Striking a chord: A prelude to music and intergroup relations research

Group Processes and Intergroup Relations

Volumn 12, Issue 3, 2009, Pages 291-301

  Giles, Howard ^a   Denes, Amanda ^a   Hamilton, David L ^a   Hajda, John M ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

Intergroup relations; Music; Music and group experience; Music and identity; Music and intergroup theory

Indexed keywords

EID: 65449143252     PISSN: 13684302     EISSN: 14617188     Source Type: Journal    
DOI: 10.1177/1368430209102840     Document Type: Article

References (74)

1. Abrams, J., & Giles, H. (2007). Vitality, media and intergroup relations. Media Psychology, 9, 131-152.
2. Aldridge, D. (1989). Music, communication and medicine: Discussion paper. Journal of the Royal Society of Medicine, 82, 743-747.
3. Applegate, C., & Potter, P. (Eds.) (2001). Music and German national identity. Chicago: University of Chicago Press.
4. Baumgartner, H. (1992). Remembrance of things past: Music, autobiographical memory, and emotion. Advances in Consumer Research, 19, 613-620.
5. Bennett, A. (2000). Popular music and youth culture. New York: Palgrave.
6. Blau, J.R. (1988). Music as social circumstance. Social Forces, 66, 883-902.
7. Brook, A.T., Garcia, J., & Fleming, M. (2008). The effects of multiple identities on psychological well-being. Personality and Social Psychology Bulletin, 34, 1588-1600.
8. Campbell, D.T. (1958). Common fate, similarity, and other indices of the status of aggregates of person as social entities. Behavioural Science, 3, 14-25.
9. Cattell, R.B., & Saunders, D.R. (1954). Musical preferences and personality diagnosis: I. A factorization of one hundred and twenty themes. The Journal of Social Psychology, 39, 3-24.
10. Christenson, P.G., & Peterson, J.B. (1988). Genre and gender in the structure of music preferences. Communication Research, 15, 282-301.
11. Crossley, S. (2005). Metaphorical conceptions in hip-hop music. African American Review, 39, 501-512.
12. Crozier, W.R. (1997). Music and social influence. In D. J. Hargreaves & A. C. North (Eds.), The social psychology of music (pp. 67-84). New York: Oxford University Press.
13. Ehrenreich, B. (2006). Dancing in the streets. New York: Metropolitan.
14. Eyerman, R., & Jamison, A. (1998). Music and social movements: Mobilizing traditions in the twentieth century. Cambridge: Cambridge University Press.
15. Fortman, J., & Giles, H. (2006). Communicating culture. In M. Hecht, J. Baldwin, S. Faulkner, & S. L. Lindsley (Eds.), Conceptualizing culture across disciplines (pp. 91-102). Mahwah, NJ: Erlbaum.
16. Fox, W.A., & Williams, J.D. (1974). Political orientation and music preferences among college students. Public Opinion Quarterly, 38, 352-371.
17. Frith, S. (1978). The sociology of rock. London: Constable.
18. Gabrielsson, A., & Juslin, P.N. (1996). Emotional expression in music performance: Between the performer's intention and the listener's experience. Psychology of Music, 24, 68-91.
19. Gibbs, J. (2008). How does Hanoi rock? The way to rock and roll in Vietnam. Asian Music, 39, 5-25.
20. Giles, H., Bourhis, R.Y., & Taylor, D.M. (1977). Towards a theory of language and ethnic group relations. In H. Giles (Ed.), Language, ethnicity and intergroup relations (pp. 307-348). London: Academic Press.
21. Giles, H., & Johnson, P. (1981). The role of language in ethnic group relations. In J. C. Turner & H. Giles (Eds.), Intergroup behavior (pp. 199-243). Chicago: University of Chicago Press.
22. Giner-Sorolla, R., Mackie, D. M., & Smith, E. R. (Eds.) (2007). Intergroup emotions. Group Processes & Intergroup Relations, 10, 5-136.
23. Glasgow, M.R., & Cartier, A.M. (1985). Conservatism, sensation-seeking and music preferences. Personality and Individual Differences, 6, 395-396.
24. Greitemeyer, T. (2008). Effects of songs with prosocial lyrics on prosocial thoughts, affect, and behavior. Journal of Experimental Social Psychology, 45, 186-190.
25. Hagen, E.H., & Bryant, G.A. (2003). Music and dance as a coalition system. Human Nature, 14, 21-51.
26. Haidt, J., Seder, J.P., & Kesebir, S. (in press). Hive psychology, happiness, and public policy. Journal of Legal Studies.
27. Hallam, S. (2006). Music psychology in education. London: Institute of Education.
28. Hamilton, D.L., Sherman, S.J., & Castelli, L. (2002). A group by any other name: The role of entitativity in group perception. In W. Stroebe & M. Hewstone (Eds.), European review of social psychology (Vol. 12, pp. 139-166). Chichester: Wiley.
29. Hamilton, D.L., Sherman, S.J., & Lickel, B. (1998). Perceptions of groups: The importance of the entitativity continuum. In C. Sedikides, J. Schopler, & C. A. Insko (Eds.), Intergroup cognition and intergroup behavior (pp. 47-74). Mahwah, NJ: Erlbaum.
30. Hargreaves, D.J., & North, A.C. (1999). The function of music in everyday life: Redefining the social in music psychology. Psychology of Music, 27, 71-83.
31. Harwood, J. (1999). Age identification, social identity gratifications, and television viewing. Journal of Broadcasting and Electronic Media, 43, 123-136.
32. Harwood, J., & Roy, A. (2005). Social identity theory and mass communication research. In J. Harwood & H. Giles (Eds.), Intergroup communication (pp. 189-211). New York: Peter Lang.
33. Hornby, N. (2000). High fidelity. Harmondsworth: Penguin.
34. Hornby, N. (2003). 31 songs. Harmondsworth: Penguin.
35. Jacobs, A. (2008). Tibetans selling 'reactionary songs' arrested. Santa Barbara News Press, 26 December, pp. B1-2.
36. Kendall, R.A., & Carterette, E.C. (1990). The communication of musical expression. Music Perception, 8, 129-164.
37. Knobloch, S., & Zillman, D. (2008). Mood management via the digital jukebox. Journal of Communication, 52, 351-366.
38. Kofsky, F. (1970). Black nationalism and the revolution in music. New York: Pathfinder Press.
39. Larson, R. (1995). Secrets in the bedroom: Adolescents' private use of media. Journal of Youth and Adolescence, 24, 535-550.
40. Lavie, M. (2008). Israeli President posts peace song on web site. Daily News: Los Cabos, Issue # 2163, 7 August.
41. Little, P., & Zuckerman, M. (1986). Sensation seeking and music preferences. Personality and Individual Differences, 7, 575-577.
42. Low, B. Sarkar, M., & Winer, L. (2009). 'Ch'us mon proper Bescherelle': Challenges from the hip-hop nation to the Quebec nation. Journal of Sociolinguistics, 13, 59-82.
43. Mamula, S. (2008). Starting from nowhere? Popular music in Cambodia after the Khmer Rouge, Asian Music, 39, 26-41.
44. McCown, W., Keiser, R., Mulhearn, S., & Williamson, D. (1997). The role of personality and gender in preferences for exaggerated bass in music. Personality and Individual Differences, 23, 543-547.
45. McNamara, L., & Ballard, M.E. (1999). Resting arousal, sensation seeking, and music preference. Genetic, Social, and General Psychology Monographs, 125, 229-250.
46. McNeill, W.H. (1995). Keeping together in time: Dance and drill in human history. Cambridge, MA: Harvard University Press.
47. Merriam, A.P. (1964). The anthropology of music. Evanston, IL: Northwestern University Press.
48. Mitchell, T. (1996). Popular music and local identity: Rock, pop and rap in Europe and Oceania. Leicester: Leicester University Press.
49. Mithen, S. (2006). The singing Neanderthals: The origins of music, language, mind and body. Cambridge, MA: Harvard University Press.
50. Nabi, R.L. (in press). Emotion and media effects. In R. L. Nabi & M. B. Oliver (Eds.), The SAGE handbook of mass media effects. Thousand Oaks, CA: Sage.
51. North, A.C., & Hargreaves, D.J. (in press). Lifestyle correlates of musical preference: 3. Travel, money, education, employment, and health. Psychology of Music.
52. North, A.C., Hargreaves, D.J., & O'Neill, S.A. (2000). The importance of music to adolescents. British Journal of Educational Psychology, 70, 255-272.
53. Peterson, J.B., & Christenson, P.G. (1987). Political orientation and music preferences in the 1980s. Popular Music and Society, 11, 1-17.
54. Pettyjohn, II, T.F., & Sacco, Jr. D.F. (in press). The language of lyrics: An analysis of popular Billboard songs across conditions of social and economic threat. Journal of Language and Social Psychology, 28.
55. Reid, S.A., Giles, H., & Abrams, J. (2004). A social identity model of media effects. Zeitschrift für Medienpsychologie, 16, 17-25.
56. Rentfrow, P.J., & Gosling, S.D. (2003). The do re mi's of everyday life: The structure and personality correlates of music preferences. Journal of Personality and Social Psychology, 84, 1236-1256.
57. Rentfrow, P.J., & Gosling, S.D. (2006). Message in a ballad: The role of music preferences in interpersonal perception. Psychological Science, 17, 236-242.
58. Roccas, S., & Brewer, M.B. (2002). Social identity complexity. Personality and Social Psychology Review, 6, 88-106.
59. Roccas, S., Klar, Y., & Liviatan, I. (2006). The paradox of group based guilt: Modes of national identification, conflict vehemence, and reactions to the ingroup's moral violations. Journal of Personality and Social Psychology, 91, 698-711.
60. Roccas, S., Sagiv, L., Schwartz, S., Halevy, N., & Eidelson, R. (2008). Toward a unifying model of identification with groups: Integrating theoretical perspectives. Personality and Social Psychology Review, 12, 280-306.
61. Roe, K. (1999). Music and identity among European youth. Soundscapes-Online Journal on Media Culture, 2, 1-15.
62. Schwartz, J. (2004). To know me, know my iPod. The New York Times, available at: http://proquest.umi.com (accessed 2 February 2008).
63. Sheffield, R. (2007). Love is a mix tape: Life and loss, one song at a time. New York: Three River Press.
64. Sherman, S.J., Hamilton, D.L., & Lewis, A.C. (1999). Perceived entitativity and the social identity value of group memberships. In D. Abrams & M. Hogg (Eds.), Social identity and social cognition (pp. 80-110). Oxford: Blackwell.
65. Smith, E.R. (1993). Social identity and social emotions: Toward new conceptualizations of prejudice. In D. M. Mackie & D. L. Hamilton (Eds.), Affect, cognition, and stereotyping: Interactive processes in group perception (pp. 297-315). New York: Academic Press.
66. Stokes, M. (1994). Ethnicity, identity and music: The musical construction of place. Oxford: Berg.
67. Tajfel, H., & Turner, J.C. (1986). The social identity theory of intergroup behavior. In W. Austin & S. Worchel (Eds.), The social psychology of intergroup relations (pp. 7-24). Monterey, CA: Brooks/Cole.
68. Tekman, H.G., & Hortaçsu, N. (2002). Music and social identity: Stylistic identification as a response to musical style. International Journal of Psychology, 37, 277-297.
69. Vianna, H. (1999). The mystery of Samba: Popular music and national identity in Brazil. Chapel Hill, NC: The University of North Carolina Press.
70. Von Feilitzen, C., & Roe, K. (1992). Eavesdropping on adolescence: An exploratory study of music listening among children. Communications, 17, 225-244.
71. Wells, A., & Tokinoya, H. (1998). The genre preferences of western popular music by Japanese adolescents. Popular Music and Society, 22, 41-53.
72. Willis, P. (1978). Profane culture. London: Routledge.
73. Wiltermuth, S.S., & Heath, C. (2009). Synchrony and cooperation. Psychological Science, 20, 1-5.
74. Yzerbyt, V., Castano, E., Leyens, J., & Paladino, M. (2000). The primacy of the ingroup: The interplay of entitativity and identification. European Review of Social Psychology, 11, 257-295.