popular Music and Society, 29(1), 1-15.
-
(2006)
Popular Music and Society
, vol.29
, Issue.1
, pp. 1-15
-
-
Yang, M.1
|