-
1
-
-
79954404150
-
-
in Blackwell Guide to Aesthetics, ed. P. Kivy (Oxford: Blackwell Publishing
-
Alperson, P. (2003), 'The philosophy of music: Formalism and beyond', in Blackwell Guide to Aesthetics, ed. P. Kivy (Oxford: Blackwell Publishing).
-
(2003)
The philosophy of music: Formalism and beyond
-
-
Alperson, P.1
-
2
-
-
0036165240
-
Congenital amusia: A group study of adults afflicted with a music-specific disorder
-
Ayotte J., Peretz I., and Hyde K. (2002), 'Congenital amusia: A group study of adults afflicted with a music-specific disorder', Brain, 125, pp. 238-51.
-
(2002)
Brain
, vol.125
, pp. 238-51
-
-
Ayotte, J.1
Peretz, I.2
Hyde, K.3
-
3
-
-
33746994106
-
Are we "experienced listeners"?
-
Bigand, E. and Poulin-Charronnat, B. (2006), 'Are we "experienced listeners"? A review of the musical capacities that do not depend on formal music training', Cognition, 100 (1), pp. 100-30.
-
(2006)
A review of the musical capacities that do not depend on formal music training Cognition
, vol.100
, Issue.1
, pp. 100-30
-
-
Bigand, E.1
Poulin-Charronnat, B.2
-
5
-
-
85049280579
-
-
Collins, N. and d'Escrivan, J. (ed. 2008), (Cambridge: Cambridge University Press)
-
Collins, N. and d'Escrivan, J. (ed. 2008), The Cambridge companion to electronic music (Cambridge: Cambridge University Press).
-
The Cambridge companion to electronic music
-
-
-
6
-
-
0004258992
-
-
New York: Ballantine Books
-
Corr, A. (1992), Music and the Mind (New York: Ballantine Books).
-
(1992)
Music and the Mind
-
-
Corr, A.1
-
7
-
-
0009154970
-
-
Oxford: Oxford University Press
-
Crowther, P. (1993), Art and Embodiment (Oxford: Oxford University Press).
-
(1993)
Art and Embodiment
-
-
Crowther, P.1
-
8
-
-
0034887475
-
Shared processes in spatial rotation and musical permutation
-
Cupchik G., Phillips K., and Hill D. (2001), 'Shared processes in spatial rotation and musical permutation', Brain and Cognition, 46, pp. 373-82.
-
(2001)
Brain and Cognition
, vol.46
, pp. 373-82
-
-
Cupchik, G.1
Phillips, K.2
Hill, D.3
-
9
-
-
0006043968
-
Drugs in rock and jazz music
-
Curry, A. (1968), 'Drugs in rock and jazz music', Clinical Toxicology, 1(2), pp. 235-44.
-
(1968)
Clinical Toxicology
, vol.1
, Issue.2
, pp. 235-44
-
-
Curry, A.1
-
10
-
-
0345818182
-
Congenital amusia interferes with the ability to synchronize with music
-
Dalla Bella, S. and Peretz, I. (2003), 'Congenital amusia interferes with the ability to synchronize with music', Annals New York Academy of Sciences, 999, pp. 166-69.
-
(2003)
Annals New York Academy of Sciences
, vol.999
, pp. 166-69
-
-
Dalla Bella, S.1
Peretz, I.2
-
12
-
-
0003976691
-
-
(New York: Perigree Books)
-
Dewey, J. (1934/1980), Art as Experience (New York: Perigree Books).
-
(1934)
Art as Experience
-
-
Dewey, J.1
-
13
-
-
34347354245
-
Amusia is associated with deficits in spatial processing
-
Douglas, K. and Bilkey, D. (2007), 'Amusia is associated with deficits in spatial processing', Nature Neuroscience, 10 (7), pp. 915-21.
-
(2007)
Nature Neuroscience
, vol.10
, Issue.7
, pp. 915-21
-
-
Douglas, K.1
Bilkey, D.2
-
14
-
-
62949119416
-
"Set and setting" in an electrophysiological research paradigm on music perception under the influence of cannabis and correlated brain function
-
Available at
-
Fachner, J. (2006), ' "Set and setting" in an electrophysiological research paradigm on music perception under the influence of cannabis and correlated brain function', Music Therapy Today VII (2), pp. 333-74. Available at http://musictherapyworld.net
-
(2006)
Music Therapy Today
, vol.7
, Issue.2
, pp. 333-74
-
-
Fachner, J.1
-
16
-
-
0141954049
-
Brain structures differ between musicians and non-musicians
-
Gaser, C. and Schlaug, G. (2003).' Brain structures differ between musicians and non-musicians', The Journal of Neuroscience, 23(27), pp. 9240-45.
-
(2003)
The Journal of Neuroscience
, vol.23
, Issue.27
, pp. 9240-45
-
-
Gaser, C.1
Schlaug, G.2
-
19
-
-
2442674183
-
Musical qualia, context, time and emotion
-
Goguen, J. (2004). 'Musical qualia, context, time and emotion', Journal of Consciousness Studies, 11(3-4), pp. 117-47.
-
(2004)
Journal of Consciousness Studies
, vol.11
, Issue.3-4
, pp. 117-47
-
-
Goguen, J.1
-
21
-
-
2542422657
-
Improvisation: Temporality and embodied experience
-
Iyer, V. (2004), 'Improvisation: Temporality and embodied experience', Journal of Consciousness Studies, 11(3-4), pp. 159-73.
-
(2004)
Journal of Consciousness Studies
, vol.11
, Issue.3-4
, pp. 159-73
-
-
Iyer, V.1
-
27
-
-
34250166630
-
Meditation and the neuroscience of consciousness: An introduction
-
ed. P. Zelazo, M. Moscovitch and E. Thompson (Cambridge: Cambridge University Press)
-
Lutz, A., Dunne, J. and Davidson, R. (2007), 'Meditation and the neuroscience of consciousness: An introduction,' in The Cambridge Handbook of Consciousness, ed. P. Zelazo, M. Moscovitch and E. Thompson (Cambridge: Cambridge University Press).
-
(2007)
The Cambridge Handbook of Consciousness
-
-
Lutz, A.1
Dunne, J.2
Davidson, R.3
-
32
-
-
0346938276
-
Specialization of the specialized: Electrophysiological investigations in professional musicians
-
Münte, T., Nager, W., Beiss, T., Schroeder, C., and Altenmüller, E. (2003), 'Specialization of the specialized: Electrophysiological investigations in professional musicians', Annals of the New York Academy of Sciences, 999, pp. 131-39.
-
(2003)
Annals of the New York Academy of Sciences
, vol.999
, pp. 131-39
-
-
Münte, T.1
Nager, W.2
Beiss, T.3
Schroeder, C.4
Altenmüller, E.5
-
33
-
-
0034421095
-
Experience and experiment in art
-
Noë, A. (2000), 'Experience and experiment in art', Journal of Consciousness Studies, 7(8-9), pp. 123-36.
-
(2000)
Journal of Consciousness Studies
, vol.7
, Issue.8-9
, pp. 123-36
-
-
Noë, A.1
-
34
-
-
0002808872
-
Experience and the active mind
-
Noë, A. (2001), 'Experience and the active mind', Synthese, 129(1), pp. 41-60.
-
(2001)
Synthese
, vol.129
, Issue.1
, pp. 41-60
-
-
Noë, A.1
-
35
-
-
0036064847
-
Is the visual world a grand illusion?
-
Noë, A. (2002), 'Is the visual world a grand illusion?', Journal of Consciousness Studies, 9(5-6), pp. 1-12.
-
(2002)
Journal of Consciousness Studies
, vol.9
, Issue.5-6
, pp. 1-12
-
-
Noë, A.1
-
37
-
-
65249135914
-
Precis of Action in perception
-
Noë, A. (2008), 'Precis of Action in perception', Philosophy and Phenomenological Research, 76(3), pp. 660-65.
-
(2008)
Philosophy and Phenomenological Research
, vol.76
, Issue.3
, pp. 660-65
-
-
Noë, A.1
-
38
-
-
21344495075
-
Feeling the beat: Movement influences rhythm perception
-
Philips-Silver, J. and Trainor, L. (2005), 'Feeling the beat: Movement influences rhythm perception', Science, 308, p. 1430.
-
(2005)
Science
, vol.308
, pp. 1430
-
-
Philips-Silver, J.1
Trainor, L.2
-
39
-
-
34848905298
-
Hearing what the body feels: Auditory encoding of rhythmic movement
-
Philips-Silver, J. and Trainor, L. (2007), 'Hearing what the body feels: Auditory encoding of rhythmic movement', Cognition, 105(3), pp. 533-46.
-
(2007)
Cognition
, vol.105
, Issue.3
, pp. 533-46
-
-
Philips-Silver, J.1
Trainor, L.2
-
42
-
-
42449130138
-
A biosemiotic and ecological approach to music cognition: Event perception between auditory listening and cognitive economy
-
Reybrouck, M. (2005),' A biosemiotic and ecological approach to music cognition: Event perception between auditory listening and cognitive economy', Axiomathes, 15, pp. 229-66.
-
(2005)
Axiomathes
, vol.15
, pp. 229-66
-
-
Reybrouck, M.1
-
46
-
-
33744772591
-
Sensorimotor subjectivity and the enactive approach to experience
-
Thompson, E. (2005), 'Sensorimotor subjectivity and the enactive approach to experience', Phenomenology and the Cognitive Sciences 4(4), pp. 407-27.
-
(2005)
Phenomenology and the Cognitive Sciences
, vol.4
, Issue.4
, pp. 407-27
-
-
Thompson, E.1
-
48
-
-
0348186554
-
-
London: Serpent's Tale
-
Toop, D. (2001), Ocean of sound (London: Serpent's Tale).
-
(2001)
Ocean of sound
-
-
Toop, D.1
-
49
-
-
70349225868
-
Conceptual and experiential cognition in music
-
Torff, B. and Gardner, H. (1999), 'Conceptual and experiential cognition in music', Journal of Aesthetic Education, 33(4), pp. 93-106.
-
(1999)
Journal of Aesthetic Education
, vol.33
, Issue.4
, pp. 93-106
-
-
Torff, B.1
Gardner, H.2
-
51
-
-
70349219984
-
Why does music move us?
-
Web Series No.34. Department of Philosophy, Göteborg University, Sweden. ISSN: 1652-0459
-
Vickhoff, B. and Malmgren, H. (2004), 'Why does music move us?', Philosophical Communications, Web Series No.34. Department of Philosophy, Göteborg University, Sweden. ISSN: 1652-0459.
-
(2004)
Philosophical Communications
-
-
Vickhoff, B.1
Malmgren, H.2
|