The metaphysics of jazz

Journal of Aesthetics and Art Criticism

Volumn 58, Issue 2, 2000, Pages 125-133

  Young, James O ^a   Matheson, Carl ^b  

^a UNIVERSITY OF VICTORIA   (Canada)

^b UNIVERSITY OF MANITOBA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61149264067     PISSN: 00218529     EISSN: 15406245     Source Type: Journal    
DOI: 10.2307/432091     Document Type: Review

References (10)

1. Paul Thom, For an Audience (Temple University Press, 1993)
2. Ted Gioia, The Imperfect Art (New York: Oxford University Press, 1988), p. 55
3. Lee B. Brown, "Musical Works, Improvisation, and the Principle of Continuity," The Journal of Aesthetics and Art Criticism 54 (1996): 362
4. Nelson Goodman, Languages of Art, 2nd ed., (Indianapolis: Hackett, 1976), p. 185
5. The New Grove Dictionary of Music, vol. 9, ed. Stanley Sadie (Washington, D.C.: Macmillan Publishing, 1980), p. 31
6. Jerrold Levinson, "What a Musical Work Is," The Journal of Philosophy 77 (1980): 5-28
7. Peter Kivy, Authenticities (Cornell University Press, 1995), p. 131
8. Andy Hamilton, "The Aesthetics of Imperfection," Philosophy 65 (1990): 324
9. Philip Alperson, "On Musical Improvisation," The Journal of Aesthetics and Art Criticism 43 (1994): 26
10. Joseph Margolis, Art and Philosophy (Brighton: Harvester Press, 1980), pp. 53 ff