Network Art: Practices and Positions: If networked art is the answer what is the question?

Network Art: Practices and Positions

Volumn , Issue , 2013, Pages 154-172

  Kimbell, Lucy ^a  

^a UNIVERSITY OF OXFORD   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79956989545     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315018997     Document Type: Chapter

References (15)

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2. B. Latour, We Have Never Been Modern. Hemel Hempstead: Harvester Wheatsheaf, 1993.
3. C. Gere'When new media was new: A history of the use of new technologies in art in the post-war era,' in New Media Art: Practice and Context in the UK 1994-2004, L. Kimbell (ed.), Arts Council England, London, and Cornerhouse Publications, Manchester, 2004.
4. Latham and B. Steveni, Art as Social Strategy in Institutions and Organisation, London, 1980.
5. P. Bourdieu and H. Haacke, Free Exchange, Cambridge: Polity, 1995.
6. J. Burnham, Beyond Modern Sculpture: the Effects of Science and Technology on the Sculpture of this Century, London: Allen Lane, 1968.
7. L. Kimbell, Audit. London: Book Works, 2002.
8. M. Power, The Audit Society: Rituals of Verification, Oxford: Clarendon, 1997.
9. http://www. identinet.net> (accessed 9 January 2005).
10. Ellie Harrison. Online. Available HTTP: (accessed 9 March 2005).
11. Making a Difference at the University of Plymouth was live for two weeks during October 2004. Institute of Digital Art and Technology, University of Plymouth. Online. Available HTTP: (accessed 2 March 2005).
12. The distinction between routine and inventive is drawn loosely from the work of Gabriel Tarde, On Communication and Social Influence, Chicago: Chicago University Press, 1969, section III.
13. A. Barry and L. Kimbell'Pindices,' in Making Things Public. B. Latour and P. Weibel (eds). Cambridge MA: MIT Press, 2005.
14. Leaflet design by Joseph Malia. Photographs by Mathew Kabatoff. Online. Available HTTP: (accessed 12 March 2005).
15. J. Burnham,'Systems esthetics', in Artforum, vol. 7, no. 1, September 1968, p. 35.