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2
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68749102947
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The paper is based on documents from the Segreteria Personale del Duce, Carteggio Ordinario (SPDCO),Mussolini's 1922-1943 personal archive in the Central State Archive (ACS), Rome, as well as Mussolini's private archive within the Central State Archive, the Segreteria Particolare del Duce, Carteggio Riservato (SPDCR). Furthermore, propaganda newsreels from the historical archive of the LUCE Institute, Rome, are utilized to show how the process of filming Gallone's movie was related both to 1930s colonial expansionist themes as well as Roman themes through the silver screen. Newsreel segments are referenced according to their archival classification: they do not have titles but serial numbers beginning with the letter B followed by four numbers. For example, B0391
-
The paper is based on documents from the Segreteria Personale del Duce, Carteggio Ordinario (SPDCO),Mussolini's 1922-1943 personal archive in the Central State Archive (ACS), Rome, as well as Mussolini's private archive within the Central State Archive, the Segreteria Particolare del Duce, Carteggio Riservato (SPDCR). Furthermore, propaganda newsreels from the historical archive of the LUCE Institute, Rome, are utilized to show how the process of filming Gallone's movie was related both to 1930s colonial expansionist themes as well as Roman themes through the silver screen. Newsreel segments are referenced according to their archival classification: they do not have titles but serial numbers beginning with the letter B followed by four numbers. For example, B0391.
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-
-
Forgacs, D.1
-
96
-
-
68749092386
-
Luchino Visconti's (homosexual) ossessione
-
in Reich and Garofalo
-
W. Van Watson, Luchino Visconti's (homosexual) ossessione, in Reich and Garofalo, Re-viewing Fascism, pp. 172-93;
-
Re-viewing Fascism
, pp. 172-193
-
-
van Watson, W.1
-
98
-
-
84941672256
-
Ways of looking in black and white: Female spectatorship and the miscege-national body in Sotto la Croce del Sud
-
in Reich and Garofalo
-
R. Pickering-Iazzi, Ways of looking in black and white: female spectatorship and the miscege-national body in Sotto la Croce del Sud, in Reich and Garofalo, Re-viewing Fascism, pp. 194-219.
-
Re-viewing Fascism
, pp. 194-219
-
-
Pickering-Iazzi, R.1
-
99
-
-
68749120360
-
-
Pickering-Iazzi, Ways of looking
-
Pickering-Iazzi, Ways of looking.
-
-
-
-
101
-
-
85127762558
-
Theatricality and impersonation: The politics of style in the cinema of the Italian fascist era
-
in Reich and Garofalo
-
see also M. Landy, Theatricality and impersonation: the politics of style in the cinema of the Italian fascist era, in Reich and Garofalo, Re-viewing Fascism, pp. 250-75;
-
Re-viewing Fascism
, pp. 250-275
-
-
Landy, M.1
-
102
-
-
68749113494
-
The last film festival: The Venice Biennale goes to war
-
in Reich and Garofalo
-
M. Stone, The last film festival: the Venice Biennale goes to war, in Reich and Garofalo, Re-viewing Fascism, pp. 293-314;
-
Re-viewing Fascism
, pp. 293-314
-
-
Stone, M.1
-
103
-
-
33644480650
-
Film stars and society in fascist Italy
-
in Reich and Garofalo, Reich, Mussolini; Forgacs, Sex; Van Watson, Luchino Visconti
-
S. Gundle, Film stars and society in fascist Italy, in Reich and Garofalo, Re-viewing Fascism, pp. 315-39; Reich, Mussolini; Forgacs, Sex; Van Watson, Luchino Visconti.
-
Re-viewing Fascism
, pp. 315-339
-
-
Gundle, S.1
-
104
-
-
68749112276
-
-
For a fuller exploration of the institutional roots see Caprotti, Information management
-
For a fuller exploration of the institutional roots see Caprotti, Information management.
-
-
-
-
105
-
-
0003545493
-
-
(London, SAGE)
-
M. Emmison and P. Smith, Researching the visual: images, objects, contexts and interactions in social and cultural inquiry (London, SAGE, 2000), p. 149.
-
(2000)
Researching the visual: Images, objects, contexts and interactions in social and cultural inquiry
, pp. 149
-
-
Emmison, M.1
Smith, P.2
-
106
-
-
68749114771
-
-
Brunetta, Cinema Italiano, p. 362
-
Brunetta, Cinema Italiano, p. 362.
-
-
-
-
107
-
-
68749105380
-
-
B1159, (LUCE, 1 September 1937)
-
B1159, (LUCE, 1 September 1937).
-
-
-
-
108
-
-
68749110287
-
-
Mereghetti, Dizionario
-
Mereghetti, Dizionario.
-
-
-
-
109
-
-
68749104130
-
-
B0937 (LUCE, 12 August 1936)
-
B0937 (LUCE, 12 August 1936).
-
-
-
-
110
-
-
68749085564
-
-
See B0938 (LUCE, 19 August 1936) about the start of recording. See the following newsreels: B0978 (LUCE, 21 October 1936); B01018 (LUCE, 30 September 1936), for more focused emphasis on the filming process
-
See B0938 (LUCE, 19 August 1936) about the start of recording. See the following newsreels: B0978 (LUCE, 21 October 1936); B01018 (LUCE, 30 September 1936), for more focused emphasis on the filming process.
-
-
-
-
111
-
-
68749102900
-
-
B1090 (LUCE, 5 May 1937)
-
B1090 (LUCE, 5 May 1937).
-
-
-
-
112
-
-
68749112277
-
-
B1448, (LUCE, 25 January 1939)
-
B1448, (LUCE, 25 January 1939).
-
-
-
-
113
-
-
68749086812
-
-
B1004 (LUCE, December 1936)
-
B1004 (LUCE, December 1936).
-
-
-
-
114
-
-
34249790847
-
Destructive creation: Fascist urban planning, architecture and new towns in the Pontine Marshes
-
F. Caprotti, Destructive creation: fascist urban planning, architecture and new towns in the Pontine Marshes, Journal of historical geography 33 (2007), pp. 651-79.
-
(2007)
Journal of Historical Geography
, vol.33
, pp. 651-679
-
-
Caprotti, F.1
-
115
-
-
68749094780
-
-
B1014 (LUCE, 23 December 1936)
-
B1014 (LUCE, 23 December 1936).
-
-
-
-
116
-
-
68749117211
-
-
Ibid
-
Ibid.
-
-
-
-
117
-
-
68749100414
-
-
Furthermore, a revisitation of the conflict between Rome and Carthage was produced in 1940 by the LUCE institute, in a short documentary by director Liberio Pensulti titled Roma e Cartagine (Rome and Carthage). Whilst docufilms' are generally understood to belong to later cinematic eras, this documentary fused historical accounts with fictionalized scenes from ancient times
-
Furthermore, a revisitation of the conflict between Rome and Carthage was produced in 1940 by the LUCE institute, in a short documentary by director Liberio Pensulti titled Roma e Cartagine (Rome and Carthage). Whilst docufilms' are generally understood to belong to later cinematic eras, this documentary fused historical accounts with fictionalized scenes from ancient times.
-
-
-
-
118
-
-
68749083067
-
-
Mereghetti, Dizionario
-
Mereghetti, Dizionario.
-
-
-
-
119
-
-
68749120361
-
-
Freddi date unknown, in Mereghetti, Dizionario, p. 1681
-
Freddi, date unknown, in Mereghetti, Dizionario, p. 1681.
-
-
-
-
120
-
-
68749089314
-
-
C. d'Errico, (LUCE)
-
C. d'Errico, Il cammino degli eroi, (LUCE, 1936).
-
(1936)
Il cammino degli eroi
-
-
-
121
-
-
68749109065
-
-
Brunetta, Cinema Italiano, p. 140
-
Brunetta, Cinema Italiano, p. 140.
-
-
-
-
122
-
-
0000231375
-
Culture and nature at the Adelaide Zoo: At the frontiers of human geography
-
K. Anderson, Culture and nature at the Adelaide Zoo: at the frontiers of human geography, Transactions of the Institute of British Geographers 20 (1995), pp. 275-94.
-
(1995)
Transactions of the Institute of British Geographers
, vol.20
, pp. 275-294
-
-
Anderson, K.1
-
123
-
-
68749116018
-
-
Mereghetti, Dizionario
-
Mereghetti, Dizionario.
-
-
-
-
124
-
-
68749084323
-
-
B0391, (LUCE, December 1933)
-
B0391, (LUCE, December 1933).
-
-
-
-
125
-
-
68749101678
-
-
B0390, (LUCE, December 1933)
-
B0390, (LUCE, December 1933).
-
-
-
|