GESTURALLY-CONTROLLED DIGITAL AUDIO EFFECTS

Proceedings of the International Conference on Digital Audio Effects, DAFx

Volumn , Issue , 2001, Pages

  Wanderley, Marcelo M ^a   Depalle, Philippe ^a  

^a MCGILL UNIVERSITY   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

ACOUSTIC EFFECTS; CONDITION; DELAY VALUES; DIGITAL AUDIO EFFECTS; FLANGER; FREQUENCY OSCILLATORS; LOWER FREQUENCIES; TIME-OF- ARRIVALS; TIMES OF ARRIVALS; WAVEFORMS;

AUDIO RECORDINGS;

EID: 85138828646     PISSN: 24136700     EISSN: 24136689     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (14)

1. A. Gabrielsson. “Music Performance.” In D. Deutsch, ed. The Psychology of Music, 2nd edition, pp. 501-602, 1999.
2. M. M. Wanderley. “Non-Obvious Performer Gestures in Instrumental Music.” In A. Braffort et al., eds. Gesture Based Communication in Human-Computer Interaction, Springer-Verlag, pp. 37-48, 1999.
3. F. Delalande. “La gestique de Gould.” In Glenn Gould Pluriel, Louise Courteau, editrice, pp. 85-111, 1988.
4. J.-W. Davidson. “Visual Perception of Performance Manner in the Movements of Solo Musicians.” Psychology of Music, vol. 21, pp. 103-113, 1993.
5. M. M. Wanderley. “Quantitative Analysis of Non-Obvious Performer Gestures.” In Proc. of the IV Gesture Workshop, London, April, 2001.
6. M. M. Wanderley. Performer-Instrument Interaction: Applications to Gestural Control of Sound Synthesis. PhD Thesis, Université Pierre et Marie Curie - Paris VI, 2001.
7. A. H. Benade. “From Instrument to Ear in a Room: Direct or via Recording.” J. Audio Engineering Society, 33(4), 1985.
8. M. M. Wanderley, P. Depalle and O. Warusfel. “Improving Instrumental Sound Synthesis by modeling the Effects of Performer Gesture.” In Proc. of the 1999 International Computer Music Conference - ICMC99, pp. 418-421, 1999.
9. N.-H. Fletcher and T.-D. Rossing. The Physics of Musical Instruments. Springer-Verlag, 2nd edition, 1998.
10. F. Cruz-Barney and O. Warusfel. “Prediction of the Spatial Information for the Control of Room Acoustics Auralization.” in Proc. of the 103rd Audio Eng. Soc. Convention, New York, USA, 1997.
11. H. Kuttruff. Room Acoustics. Elsevier Applied Science, 3rd edition, 1991.
12. S. Lehman. “Flanging.” In Effects Explained. Harmony Central. 1996. http://www.harmony-central.com/Effects/Articles/Flanging/
13. P. Fernandez-Cid and F. J. Casajus-Quiros. “Enhanced Quality and Variety for Chorus/Flange Units.” In Proc. of the 1st COST G-6 Workshop on Digital Audio Effects (DAFx98), Barcelona, November 19-21, 1998.
14. T. Halmrast. “Musical Timbre Combfilter-Colloration from Reflections.” in Proc. of the 2nd COST G-6 Workshop on Digital Audio Effects (DAFx99), NTNU, Trondheim, December 9-11, 1999.