Breaking out: The trip back

Contemporary Music Review

Volumn 24, Issue 6, 2005, Pages 445-458

  Thorington, Helen ^a  

^a NONE

Author keywords

Bandwidth; Internet Art; Latency; Networked Performance; Open Work; Streaming Media

Indexed keywords

EID: 61149134103     PISSN: 07494467     EISSN: 14772256     Source Type: Journal    
DOI: 10.1080/07494460500296128     Document Type: Article

References (7)

1. Altman, R. (1980), Introduction, Cinema Sound: Yale French Studies, 60(4), 3ff
2. Doane, M. A. (1980a), The voice in the cinema: The articulation of body and space. Cinema Sound: Yale French Studies, 60(4), 33-50
3. Doane, M. A. (1980b). Sound editing and mixing. In E. Weis and J. Belton (Eds), Film Sound, Theory and Practice (pp. 54-62). Columbia: Columbia University
4. Gaye, L., Jacobs, M., Mazé, R. & Skoglund, D, (2003), Sonic City: The urban environment as a musical interface. Available online at: http://www.viktoria.se/fal/projects/soniccity/pdf/ NIME03-Gaye.pdf
5. MacBlane, A. (2003). Columbia student mines peer-to-peer networks ... For art's sake. New Music Box, 17 July
6. Salter, C. (2004). The edges of experience-suspension/threshold: Sentient space and inhabitant-environment interaction in the realm of ubiquitous computing. Available online at: http:// www.subtletechnologies.com/2004/ symposium/salter.html
7. Tommasini, A. (2005). With lights in hand, audience becomes the conductor. Arts, 22 January