The museum of art-thropology: Twenty-first century imbroglios

Res: Anthropology and Aesthetics

Volumn 52, Issue , 2007, Pages 9-19

  Phillips, Ruth B ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 70449891322     PISSN: 02771322     EISSN: None     Source Type: Journal    
DOI: 10.1086/resv52n1ms20167734     Document Type: Article

References (39)

1. Kevin Hetherington, "From Blindness to Blindness: Museums, Heterogeneity and the Subject," in Actor Network Theory and After, ed. John Law and John Hassard (Oxford: Blackwell Publishers, 1999), p. 52
2. Kwame Anthony Appiah, Cosmopolitanism: Ethics in a World of Strangers (New York: W.W. Norton, 2006), p. xv
3. "'Can You Go Out without Your Head?': Fieldwork as Transformative Experience," RES 39 (Spring 2001): 61-77
4. The Two Art Histories: The Museum and the University, ed. Charles W. Haxthausen (New Haven: Sterling and Francine Clark Art Institute and Yale University Press, 2002)
5. Griselda Pollock's "A History of Absence Belatedly Addressed: Impressionism with or without Mary Cassatt," pp. 123-141
6. Mark Salber Phillips, "What Is Tradition When It Is Not 'Invented'? A Historiographical Introduction," in Questions of Tradition, ed. Mark Salber Phillips and Gordon Schochet (Toronto: University of Toronto Press, 2004), p. 25
7. Exhibiting Dilemmas: Issues of Representation at the Smithsonian, ed. Amy Henderson and Adrienne L. Kaeppler (Washington, D.C.: Smithsonian Institution Press, 1997)
8. William H. Truettner, "For Museum Audiences: the Morning of a New Day?" in ibid., pp. 28-46
9. "A Case for Active Viewing," in The Two Art Histories (see note 4), pp. 102-112
10. Shelley Ruth Butler, Contested Representations: Revisiting "Into the Heart of Africa" (Peterborough, Ont.: Broadview Press, 2007)
11. Bruno Latour, We Have Never Been Modern, trans. Catherine Porter (Cambridge, Mass.: Harvard University Press, 1993)
12. Janet Wolff's The Aesthetics and Sociology of Art (London: George Allen & Unwin, 1983), pp. 7ff
13. James Clifford, "Traveling Cultures," in Routes: Travel and Translation in the Late Twentieth Century (Cambridge, Mass.: Harvard University Press, 1997), pp. 17-16
14. Carlo Ginzburg, "Clues, Roots of an Evidential Paradigm," in Clues, Myths and the Historical Method (Baltimore: Johns Hopkins University Press, 1989), pp. 96-125
15. "The Value of Disciplinary Difference: Reflections on Art History and Anthropology at the Beginning of the Twenty-First Century," in Anthropologies of Art, ed. Mariet Westermann (New Haven: Yale University Press, 2005), pp. 242-259
16. Robert Redfield, "Art and Icon," in Aspects of Primitive Art, ed. Robert Goldwater (New York: The Museum of Primitive Art, 1959), pp. 11-39
17. Sally Price, Primitive Art in Civilized Places (Chicago: University of Chicago Press, 1989), pp. 23-36
18. William Rubin, "Modernist Primitivism," in "Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern, ed. William Rubin (New York: The Museum of Modern Art, 1984), pp. 1-79
19. James Clifford, "Histories of the Tribal and the Modern," in The Predicament of Culture (Cambridge, Mass.: Harvard University Press, 1988), pp. 189-214
20. Hal Foster, "The 'Primitive' Unconscious of Modern Art, or White Skin Black Masks," in Recodings: Art, Spectacle, Cultural Politics (Seattle: Bay Press, 1985), pp. 181-208
21. Thomas McEvilley, "Doctor, Lawyer, Indian Chief: 'Primitivism' in Twentieth-Century Art at the Museum of Modern Art," in Art and Otherness (Kingston, N.Y.: McPherson and Company, 1992), pp. 27-56
22. Vogel's "Introduction", Art/artifact: African Art in Anthropology Collections (New York: The Center for African Art, 1988), pp. 11-17
23. Arthur Danto, "Artifact and Art" in the same volume, pp. 18-32
24. Barbara Kirshenblatt-Gimblett, "Objects of Ethnography," in Exhibiting Cultures: The Politics and Poetics of Museum Exhibitions, ed. Ivan Karp and Steven D. Lavine (Washington, D.C.: Smithsonian Institution Press, 1991), pp. 386-443; p. 434
25. Mining the Museum: An Installation by Fred Wilson, ed. Lisa G. Corrin (New York: New Press, 1994)
26. All Roads Are Good: Native Voices on Life and Culture (Washington, D.C.: National Museum of the American Indian and Smithsonian Institution Press, 1994)
27. Joseph Alsop, The Rare Art Traditions: The History of Art Collecting and Its Linked Phenomena Wherever These Have Appeared (New York: Harper & Row, 1982)
28. James Clifford, "On Collecting Art and Culture," in The Predicament of Culture (see note 17), pp. 215-251
29. Pierre Bourdieu, Distinction: A Social Critique of the Judgement of Taste, trans. Richard Nice (Cambridge, Mass.: Harvard University Press, 1984)
30. Tony Bennett, The Birth of the Museum (New York: Routledge, 1995)
31. Carol Duncan, Civilizing Rituals: Inside Public Art Museums (New York: Routledge, 1995)
32. Ruth B. Phillips, "Where Is 'Africa'?; Re-Viewing Art and Artifact in the Age of Globalization," American Anthropologist 104 (3; 2002):944-952
33. Julia Harrison, "Completing a Circle: 'The Spirit Sings,'" in Anthropology, Public Policy and Native Peoples in Canada, ed. Noel Dyck and James B. Waldram (Montreal: McGill-Queen's University Press, 1995), pp. 334-357
34. "Point/Counterpoint: The Spirit Sings and the Lubicon Boycott," Muse 6, no. 3 (Fall 1988):12-15
35. Robyn Gillam, "The Spirit Sings: A Sour Note in the Museum's Halls," in Hall of Mirrors: Museums and the Canadian Public (Banff, Alberta: The Banff Centre, 1991), pp. 101-134
36. Mary Jo Arnoldi, Christine Mullen Kreamer, and Michael Atwood Mason, "Reflections on 'African Voices' at the Smithsonian's National Museum of Natural History," African Arts 34(2; 2001 ):16-35, 94
37. "APEC at the Museum of Anthropology: The Politics of Site and the Poetics of Sight Bite," in Ethnos 65, no. 2 (2000):172-194
38. http://www.moa.ubc.ca/spiritofislam/
39. Stephen Greenblatt, "Resonance and Wonder," in Exhibiting Cultures (see note 19), pp. 42-56