메뉴 건너뛰기




Volumn 2915, Issue , 2004, Pages 468-478

Performance gestures of musicians: What structural and emotional information do they convey?

Author keywords

[No Author keywords available]

Indexed keywords

ACOUSTIC WAVES; DATA REDUCTION; INFORMATION ANALYSIS; KNOWLEDGE ACQUISITION; REAL TIME SYSTEMS; STATISTICAL METHODS; AUDIO ACOUSTICS;

EID: 7444224801     PISSN: 03029743     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1007/978-3-540-24598-8_43     Document Type: Conference Paper
Times cited : (32)

References (20)
  • 1
    • 0004732003 scopus 로고
    • Music and language: Parallels and contrasts
    • NewYork: Oxford University Press. In R. Aiello and J. Sloboda (Eds
    • Aiello, R. Music and Language: Parallels and Contrasts. In R. Aiello and J. Sloboda (Eds. ) Music Perceptions, pages 40-63. NewYork: Oxford University Press, 1994.
    • (1994) Music Perceptions , pp. 40-63
    • Aiello, R.1
  • 3
    • 84970103667 scopus 로고
    • Visual perception of performance manner in the movements of solo Musicians
    • Davidson, J. Visual Perception of Performance Manner in the Movements of Solo Musicians. Psychology of Music 21: 103-113, 1993.
    • (1993) Psychology of Music , vol.21 , pp. 103-113
    • Davidson, J.1
  • 4
    • 84949968445 scopus 로고
    • Louse Courteau, editrice, inc La Gestique de Gould
    • Delalande, F. La Gestique de Gould. In Glen Gould Pluriel, pages 85-111. Louse Courteau, editrice, inc., 1988.
    • (1988) Glen Gould Pluriel , pp. 85-111
    • Delalande, F.1
  • 5
    • 4244094561 scopus 로고
    • Mechanisms for cue extraction in musical groupings: A study of Perception on Sequenza VI for Viola Solo by Luciano Berio
    • Deliege, I. and El Ahmade, A. Mechanisms for Cue Extraction in Musical Groupings: A Study of Perception on Sequenza VI for Viola Solo by Luciano Berio. Psychology of Music, 18:18-44, 1990.
    • (1990) Psychology of Music , vol.18 , pp. 18-44
    • Deliege, I.1    El Ahmade, A.2
  • 6
    • 84970442617 scopus 로고
    • A comparison of perceived musical tension and aesthetic response
    • Fredrickson, W. E. A Comparison of Perceived Musical Tension and Aesthetic Response. Psychology of Music 23: 81-87, 1995.
    • (1995) Psychology of Music , vol.23 , pp. 81-87
    • Fredrickson, W.E.1
  • 7
    • 0039277069 scopus 로고    scopus 로고
    • Elementary middle, and high school student perceptions of tension in music
    • Fredrickson, W. E. Elementary, Middle, and High School Student Perceptions of Tension in Music. Journal of Research in Music Education 45(4): 626-635, 1997.
    • (1997) Journal of Research in Music Education , vol.45 , Issue.4 , pp. 626-635
    • Fredrickson, W.E.1
  • 8
    • 0039868903 scopus 로고    scopus 로고
    • Effect of musical performance on perception of tension in gustav Holsts First Suite in E-flat
    • Fredrickson, W. E. Effect of Musical Performance on Perception of Tension in Gustav Holsts First Suite in E-flat. Journal of Research in Music Education 47(1): 44-52, 1999.
    • (1999) Journal of Research in Music Education , vol.47 , Issue.1 , pp. 44-52
    • Fredrickson, W.E.1
  • 9
    • 0034154553 scopus 로고    scopus 로고
    • Perception of tension in music: Musicians versus nonmusicians
    • Fredrickson, W. E. Perception of Tension in Music: Musicians versus Nonmusicians. Journal of Music Therapy 37(1): 40-50, 2000.
    • (2000) Journal of Music Therapy , vol.37 , Issue.1 , pp. 40-50
    • Fredrickson, W.E.1
  • 10
    • 0011299279 scopus 로고    scopus 로고
    • A perceptual analysis of mozarts piano sonata K. 282: Segmentation, tension, and musical ideas
    • Krumhansl, C. L. A Perceptual Analysis of Mozarts Piano Sonata K. 282: Segmentation, Tension, and Musical Ideas. Music Perception 13(3): 401-432, 1996.
    • (1996) Music Perception , vol.13 , Issue.3 , pp. 401-432
    • Krumhansl, C.L.1
  • 11
    • 79958750096 scopus 로고    scopus 로고
    • An exploratory study of musical emotions and psychophysiology
    • Krumhansl, C. L. An Exploratory Study of Musical Emotions and Psychophysiology. Canadian Journal of Experimental Psychology 51(4): 336-352, 1997.
    • (1997) Canadian Journal of Experimental Psychology , vol.51 , Issue.4 , pp. 336-352
    • Krumhansl, C.L.1
  • 12
    • 84990319613 scopus 로고    scopus 로고
    • Can dance reflect the structural and expressive qualities of music? A perceptual experiment on Balanchines choreography of Mozarts Divertimento
    • Spring
    • Krumhansl, C. L. and Schenck, D. L. Can dance reflect the structural and expressive qualities of music? A perceptual experiment on Balanchines choreography of Mozarts Divertimento No. 15. Musicae Scientiae 1(Spring): 63-85, 1997.
    • (1997) Musicae Scientiae , vol.1 , Issue.15 , pp. 63-85
    • Krumhansl, C.L.1    Schenck, D.L.2
  • 14
    • 0040762227 scopus 로고
    • The experience of musical tension: A replication of nielsens Research using the continuous response digital interface
    • Madsen, C. K. and Fredrickson, W. E. The Experience of Musical Tension: A Replication of Nielsens Research Using the Continuous Response Digital Interface. Journal of Music Therapy 30(1): 46-63, 1993.
    • (1993) Journal of Music Therapy , vol.30 , Issue.1 , pp. 46-63
    • Madsen, C.K.1    Fredrickson, W.E.2
  • 16
    • 0039576708 scopus 로고
    • (The experience of musical tension). Copenhagen: Akademisk Forlag
    • Nielsen, F. V. Oplevelse af misikalsk spending (The experience of musical tension). Copenhagen: Akademisk Forlag, 1983.
    • (1983) Oplevelse Af Misikalsk Spending
    • Nielsen, F.V.1
  • 18
    • 84958955363 scopus 로고    scopus 로고
    • Non-Obvious Performer Gestures in Instrumental Music
    • Berlin, Heidelberg: Springer Verlag. In A. Braffort, R. Gherbi, S. Gibet, J. Richardson, and D. Teil
    • Wanderley, M. M. Non-Obvious Performer Gestures in Instrumental Music. In A. Braffort, R. Gherbi, S. Gibet, J. Richardson, and D. Teil (eds. ) Gesture-Based Communication in Human-Computer Interaction. Berlin, Heidelberg: Springer Verlag, pages 37-48, 1999.
    • (1999) Gesture-Based Communication in Human-Computer Interaction , pp. 37-48
    • Wanderley, M.M.1
  • 20
    • 84942569583 scopus 로고    scopus 로고
    • Quantitativeanalysis of non-obvious performer gestures
    • Berlin, Heidelberg: Springer Verlag. In I. Wachsmuth and T. Sowa (eds
    • Wanderley, M. M. QuantitativeAnalysis of Non-Obvious Performer Gestures. In I. Wachsmuth and T. Sowa (eds. ) Gesture and Sign Language in Human-Computer Interaction. Berlin, Heidelberg: Springer Verlag, pages 241-253, 2002.
    • (2002) Gesture and Sign Language in Human-Computer Interaction , pp. 241-253
    • Wanderley, M.M.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.