Landscapes of feeling, arenas of action: Information visualization as art practice

Leonardo

Volumn 41, Issue 5, 2008, Pages 460-467

  Corby, Tom ^a  

^a NONE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 63649134114     PISSN: 0024094X     EISSN: None     Source Type: Journal    
DOI: 10.1162/leon.2008.41.5.460     Document Type: Article

References (22)

1. See: G. Deleuze and F. Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, London: The Athlone Press, 1996, p. xvi.
2. B.H. McCormick, T.A. DeFanti, and M.D. Brown (eds.) "Visualization in Scientific Computing: Report of the NSF Advisory Panel on Graphics, Image Processing and Workstations," Computer Graphics, 21, No. 6, Nov., 1987.
3. E.R. Tufte, Envisioning Information, Connecticut: Graphics Press, 1990.
4. S.K. Card, J. Mackinlay & B. Shneiderman (eds.) Readings in Information Visualization: Using Vision to Think, Morgan Kaufmann Publishers: San Francisco, CA, 1999.
5. M. Benedikt, "Information in Space Is Space in Information," Images from Afar: Scientific Visualization an Anthology, A. Michelsen and F. Stjernfelt (eds.) Akademisk Forlag: Oslo University Press, 1996.
6. I. Kallick-Wakker, "Science Icons: The Visualization of Scientific Truths," Leonardo, 27, No. 4, 1994, 309-315.
7. Examples of this form of Reinhardt's work are featured on the Silverstein gallery website: "Ad Reinhardt - Art Comics and Satire 1949-1954," 〈http://www.silversteingallery.com/Pop-Ad.html〉.
8. Lombardi's work can be found at the Pierogi gallery website, 〈http://www.pierogi2000.com/flatfile/lombardi.html〉.
9. D. Cox, "What Can an Artist Do for Science: 'Cosmic Voyage' IMAX Film," Art @ Science, C. Sommerer and L. Mignonneau (eds.) Springer-Verlag: New York.
10. See for example Vande Moere's blog: "Info Aesthetics," 〈http://infosthetics.com〉.
11. M. Kemp, "From science in art to the art of science," Nature, 434, Issue 7031, 2005, 308-309.
12. J.J. van Wijk, "The Value of Visualisation," C. Silva, E. Groeller, & H. Rushmeier (eds.) Proceedings of IEEE Visualization 2005, 2005, 79-86.
13. D. Cox. "Metaphorical Mapping: The Art of Visualisation," Aesthetic Computing, P.A. Fishwick (ed), Cambridge, Mass: The MIT Press, 2006, 89-114.
14. J. Elkins, "Art History and Images That Are Not Art," The Art Bulletin, 77, No. 4, 1995, p. 553.
15. More information about Corby and Baily's work can be found at 〈http://www.reconnoitre.net〉; documentation of Abigail Reynolds's work can be found at 〈http://www.abigailreynolds.com〉. The version of Cyclone.soc exhibited in The Information was a prototype, one of a series of versions of a project that was developed throughout 2006.
16. L. Manovich, The Anti-Sublime Ideal in Data Art, August 2002, Manovich, 〈www.manovich.net/DOCS/data-art.doc〉 (accessed 16 November 2006).
17. Further information about Christian Nold and Lucy Kimbell's work can be found respectively at 〈http://www.Biomapping.net〉 and 〈http://www.lucykimbell.com〉
18. C. Nold, "Christian Nold Ittaca project," Bio Mapping, January 2004, 〈http://www.Biomapping.net/leaflet.pdf〉 (accessed 12 March 2006).
19. The version of Pindices shown in The Information did not include the website component of the project. The Pindices website no longer exists but documentation may be found at 〈http://www.lucy-kimbell.com/pindices/ prototype/index.htm〉.
20. See Lucy Kimbell's discussion of Pindices in "If Networked Art is the Answer: What Is the Question?" in Network Art: Practices and Positions, T. Corby (ed) London Routledge, 2005, 154-172.
21. F. Jameson, "Cognitive Mapping," Marxism and the Interpretation of Culture, C. Nelson & L Grossberg (eds.) Urbana and Chicago: University of Illinois Press, 347-357.
22. J. Baudrillard, Simulacra and Simulation (The Body, In Theory: Histories of Cultural Materialism) S. Glaser (Trans.) Ann Arbor: University of Michigan Press, 1994.