메뉴 건너뛰기




Volumn 15, Issue 4, 2008, Pages 279-295

Creativity and learning jazz: The practice of listening

Author keywords

[No Author keywords available]

Indexed keywords


EID: 61149669830     PISSN: 10749039     EISSN: 15327884     Source Type: Journal    
DOI: 10.1080/10749030802391039     Document Type: Article
Times cited : (22)

References (45)
  • 1
    • 0001994644 scopus 로고
    • Adorno, T. (1989). On jazz. Discourse, 12(1), 45-69. (Original work published 1936)
    • (1989) On jazz. Discourse , vol.12 , Issue.1 , pp. 45-69
    • Adorno, T.1
  • 2
    • 84923501273 scopus 로고    scopus 로고
    • Learning jazz, teaching jazz
    • M. Cooke & D. Hon Eds, New York: Cambridge University Press
    • Ake, D. (2002). Learning jazz, teaching jazz. In M. Cooke & D. Hon (Eds.), The Cambridge companion to jazz (pp. 255-269). New York: Cambridge University Press
    • (2002) The Cambridge companion to jazz , pp. 255-269
    • Ake, D.1
  • 4
    • 2442710341 scopus 로고    scopus 로고
    • Creativity and madness revisited from current psychological perspectives
    • Barrantes-Vidal. (2004). Creativity and madness revisited from current psychological perspectives. Journal of Consciousness Studies, 11(3-4), 58-78
    • (2004) Journal of Consciousness Studies , vol.11 , Issue.3-4 , pp. 58-78
    • Barrantes-Vidal1
  • 5
    • 84955219285 scopus 로고
    • Cooperation as communicative accomplishment: A symbolic interaction analysis of an improvised jazz concert
    • Bastien, D. T., & Hostager, T. J. (1992). Cooperation as communicative accomplishment: a symbolic interaction analysis of an improvised jazz concert. Communication Studies, 43(2), 92-104
    • (1992) Communication Studies , vol.43 , Issue.2 , pp. 92-104
    • Bastien, D.T.1    Hostager, T.J.2
  • 7
    • 84982381016 scopus 로고
    • Verbal art as performance
    • Bauman, R. (1975). Verbal art as performance. American Anthropologist, 77(2), 290-311
    • (1975) American Anthropologist , vol.77 , Issue.2 , pp. 290-311
    • Bauman, R.1
  • 8
    • 84934562591 scopus 로고
    • Poetics and performance as critical perspectives on language and social life
    • Bauman, R., & Briggs, C. L. (1990). Poetics and performance as critical perspectives on language and social life. Annual Review of Anthropology, 19, 59-88
    • (1990) Annual Review of Anthropology , vol.19 , pp. 59-88
    • Bauman, R.1    Briggs, C.L.2
  • 10
    • 61149126648 scopus 로고    scopus 로고
    • The role of reflexivity in the aesthetics of performance: Verbal art, public display, and popular music
    • Berger, H., & Del Negro, G. (2004). The role of reflexivity in the aesthetics of performance: verbal art, public display, and popular music. In H. M. Berger & G. P. Del Negro (Eds.), Identity and everyday life: Essays in the study of folklore, music, and popular culture (pp. 89-123). Middletown, CT: Wesleyan University Press
    • (2004) Identity and everyday life: Essays in the study of folklore, music, and popular culture , pp. 89-123
    • Berger, H.1    Del Negro, G.2
  • 12
    • 0004280828 scopus 로고
    • Stanford, CA: Stanford University Press
    • Bourdieu, P. (1990). The logic of practice. Stanford, CA: Stanford University Press
    • (1990) The logic of practice
    • Bourdieu, P.1
  • 13
    • 0040725633 scopus 로고    scopus 로고
    • Musical improvisation: A systems approach
    • R. K. Sawyer Ed, Greenwich, CT: Ablex
    • Csikszentmihalyi, M., & Rich, G. (1997). Musical improvisation: A systems approach. In R. K. Sawyer (Ed.), Creativity in performance (pp. 43-66). Greenwich, CT: Ablex
    • (1997) Creativity in performance , pp. 43-66
    • Csikszentmihalyi, M.1    Rich, G.2
  • 14
    • 27644514243 scopus 로고    scopus 로고
    • Jazz improvisation: A search for hidden harmonies and a unique self
    • Duranti, A., & Burrell, K. (2004). Jazz improvisation: A search for hidden harmonies and a unique self. Ricerche di Psicologia, 27(3), 71-101
    • (2004) Ricerche di Psicologia , vol.27 , Issue.3 , pp. 71-101
    • Duranti, A.1    Burrell, K.2
  • 15
    • 61149397576 scopus 로고
    • Ellington: "where is jazz going?"
    • M. Tucker Ed, New York: Oxford University Press
    • Ellington, D. (1993). Ellington: "Where is jazz going?" (1962). In M. Tucker (Ed.), The Duke Ellington reader (pp. 324-326). New York: Oxford University Press
    • (1993) The Duke Ellington reader , pp. 324-326
    • Ellington, D.1
  • 17
    • 84923505869 scopus 로고    scopus 로고
    • The word jazz
    • M. Cooke & D. Horn Eds, New York: Cambridge University Press
    • Gabbard, K. (2002). The word jazz. In M. Cooke & D. Horn (Eds.), The Cambridge companion to jazz (pp. 1-6). New York: Cambridge University Press
    • (2002) The Cambridge companion to jazz , pp. 1-6
    • Gabbard, K.1
  • 20
  • 23
    • 84923473318 scopus 로고    scopus 로고
    • The identity of jazz
    • M. Cooke & D. Horn Eds, New York: Cambridge University Press
    • Horn, D. (2002). The identity of jazz. In M. Cooke & D. Horn (Eds.), The Cambridge companion to jazz (pp. 9-32). New York: Cambridge University Press
    • (2002) The Cambridge companion to jazz , pp. 9-32
    • Horn, D.1
  • 25
    • 0040851786 scopus 로고
    • Notes on some orderlinesses of overlap onset
    • V. D. U. P. Leonardi Ed, Padua, Italy: Cleupe editore
    • Jefferson, G. (1984). Notes on some orderlinesses of overlap onset. In V. D. U. P. Leonardi (Ed.), Discourse analysis and natural rhetorics. Padua, Italy: Cleupe editore
    • (1984) Discourse analysis and natural rhetorics
    • Jefferson, G.1
  • 26
    • 0002162371 scopus 로고
    • Behavioral foundations for the process of frame-attunement in face-to-face interaction
    • A. Kendon Ed, Cambridge, UK: Cambridge University Press
    • Kendon, A. (1990). Behavioral foundations for the process of frame-attunement in face-to-face interaction. In A. Kendon (Ed.), Conducting interaction: Patterns of behavior in focused encounters (pp. 239-262). Cambridge, UK: Cambridge University Press
    • (1990) Conducting interaction: Patterns of behavior in focused encounters , pp. 239-262
    • Kendon, A.1
  • 27
  • 28
    • 84923407850 scopus 로고    scopus 로고
    • Spontaneity and organisation
    • M. Cooke & D. Horn Eds, New York: Cambridge University Press
    • Martin, P. J. (2002). Spontaneity and organisation. In M. Cooke & D. Horn (Eds.), The Cambridge companion to jazz (pp. 133-152). New York: Cambridge University Press
    • (2002) The Cambridge companion to jazz , pp. 133-152
    • Martin, P.J.1
  • 32
    • 0001976752 scopus 로고
    • Transcription as theory
    • E. Ochs & B. B. Schieffelin Eds, New York: Academic
    • Ochs, E. (1979). Transcription as theory. In E. Ochs & B. B. Schieffelin (Eds.), Developmental pragmatics (pp. 43-72). New York: Academic
    • (1979) Developmental pragmatics , pp. 43-72
    • Ochs, E.1
  • 33
    • 0001870331 scopus 로고    scopus 로고
    • Linguistic resources for socializing humanity
    • J. G. S. Levinson Ed, New York: Cambridge University Press
    • Ochs, E. (1996). Linguistic resources for socializing humanity. In J. G. S. Levinson (Ed.), Rethinking linguistic relativity. New York: Cambridge University Press
    • (1996) Rethinking linguistic relativity
    • Ochs, E.1
  • 34
    • 84923505579 scopus 로고    scopus 로고
    • Free jazz and the avant-garde
    • M. Cooke & D. Horn Eds, New York: Cambridge University Press
    • Pressing, J. (2002). Free jazz and the avant-garde. In M. Cooke & D. Horn (Eds.), The Cambridge companion to jazz (pp. 202-216). New York: Cambridge University Press
    • (2002) The Cambridge companion to jazz , pp. 202-216
    • Pressing, J.1
  • 35
    • 34347303367 scopus 로고    scopus 로고
    • Orality, literacy, and mediating musical experience: Rethinking oral tradition in the learning of jazz improvisation
    • Prouty, K. (2006). Orality, literacy, and mediating musical experience: Rethinking oral tradition in the learning of jazz improvisation. Popular Music and Society, 29(3), 317-334
    • (2006) Popular Music and Society , vol.29 , Issue.3 , pp. 317-334
    • Prouty, K.1
  • 39
    • 0038123806 scopus 로고
    • Introduction: Creativity in anthropology
    • Rosaldo, R., Lavie, S., & Narayan, K, (1993). Introduction: Creativity in anthropology. In S. Lavie, K. Narayan, & R. Rosaldo (Eds.), Creativity/anthropology (pp. 1-10). Ithaca, NY: Cornell University Press
    • (1993) Creativity/anthropology , pp. 1-10
    • Rosaldo, R.1    Lavie, S.2    Narayan, K.3
  • 40
    • 0000098051 scopus 로고
    • A simplest systematics for the organization of turn-taking for conversation
    • Sacks, H., Schegloff, E., & Jefferson, G. (1974). A simplest systematics for the organization of turn-taking for conversation. Language, 50(4), 696-735
    • (1974) Language , vol.50 , Issue.4 , pp. 696-735
    • Sacks, H.1    Schegloff, E.2    Jefferson, G.3
  • 41
    • 0009120604 scopus 로고
    • Creativity as mediated action: A comparison of improvisational performance and product creativity
    • Sawyer, R. K. (1995). Creativity as mediated action: a comparison of improvisational performance and product creativity. Mind, Culture, and Activity, 2(3), 172-191
    • (1995) Mind, Culture, and Activity , vol.2 , Issue.3 , pp. 172-191
    • Sawyer, R.K.1
  • 43
    • 0011487959 scopus 로고
    • Making music together: A study in social relationship
    • A. Broderson Ed, The Hague, the Netherlands: Martinus Nijhoff
    • Schutz, A. (1964). Making music together: a study in social relationship. In A. Broderson (Ed.), Alfred Schutz, collected papers (Vol. 2, pp. 159-178). The Hague, the Netherlands: Martinus Nijhoff
    • (1964) Alfred Schutz, collected papers , vol.2 , pp. 159-178
    • Schutz, A.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.