Evaluation of an imputed pitch velocity model of the auditory tau effect

Attention, Perception, and Psychophysics

Volumn 71, Issue 6, 2009, Pages 1399-1413

  Henry, Molly J ^a   Devin McAuley, J ^b   Zaleha, Marta ^a  

^a BOWLING GREEN STATE UNIVERSITY   (United States)

^b MICHIGAN STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

ADOLESCENT; ADULT; ARTICLE; ATTENTION; AUDITORY THRESHOLD; CONCEPT FORMATION; FEMALE; HEARING; HUMAN; MALE; MIDDLE AGED; MUSIC; PERCEPTION DISORDER; PSYCHOPHYSICS; SOUND DETECTION; TIME PERCEPTION;

ADOLESCENT; ADULT; ATTENTION; AUDITORY THRESHOLD; CONCEPT FORMATION; FEMALE; HUMANS; MALE; MIDDLE AGED; MUSIC; PERCEPTUAL DISTORTION; PITCH DISCRIMINATION; PSYCHOACOUSTICS; SOUND SPECTROGRAPHY; TIME PERCEPTION; YOUNG ADULT;

EID: 70349484474     PISSN: 19433921     EISSN: None     Source Type: Journal    
DOI: 10.3758/APP.71.6.1399     Document Type: Article

References (67)

1. Abbe, M. (1936). The spatial effect upon the perception of time. Japanese Journal of Experimental Psychology, 3, 1-52.
2. Abe, S. (1935). Experimental study on the correlation between time and space. Tohoku Psychologica Folia, 3, 53-68.
3. Anderson, N. H. (1974). Algebraic models in perception. In E. Carterette & M. P. Friedman (Eds.), Handbook of perception: Vol. II. Psychophysical judgment and measurement (pp. 258-259). New York: Academic Press.
4. Ayotte, J., Peretz, I., Rousseau, C., Bard, C., & Bojanowski, M. (2000). Patterns of music agnosia associated with middle cerebral artery infarcts. Brain, 123, 1926-1938. doi:10.1093/brain/123.9.1926
5. Barnes, R., & Jones, M. R. (2000). Expectancy, attention, and time. Cognitive Psychology, 41, 254-311. doi:10.1006/cogp.2000.0738
6. Benussi, V. (1913). Psychologie der Zeitauffassung. Heidelberg: Carl Winters Universitätsbuchhandlung.
7. Bill, J. C., & Teft, L. W. (1969). Space-time relations: Effects of time on perceived visual extent. Journal of Experimental Psychology, 81, 196-199. doi:10.1037/h0027425
8. Bill, J. C., & Teft, L. W. (1972). Space-time relations: The effects of variations in stimulus and interstimulus interval duration on perceived visual extent. Acta Psychologica, 36, 358-369.
9. Burns, E. M., & Ward, W. D. (1978). Categorical perception-phenomenon or epiphenomenon: Evidence from experiments in the perception of melodic musical intervals. Journal of the Acoustical Society of America, 63, 456-468.
10. Christensen, I. P., & Huang, Y. L. (1979). The auditory tau effect and memory for pitch. Perception & Psychophysics, 26, 489-494.
11. Cohen, J., Christensen, I., & Ono, A. (1974). Influence of temporal intervals on comparative judgements of pitch: A study of subjective relativity. Tohoku Psychologica Folia, 33, 76-87.
12. Cohen, J., Hansel, C. E. M., & Sylvester, J. D. (1953). A new phenomenon in time judgment. Nature, 172, 901.
13. Cohen, J., Hansel, C. E. M., & Sylvester, J. D. (1954). Interdependence of temporal and auditory judgments. Nature, 174, 642-644. doi:10.1038/174642a0
14. Cohen, J., Hansel, C. E. M., & Sylvester, J. D. (1955). Interdependence in judgments of space, time and movement. Acta Psychologica, 11, 360-372.
15. Collyer, C. E. (1977). Discrimination of spatial and temporal intervals defined by three light flashes: Effects of spacing on temporal judgments and of timing on spatial judgments. Perception & Psychophysics, 21, 357-364. doi:10.1016/j.humov.2007.07.009
16. Crowder, R. G., & Neath, I. (1995). The influence of pitch on time perception in short melodies. Music Perception, 12, 379-386.
17. Di Pietro, M., Laganaro, M., Leemann, B., & Schnider, A. (2004). Receptive amusia: Temporal auditory processing deficit in a professional musician following a left temporo-parietal lesion. Neuropsychologia, 42, 868-877. doi:10.1016/j.neuropsychologia.2003.12.004
18. Douglas, K. M., & Bilkey, D. K. (2007). Amusia is associated with deficits in spatial processing. Nature Neuroscience, 10, 915-921. doi:10.1038/nn1925
19. Ellis, R. J., & Jones, M. R. (2009). The role of accent salience and joint accent structure in meter perception. Journal of Experimental Psychology: Human Perception & Performance, 35, 264-280. doi:10.1037/a0013482
20. Eriksen, C. E. (1995). The flankers task and response competition: A useful took for investigating a variety of cognitive problems. In C. Bundesen & H. Shibuya (Eds.), Visual selective attention (pp. 101-118). Hillsdale, NJ: Erlbaum.
21. Foxton, J. M., Dean, J. L., Gee, R., Peretz, I., & Griffiths, T. D. (2004). Characterization of deficits in pitch perception underlying " tone deafness." Brain, 127, 801-810. doi:10.1093/brain/awh105
22. Foxton, J. M., Nandy, R. K., & Griffiths, T. D. (2006). Rhythm deficits in " tone deafness." Brain & Cognition, 62, 24-29. doi:10.1016/j .bandc.2006.03.005
23. Freyd, J. J., & Finke, R. A. (1984). Representational momentum. Journal of Experimental Psychology: Learning, Memory, & Cognition, 10, 126-132. doi:10.1037/0278-7393.10.1.126
24. Freyd, J. J., Kelly, M. H., & DeKay, M. L. (1990). Representational momentum in memory for pitch. Journal of Experimental Psychology: Learning, Memory, & Cognition, 16, 1107-1117. doi:10.1037/0278 -7393.16.6.1107
25. Geldreich, E. W. (1934). A lecture-room demonstrator of the visual tau effect. American Journal of Psychology, 46, 483-485. doi:10.2307/1415607
26. Gibson, J. J. (1966). The senses considered as perceptual systems. Boston: Houghton Mifflin.
27. Griffiths, T. D., Rees, A., Witton, C., Cross, P. M., Shakir, R. A., & Green, G. G. R. (1997). Spatial and temporal processing deficits following right hemisphere infarction: A psychophysical study. Brain, 120, 785-794. doi:10.1093/brain/120.5.785
28. Grondin, S., & Plourde, M. (2007). Discrimination of time intervals presented in sequences: Spatial effects with multiple auditory sources. Human Movement Science, 26, 702-716. doi:10.1016/j .humov.2007.07.009
29. Handel, S. (1988). Space is to time as vision is to audition: Seductive but misleading. Journal of Experimental Psychology: Human Perception & Performance, 14, 315-317. doi:10.1037/0096-1523.14.2.315
30. Helson, H., & King, S. M. (1931). The tau effect: An example of psychological relativity. Journal of Experimental Psychology, 14, 202-217.
31. Henry, M. J., & McAuley, J. D. (2009a). Evaluation of an imputed pitch velocity model of the auditory kappa effect. Journal of Experimental Psychology: Human Perception & Performance, 35, 551-564.
32. Henry, M. J., & McAuley, J. D. (2009b). Relative contribution of frequency and duration cues to estimates of frequency change in tone sequences and glides. Journal of the Acoustical Society of America, 125, 2523.
33. Huang, Y. L., & Jones, B. (1982). On the interdependence of temporal and spatial judgments. Perception & Psychophysics, 32, 7-14.
34. Hubbard, T. L. (1995). Auditory representational momentum: Surface form, direction, and velocity effects. American Journal of Psychology, 108, 255-274. doi:10.2307/1423131
35. Hyde, K. L., & Peretz, I. (2004). Brains that are out of tune but in time. Psychological Science, 15, 356-360. doi:10.1111/j.0956 -7976.2004.00683.x
36. Ishihara, M., Keller, P. E., Rossetti, Y., & Prinz, W. (2008). Horizontal spatial representations of time: Evidence for the STEARC effect. Cortex, 44, 454-461. doi:10.1016/j.cortex.2007.08.010
37. Johnsrude, I. S., Penhune, V. B., & Zatorre, R. J. (2000). Functional specificity in the right human auditory cortex for perceiving pitch direction. Brain, 123, 155-163. doi:10.1093/brain/123.1.155
38. Johnston, H. M., & Jones, M. R. (2006). Higher order pattern structure influences auditory representational momentum. Journal of Experimental Psychology: Human Perception & Performance, 32, 2-17. doi:10.1037/0096-1523.32.1.2
39. Jones, B., & Huang, Y. L. (1982). Space-time dependencies in psychophysical judgment of extent and duration: Algebraic models of the tau and kappa effects. Psychological Bulletin, 91, 128-142.
40. Jones, M. R. (1976). Time, our lost dimension: Toward a new theory of perception, attention, and memory. Psychological Review, 83, 323-335. doi:10.1037/0033-295X.83.5.323
41. Jones, M. R., Moynihan, H., MacKenzie, N., & Puente, J. (2002). Temporal aspects of stimulus-driven attending in dynamic arrays. Psychological Science, 13, 313-319. doi:10.1111/1467-9280.00458
42. Jones, M. R., & Yee, W. (1993). Attending to auditory events: The role of temporal organization. In S. McAdams & E. Bigand (Eds.), Thinking in sound: The cognitive psychology of human audition (pp. 69-112). New York: Clarendon Press, Oxford University Press.
43. Kubovy, M. (1981). Concurrent-pitch segregation and the theory of indispensable attributes. In M. Kubovy & J. R. Pomerantz (Eds.), Perceptual organization (pp. 58-98). Hillsdale, NJ: Erlbaum.
44. Large, E. W., & Jones, M. R. (1999). The dynamics of attending: How people track time-varying events. Psychological Review, 106, 119-159. doi:10.1037//0033-295X.106.1.119
45. Lebrun-Guillaud, G., & Tillmann, B. (2007). Influence of a tone's tonal function on temporal change detection. Perception & Psychophysics, 69, 1450-1459.
46. Liégeois-Cheval, C., Peretz, I., Babai, M., Laguitton, V., & Chauvel, P. (1998). Contribution of different cortical areas in the temporal lobes to music processing. Brain, 121, 1853-1867. doi:10.1093/ brain/121.10.1853
47. MacKenzie, N. (2007). The kappa effect in pitch/time context (Doctoral dissertation, Ohio State University, 2007). Dissertation Abstracts International, 68, 132.
48. MacKenzie, N., & Jones, M. R. (2005, November). The auditory kappa effect revisited. Paper presented at the 46th Annual Meeting of the Psychonomic Society, Toronto.
49. Macmillan, N. A., & Creelman, C. D. (1991). Detection theory: A user's guide. New York: Cambridge University Press.
50. Matsuda, F., & Matsuda, M. (1979). Effects of spatial separation as a cue of time estimation in children and adults. Japanese Psychological Research, 21, 132-138.
51. Matsuda, F., & Matsuda, M. (1981). The anti-kappa effect in successively presented stimuli: A developmental study. Japanese Psychological Research, 23, 9-17.
52. McAuley, J. D., & Jones, M. R. (2003). Modeling effects of rhythmic context on perceived duration: A comparison of interval and entrainment approaches to short-interval timing. Journal of Experimental Psychology: Human Perception & Performance, 29, 1102-1125. doi:10.1037/0096-1523.29.6.1102
53. Peretz, I. (2006). The nature of music from a biological perspective. Cognition, 100, 1-32. doi:10.1016/j.cognition.2005.11.004
54. Peretz, I., & Coltheart, M. (2003). Modularity of music processing. Nature Neuroscience, 6, 688-691. doi:10.1038/nn1083
55. Price-Williams, D. R. (1954). The kappa effect. Nature, 173, 363-364. doi:10.1038/173363a0
56. Rusconi, E., Kwan, B., Giordano, B. L., Umiltà, C., & Butterworth, B. (2006). Spatial representation of pitch height: The SMARC effect. Cognition, 99, 113-129. doi:10.1016/j .cognition.2005.01.004
57. Sarrazin, J.-C., Giraudo, M.-D., Pailhous, J., & Bootsma, R. J. (2004). Dynamics of balancing space and time in memory: The tau and kappa effects revisited. Journal of Experimental Psychology: Human Perception & Performance, 30, 411-430. doi:10.1037/0096 -1523.30.3.411
58. Sarrazin, J.-C., Giraudo, M.-D., & Pittenger, J. B. (2007). Tau and kappa effects in physical space: The case of audition. Psychological Research, 71, 201-218. doi:10.1007/s00426-005-0019-1
59. Shepard, R. N. (1984). Ecological constraints on internal representation: Resonant kinematics of perceiving, imagining, thinking, and dreaming. Psychological Review, 91, 417-447. doi:10.1037/0033 -295X.91.4.417
60. Shigeno, S. (1986). The auditory tau and kappa effects for speech and nonspeech stimuli. Perception & Psychophysics, 40, 9-19.
61. Shigeno, S. (1993). The interdependence of pitch and temporal judgments by absolute pitch processors. Perception & Psychophysics, 54, 682-692.
62. Stroop, J. R. (1935). Studies of interference in serial verbal reactions. Journal of Experimental Psychology, 18, 643-652.
63. Tramo, M., Shah, G. D., & Braida, L. D. (2002). Functional role of auditory cortex in frequency processing and pitch perception. Journal of Neurophysiology, 87, 122-139. doi:10.1152/jn.00104.1999
64. Ward, W. D. (1982). Absolute pitch. In D. Deutsch (Ed.), The psychology of music (pp. 265-298). New York: Academic Press.
65. Wilson, S. J., Pressing, J. L., & Wales, R. J. (2002). Modeling rhythmic function in a musician post-stroke. Neuropsychologia, 40, 1494-1505.
66. Yoblick, D. A., & Salvendy, G. (1970). Influence of frequency on the estimation of time for auditory, visual, and tactile modalities: The kappa effect. Journal of Experimental Psychology, 86, 157-164. doi:10.1037/h0029935
67. Zatorre, R. J. (1988). Pitch perception of complex tones and human temporal-lobe function. Journal of the Acoustical Society of America, 84, 566-572.