Convolution brother’s instrument design

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2003, Pages 197-200

  Settel, Zack ^a   Lippe, Cort ^b  

^a Zeepcom   (Canada)

^b Department of Music Hiller Computer Music Studios ^*  (United States)

Author keywords

[No Author keywords available]

Indexed keywords

IN COMPOSITIONS; INSTRUMENT DESIGNS; PERFORMANCE; STANFORD;

MUSIC;

EID: 77953552716     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (6)

1. C. Lippe. “Getting the Acoustic Parameters from a Live Performance” . In Proceedings of the 3rd International Conference for Music Perception and Cognition, pp. 328-333, Liege, 1994.
2. C. Lippe. “Music for piano and computer: A Description”. In Information Processing Society of Japan SIG Notes, vol. 97, no. 122, pp. 33-38, 1997.
3. R. Rowe. Interactive music systems: machine listening and composing. Cambridge, Mass.: MIT Press, 1993.
4. D. Wessel. “Timbre Space as a Musical Control Structure” Computer Music Journal, vol. 3, no. 2, 1979.
5. D. Wessel, D. Bristow, and Z. Settel “Control of Phrasing and Articulation in Synthesis” In Proceedings of the International Computer Music Conference,1987.
6. D. Zicarelli. “Music Technology As A Form of Parasite”. In Proceedings of the International Computer Music Conference, pp. 69-72, 1992.