Architecture's image problem: Have we ever been postmodern?

Grey Room

Volumn , Issue 22, 2006, Pages 7-29

  Martin, Reinhold ^a  

^a NONE

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EID: 61049297386     PISSN: 15263819     EISSN: None     Source Type: Journal    
DOI: 10.1162/152638106775434413     Document Type: Review

References (36)

1. Fredric Jameson, "Postmodernism, or, The Cultural Logic of Late Capitalism," New Left Review 146 (July-August 1984): 54
2. and Fredric Jameson, Postmodernism, or, The Cultural Logic of Late Capitalism (Durham, NC: Duke University Press, 1991), 2
3. See also Fredric Jameson, A Singular Modernity: Essay on the Ontology of the Present (New York: Verso, 2002)
4. and Andreas Huyssen, "Memories of Modernism," review of A Singular Modernity, by Fredric Jameson, Harvard Design Magazine 20 (Spring/Summer 2004): 90-95
5. Andreas Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism (Bloomington: Indiana University Press, 1986), 183-188
6. David Harvey, The Condition of Postmodernity (Oxford, UK: Oxford University Press, 1990), 4-6
7. Jean-François Lyotard, "Answering the Question: What Is Postmodernism?" in Jean-François Lyotard, The Postmodern Condition: A Report on Knowledge, trans. Geoff Bennington and Brian Massumi (Minneapolis: University of Minnesota Press, 1983), 71
8. Fredric Jameson, foreword to The Postmodern Condition, by Lyotard, xvii
9. Robert Venturi, Denise Scott Brown, and Steven Izenour, Learning from Las Vegas, rev. ed. (Cambridge: MIT Press, 1977), 87-90
10. Venturi, Scott Brown, and Izenour, 90-103
11. Charles Jencks, The Language of Post-Modern Architecture (New York: Rizzoli, 1977), 87-88
12. Jameson, "Postmodernism," 89
13. Michael Herr, Dispatches (New York: Knopf, 1977), quoted in Jameson, " Postmodernism," 84
14. Jencks, The Language of Post-Modern Architecture, 35
15. See Reinhold Martin, "Environment, c. 1973," Grey Room 14 (Winter 2004), 78-101
16. and Reinhold Martin, The Organizational Complex: Architecture, Media, and Corporate Space (Cambridge: MIT Press, 2003)
17. Charles Jencks, Architecture 2000: Predictions and Methods (New York: Praeger, 1971), 32
18. Jencks, Architecture 2000, 118
19. Fredric Jameson, "The Brick and the Balloon: Architecture, Idealism and Land Speculation," in Fredric Jameson, The Cultural Turn: Selected Writings on the Postmodern, 1983-1998 (New York: Verso, 1998), 185
20. Max Horkheimer and Theodor W. Adorno, Dialectic of Enlightenment, trans. John Cumming (New York: Continuum, 1993), 146
21. Jencks's source for the notion of "frameworks for speculation" and "surprise free" projections is Herman Kahn and Anthony J. Wiener, The Year 2000: A Framework for Speculation on the Next Thirty-Three Years (New York: Macmillan, 1967)
22. Niklas Luhmann, Art as a Social System, trans. Eva M. Knodt (Stanford: Stanford University Press, 2000), esp. ch. 2, 6
23. Lyotard, The Postmodern Condition, 61-62
24. The chart is from Bruno Latour, The Pasteurization of France, trans. Alan Sheridan and John Law (Cambridge, MA: Harvard University Press, 1988), 207
25. Bruno Latour, We Have Never Been Modern, trans. Catherine Porter (Cambridge, MA: Harvard University Press, 1993), 2
26. Latour, We Have Never Been Modern, 64-65
27. Bruno Latour and Steve Woolgar, Laboratory Life: The Social Construction of Scientific Facts (Beverly Hills, CA: Sago Publications, 1979)
28. Louis Kahn, What Will Be Has Always Been: The Words of Louis I. Kahn, ed. Richard Saul Wurman (New York: Access Press/Rizzoli, 1986), 216
29. Robert Venturi, "Thoughts on the Architecture of the Scientific Workplace: Community, Change, and Continuity," in The Architecture of Science, ed. Peter Galison and Emily Thompson (Cambridge: MIT Press, 1999), 390
30. Venturi, "Thoughts," 391
31. Bruno Latour, Politics of Nature: How to Bring the Sciences into Democracy, trans. Catherine Porter (Cambridge, MA: Harvard University Press, 2004), 132
32. Latour, Politics of Nature, 136-161
33. See Ulrich Beck, Risk Society: Towards a New Modernity, trans. Mark Ritter (London: Sage Publications, 1992)
34. See Mark Wigley, "Lost and found," in You Are Here: Architecture and Information Flows, ed. Laura Kurgan and Xavier Costa (Barcelona: Museu d'Art Contemporani de Barcelona, 1995), 171-185
35. Fredric Jameson, "World Reduction in Le Guin: The Emergence of Utopian Narrative," Science Fiction Studies 7, vol. 2, pt. 3 (November 1975), 230
36. See also Jameson, Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (London: Verso, 2005), in which this text is reprinted