Higher order pattern structure influences auditory representational momentum

Journal of Experimental Psychology: Human Perception and Performance

Volumn 32, Issue 1, 2006, Pages 2-17

  Johnston, Heather Moynihan ^a   Jones, Mari Riess ^a  

^a OHIO STATE UNIVERSITY   (United States)

Author keywords

Auditory attention; Auditory perception; Expectations; Pitch perception; Representational momentum

Indexed keywords

ARTICLE; ATTENTION; DECISION MAKING; HEARING; HUMAN; LEARNING; ORIENTATION; PSYCHOPHYSICS; RECALL;

ATTENTION; HUMANS; JUDGMENT; MENTAL RECALL; ORIENTATION; PITCH DISCRIMINATION; PSYCHOACOUSTICS; SET (PSYCHOLOGY);

EID: 33244480096     PISSN: 00961523     EISSN: None     Source Type: Journal    
DOI: 10.1037/0096-1523.32.1.2     Document Type: Article

References (35)

1. Bharucha, J. J. (1994). Tonality and expectation. In R. Aiello & J. A. Sloboda (Eds.), Musical perceptions (pp. 213-239). London: Oxford University Press.
2. Boltz, M. (1991). Time estimation and attentional perspective. Perception & Psychophysics, 49, 422-433.
3. Boltz, M., & Jones, M. R. (1986). Does rule recursion make melodies easier to reproduce? If not, what does? Cognitive Psychology, 18, 389-431.
4. Cuddy, L. L., & Lunney, C. A. (1995). Expectancies generated by melodic intervals: Perceptual judgments of melodic continuity. Perception & Psychophysics, 57, 451-462.
5. Dowling, W. J. (1978). Scale and contour: Two components of a theory of memory for melodies. Psychological Review, 85, 341-354.
6. Dowling, W. J., & Fujitani, D. S. (1971). Contour, intervals, and pitch recognition in memory for melodies. Journal of the Acoustical Society of America, 49, 524-531.
7. Eitan, Z. (1997). Highpoints: A study of melodic peaks. Philadelphia: University of Pennsylvania Press.
8. Finke, R. A., Freyd, J. J., & Shyi, G. C. (1986). Implied velocity and acceleration induce transformations of visual memory. Journal of Experimental Psychology: General, 115, 175-188.
9. Freyd, J. J., & Finke, R. A. (1984). Representational momentum. Journal of Experimental Psychology: Learning, Memory, and Cognition, 10, 126-132.
10. Freyd, J. J., & Jones, K. T. (1994). Representational momentum for a spiral path. Journal of Experimental Psychology: Learning, Memory, and Cognition, 20, 968-976.
11. Freyd, J. J., Kelly, M. H., & DeKay, M. L. (1990). Representational momentum in memory for pitch. Journal of Experimental Psychology: Learning, Memory, and Cognition, 16, 1107-1117.
12. Hubbard, T. L. (1993). Auditory representational momentum: Musical schemata and modularity. Bulletin of the Psychonomic Society, 31, 201-204.
13. Hubbard, T. L. (1995a). Auditory representational momentum: Surface form, direction, and velocity effects. American Journal of Psychology, 108, 255-274.
14. Hubbard, T. L. (1995b). Environmental invariants in the representation of motion: Implied dynamics and representational momentum, gravity, friction, and centripetal force. Psychonomic Bulletin & Review, 2, 322-338.
15. Hubbard, T. L., & Bharucha, J. J. (1988). Judged displacement in apparent vertical and horizontal motion. Perception & Psychophysics, 44, 211-221.
16. Jones, M. R. (1976). Time, our lost dimension: Toward a new theory of perception, attention, and memory. Psychological Review, 83, 323-355.
17. Jones, M. R. (1981). A tutorial on some issues and methods in serial pattern research. Perception & Psychophysics, 30, 492-504.
18. Jones, M. R., & Boltz, M. (1989). Dynamic attending and responses to time. Psychological Review, 96, 459-491.
19. Kelly, M. H., & Freyd, J. J. (1987). Explorations of representational momentum. Cognitive Psychology, 19, 369-401.
20. Kerzel, D. (2002). A matter of design: No representational momentum without predictability. Visual Cognition, 9(1/2), 66-80.
21. Kerzel, D. (2003). Attention maintains mental extrapolation of target position: Irrelevant distractors eliminate forward displacement after implied motion. Cognition, 88, 109-131.
22. Larson, S. (2004). Musical forces and melodic expectations: Comparing computer models and experimental results. Music Perception, 21, 457-498.
23. Munger, M. P., & Owens, T. R. (2004). Representational momentum and the flash-lag effect. Visual Cognition, 11, 81-103.
24. Narmour, E. (1990). The analysis and cognition of melodic complexity. Chicago: University of Chicago Press.
25. Quinn, I. (1999). The combinatorial model of pitch contour. Music Perception, 16, 439-456.
26. Reed, C. L., & Vinson, N. G. (1996). Conceptual effects on representational momentum. Journal of Experimental Psychology: Human Perception and Performance, 22, 839-850.
27. Restle, F. (1970). Theory of serial pattern learning: Structural trees. Psychological Review, 77, 481-495.
28. Restle, F., & Brown, E. (1970). Organization of serial pattern learning. In G. H. Bower (Ed.), The psychology of learning and motivation: Advances in research and theory (pp. 249-331). New York: Academic Press.
29. Schellenberg, E. G., Adachi, M., Purdy, K. T., & McKinnon, M. C. (2002). Expectancy in melody: Tests of children and adults. Journal of Experimental Psychology: General, 131, 511-537.
30. Shepard, R. N., & Jordan, D. S. (1984, December 14). Auditory illusions demonstrating that tones are assimilated to an internalized musical scale. Science, 226, 1333-1334.
31. Toch, E. (1977). The shaping forces in music: An inquiry into the nature of harmony, melody, counterpoint, form. New York: Dover.
32. Todd, R. E., Boltz, M., & Jones, M. R. (1989). The MIDILAB research system. Microcomputers in Psychomusicology Research, 8(2), 83-96.
33. Verfaillie, K., & d'Ydewalle, G. (1991). Representational momentum and event course anticipation in the perception of implied periodical motions. Journal of Experimental Psychology: Learning, Memory, and Cognition, 17, 302-313.
34. Watkins, A. J. (1985). Scale, key, and contour in the discrimination of tuned and mistuned approximations to melody. Perception & Psychophysics, 37, 275-285.
35. Zuckerkandl, V. (1956). Sound and symbol: Music and the external world. London: Routledge & Kegan Paul.