Controlling a physical model with a 2D force matrix

Proceedings of the 7th International Conference on New Interfaces for Musical Expression, NIME '07

Volumn , Issue , 2007, Pages 27-30

  Jones, Randy ^a   Schloss, Andrew ^a  

^a UNIVERSITY OF VICTORIA   (Canada)

Author keywords

Expressive control; Instrument design; Multi touch; Performance; Physical modeling

Indexed keywords

CONTROL INSTRUMENTS; MATRIX; MULTI-TOUCH; PHYSICAL MODEL; PHYSICAL MODELING; REAL TIME; EXPRESSIVE CONTROL; INSTRUMENT DESIGNS; PERFORMANCE; PHYSICAL MODELLING; REAL- TIME;

INSTRUMENTS; TWO DIMENSIONAL; COMPUTER MUSIC;

MODELS; MUSIC;

EID: 67649246996     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1145/1279740.1279742     Document Type: Conference Paper

References (26)

1. M. Aird, J. Laird, and J. Ffitch. Modeling a drum by interfacing 2D and 3D waveguide meshes. In Proc. Int. Computer Music Conf.(ICMC00) Berlin Germany, 2000.
2. S. Bilbao. Wave and Scattering Methods for the Numerical Integration of Partial Differential Equations. PhD thesis, Stanford University, 2001.
3. S. Bilbao. Prepared Piano Sound Synthesis. In Proc. of the 9th Int. Conference on Digital Audio Effects, pages 77-82, 2006.
4. P. Davidson and J. Han. Synthesis and control on large scale multi-touch sensing displays. In New Interfaces for Musical Expression, pages 216-219. IRCAMCentre Pompidou Paris, France France 2006
5. F. Fontana and D. Rocchesso. A new formulation of the 2D-waveguide mesh for percussion instruments. In Proceedings of the XI Colloquium on Musical Informatics,(Bologna, Italy), pages 27-30, 1995.
6. F. Fontana, L. Savioja, and V. Välimäki. A modified rectangular waveguide mesh structure with interpolated input and output points. Proc. Int. Computer Music Conf.,(La Habana, Cuba), pages 87-90, 2001.
7. R. Hoskinson, K. van den Doel, and S. Fels. Real-time adaptive control of modal synthesis. In New Interfaces for Musical Expression, pages 99-103. National University of Singapore, Singapore, 2003.
8. R. Huott. Precise control on compound curves. In New Interfaces for Musical Expression, pages 244-245. National University of Singapore, Singapore, 2005.
9. R. Jones. Retreived March 1, 2007. [Online] 2up.jit.centroids object, at http://2uptech.com/objects.html.
10. R. Jones. MTC Express Multi-touch Controller(review). Computer Music Journal, 25(1):97-99, 2001.
11. A. Kapur, G. Essl, P. Davidson, and P. Cook. The Electronic Tabla Controller. Journal of New Music Research, 32(4):351-359, 2003.
12. M. Karjalainen. Discrete-Time Modeling and Synthesis of Musical Instruments. In Proc. Workshop on Applications of Signal Processing to Acoustics and Audio (WASPAA), 2004.
13. R. Koehly, D. Curtil, and M. Wanderley. Paper FSRs and latex/fabric traction sensors: methods for the development of home-made touch sensors. In New Interfaces for Musical Expression, pages 230-233. IRCAMCentre Pompidou Paris, France, France, 2006.
14. M. Marshall, M. Rath, and B. Moynihan. The virtual Bodhran: the Vodhran. In New Interfaces for Musical Expression, pages 169-170. National University of Singapore, Singapore, 2002.
15. M. Mathews and W. Schloss. The radio drum as a synthesizer controller. In Proceedings of the International Computer Music Conference, 1989.
16. B. Nevile, P. Driessen, and W. Schloss. A new control paradigm: software-based gesture analysis for music. Communications, Computers and signal Processing, 2003. PACRIM. 2003 IEEE Pacific Rim Conference on, 1, 2003.
17. J. Rekimoto. SmartSkin: an infrastructure for freehand manipulation on interactive surfaces. Proceedings of the SIGCHI conference on Human factors in computing systems: Changing our world, changing ourselves, pages 113-120, 2002.
18. G. Rule. Keyboard Reports: Korg Wavedrum. Keyboard, 21(3):72-78, 1995.
19. A. Schloss and R. Jones. Retreived April 16, 2007. [Online] Sound examples at http://people.finearts.uvic.ca/-aschloss/publications/nime2007.htm.
20. Z. Settel and C. Lippe. Convolution brother's instrument design. In New Interfaces for Musical Expression, pages 197-200. National University of Singapore, Singapore, 2003.
21. J. Smith. Physical modeling synthesis update. Computer Music Journal, 20(2):44-56, 1996.
22. A. Tindale, A. Kapur, G. Tzanetakis, P. Driessen, and A. Schloss. A Comparison of Sensor Strategies for Capturing Percussive Gestures. In New Interfaces for Musical Expression, pages 200-203, 2005.
23. V. Välimäki and L. Savioja. Interpolated and warped 2-D digital waveguide mesh algorithms. In COST G-6 Conference on Digital Audio Effects, pages 7-9, 2000.
24. S. Van Duyne and J. Smith. Physical modeling with the 2-D digital waveguide mesh. In Proc. Int. Computer Music Conf, pages 40-47, 1993.
25. C. van Wrede, P. Laskov, and G. Rätsch. Using classification to determine the number of finger strokes on a multi-touch tactile device. In European Symposium on Artificial Neural Networks, pages 549-554, 2004.
26. D. Wessel, M. Wright, and J. Schott. Intimate musical control of computers with a variety of controllers and gesture mapping metaphors. In New Interfaces for Musical Expression, pages 1-3. National University of Singapore, Singapore, 2002.