Deconstructing a musical delusion: Point-light representations capture salient properties of impact motions

Canadian Acoustics - Acoustique Canadienne

Volumn 37, Issue 1, 2009, Pages 23-26

  Schutz, Michael ^a   Kubovy, Michael ^a  

^a UNIVERSITY OF VIRGINIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

AUDITORY PERCEPTIONS; DIRECTION INDEPENDENTS; FOUR POINTS; OPTIMAL INTEGRATIONS; SUDDEN CHANGES; VISUAL INFORMATIONS;

VISUAL COMMUNICATION;

EID: 65349187056     PISSN: 07116659     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (51)

1. Alais, D., & Burr, D. (2004). The ventriloquist effect results from near-optimal bimodal integration. Current Biology, 14, 257-262.
2. Arrighi, R., Alais, D., & Burr, D. (2006). Perceptual synchrony of audiovisual streams for natural and artificial motion sequences. Journal of Vision, 6, 260-268.
3. Baayen, R. H. (2008). Analyzing linguistic data: A practical introduction to statistics. Cambridge, UK: Cambridge University Press.
4. Baayen, R. H., Davidson, D. J., & Bates, D.M. (2008). Mixed-effects modeling with crossed random effects for subjects and items. Journal of Memory and Language, 59, 390-412.
5. Bedford, F. L. (2001a). Object identity theory and the nature of general laws. Cahiers de Psychologie Cognitive - Current Psychology of Cognition, 20, 277-293.
6. Bedford, F. L. (2001b). Towards a general law of numerical/object identity. Cahiers de Psychologie Cognitive - Current Psychology of Cognition, 20, 113-175.
7. Bedford, F. L. (2004). Analysis of a constraint on perception, cognition, and development: One object, one place, one time. Journal of Experimental Psychology: Human Perception and Performance, 30, 907-912.
8. Bertelson, P., & Radeau, M. (1981). Cross-modal bias and perceptual fusion with auditory-visual spatial discordance. Perception & Psychophysics, 29, 578-584.
9. Bertelson, P., Vroomen, J., de Gelder, B., & Driver, J. (2000). The ventriloquist effect does not depend on the direction of deliberate visual attention. Perception & Psychophysics, 62, 321-332.
10. Broughton, M., & Stevens, C. (in press). Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience. Psychology of Music.
11. Dahl, S., & Friberg, A. (2007). Visual perception of expressiveness in musicians' body movements. Music Perception, 24(5), 433-454.
12. Davidson, J. (1993). Visual perception of performance manner in the movements of solo musicians. Psychology of Music, 21.
13. Davidson, J. (1994). Which areas of a pianist's body convey information about expressive intention to an audience? Journal of Human Movement Studies, 26, 279-301.
14. Ernst, M. O., & Banks, M. S. (2002). Humans integrate visual and haptic information in a statistically optimal fashion. Nature, 415, 429-433.
15. Gepshtein, S., Burge, J., Ernst, M. O., & Banks, M. S. (2005). The combination of vision and touch depends on spatial proximity. Journal of Vision, 5, 1013-1023.
16. Gillespie, R. (1997). Ratings of violin and viola vibrato performance in audio-only and audiovisual presentations. Journal of Research in Music Education, 45, 212-220.
17. Guest, S., & Spence, C. (2003). Tactile dominance in speeded discrimination of textures. Experimental Brain Research, 150, 207-207.
18. Hidalgo-Barnes, M., & Massaro, D.W. (2007). Read my lips: an animated face helps communicate musical lyrics. Psychomusicology, 19, 3-12.
19. Jack, C. E., & Thurlow, W. R. (1973). Effects of degree of visual association and angle of displacement on the "ventriloquism" effect. Perceptual and Motor Skills, 37, 967-979.
20. Jackson, C. (1953). Visual factors in auditory localization. Quarterly Journal of Experimental Psychology, 5, 52-65.
21. Johansson, G. (1973). Visual perception of biological motion and a model for its analysis. Perception & Psychophysics, 2, 201-211.
22. Kreft, I., & Leeuw, J. de. (1998). Introducing multilevel modeling. London, UK: Sage.
23. Maxwell, S. E., & Delaney, H. D. (2004). Designing experiments and analyzing data: A model comparison perspective (2nd ed.). Mahwah, NJ, USA: Erlbaum.
24. Miller, E. A. (1972). Interaction of vision and touch in conflict and nonconflict form perception tasks. Journal of Experiment Psychology, 96, 114-123.
25. Phillips-Silver, J., & Trainor, L. J. (2005). Feeling the beat: Movement influences infant rhythm perception. Science, 308, 1430.
26. Phillips-Silver, J., & Trainor, L. J. (2007). Hearing what the body feels: Auditory encoding of rhythmic movement. Cognition, 105, 533-546.
27. Raudenbush, S. W., & Bryk, A. S. (2002). linear mode: Applications and data analysis methods. London, UK: Sage.
28. Rosenblum, L. D., & Fowler, C. A. (1991). Audiovisual investigation of the loudness-effort effect for speech and nonspeech events. Journal of Experimental Psychology: Human Perception and Performance, 17, 976-985.
29. Saldaña, H. M., & Rosenblum, L. D. (1993). Visual influences on auditory pluck and bow judgments. Perception & Psychophysics, 54, 406-416.
30. Saygin, A. P., Driver, J., & de Sa, V. R. (2008). In the footsteps of biological motion and multisensory perception. Psychological Science, 19, 469-475.
31. Schutz, M. (2008). Seeing music? What musicians need to know about vision. Empirical Musicology Review, 3, 83-108.
32. Schutz, M., & Kubovy, M. (in press). Causality and cross-modal integration. Journal of Experimental Psychology: Human Perception and Performance.
33. Schutz, M., & Lipscomb, S. (2007). Hearing gestures, seeing music: vision influences perceived tone duration. Perception, 36, 888-897.
34. Shipley, T. (1964). Auditory flutter-driving of visual flicker. Science, 145, 1328-1330.
35. Snijders, T., & Bosker, R. (1999). Multilevel analysis: An introduction to basic and advanced multilevel modeling. London, UK: Sage.
36. Spence, C. (2007). Audiovisual multisensory integration. Acoustic Science & Technology, 28, 61-71.
37. Thomas, G. (1941). Experimental study of the influence of vision on sound localization. Journal of Experimental Psychology, 28, 163-175.
38. Thompson, W. F., Graham, P., & Russo, F. A. (2005). Seeing music performance: Visual influences on perception and experience. Semiotica, 156, 203-227.
39. Thompson, W. F., & Russo, F. A. (2007). Facing the music. Psychological Science, 18, 756-757.
40. Thompson, W. F., Russo, F. A., & Quinto, L. (2008). Audio-visual integration of emotional cues in song. Cognition & Emotion, 22, 1457-1470.
41. Vatakis, A., & Spence, C. (2008). Evaluating the influence of the 'unity assumption' on the temporal perception of realistic audiovisual stimuli. Acta Psychologica, 127, 12-23.
42. Vines, B.W., Krumhansl, C. L., Wanderley, M.M., & Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance. Cognition, 101, 80-113.
43. Vroomen, J. (1999). Ventriloquism and the nature of the unity decision. Commentary on Welch. In G. Aschersleben, T. Bachmann, & J. Müsseler (Eds.), Cognitive contributions to the perception of spatial and temporal events (pp. 389-393). Amsterdam: Elsevier.
44. Wada, Y., Kitagawa, N., & Noguchi, K. (2003). Audiovisual integration in temporal perception. Psychophysiology, 50, 117-124.
45. Walker, J. T., & Scott, K.J. (1981). Auditory-visual conflicts in the perceived duration of lights, tones, and gaps. Journal of Experimental Psychology: Human Perception and Performance, 7, 1327-1339.
46. Wapnick, J., Darrow, A.-A., Mazza, J. K., & Dalrymple, L. (1997). Effects of physical attractiveness on evaluation of vocal performance. Journal of Research in Music Education, 45, 4270479.
47. Wapnick, J., Mazza, J. K., & Darrow, A.-A. (1998). Effects of performer attractiveness, stage behavior, and dress on violin performance evaluation. Journal of Research in Music Education, 46, 510-521.
48. Welch, R. B. (1972). The effect of experienced limb identity upon adaptation to simulated displacement of the visual field. Perception & Psychophysics, 12, 453-456.
49. Welch, R. B. (1999). Meaning, attention, and the 'unity assumption' in the intersensory bias of spatial and temporal perceptions. In G. Aschersleben, T. Bachmann, & J. Müsseler (Eds.), Cognitive contributions to the perception of spatial and temporal events (pp. 371-387). Amsterdam, Netherlands: North-Holland/Elsevier Science Publishers.
50. Welch, R. B., DuttonHurt, L. D., & Warren, D. H. (1986). Contributions of audition and vision to temporal rate perception. Perception & Psychophysics, 39, 294-300.
51. Welch, R. B., & Warren, D.H. (1980). Immediate perceptual response to intersensory discrepancy. Psychological Bulletin, 88, 638-667.