Deeper conversations with interactive art: Or why artists must program

Convergence

Volumn 7, Issue 1, 2001, Pages 17-24

  Stern, Andrew ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61049217456     PISSN: 13548565     EISSN: 17487382     Source Type: Journal    
DOI: 10.1177/135485650100700103     Document Type: Article

References (20)

1. Examples of web art can be found at http://www.adaweb.org, http://www.rhizome.org, http://www.artnetweb.com, http://www.walkerart.org/ gallery9/beyondinterface.
2. Karl Sims, 'Evolving Virtual Creatures', Siggraph 1994 Proceedings, pp. 15-22.
3. P. McCorduck, Aaron's Code: Meta-art, artificial intelligence, and the work of Harold Cohen (New York: Freeman, 1991).
4. D. Cope, Experiments in Musical Intelligence (Madison: A-R Editions, 1996).
5. C. Sommerer and L. Mignonneau (eds), Art@Science (New York: Springer Verlag, 1998).
6. M. Mateas, S. Domike and P. Vanouse, 'Terminal Time: An Ideologically-biased History Machine', in Proceedings of the AISB 1999 Symposium on Creative Language: Humor and Stories (Edinburgh: The Society for the Study of Al and Simulation of Behavior, 1999), pp. 69-75.
7. Also see M. Mateas, 'Not Your Grandmother's Game: Al-Based Art and Entertainment' in Proceedings of the 1999 AAAI Spring Symposium, Artificial Intelligence and Computer Games, SS-99-02 (Menlo Park: AAAI Press, 1999), pp. 64-68.
8. B. Damer, 'The Cyberbiological Worlds of Nerve Garden', Leonardo, 31, no. 5 (1998), pp. 389-392.
9. R. Allen, 'The Bush Soul: Traveling Consciousness in an Unreal World' (1998) at http://emergence.design.ucla.edu/papers/bushpaper.htm (February 2000).
10. S. Penny, 'Embodied Cultural Agents: at the Intersection of Robotics, Cognitive Science and Interactive Art', in Proceedings of the 1997 AAAI Fall Symposium, Socially Intelligent Agents (Menlo Park: AAAI Press, 1997).
11. J. Bates, A.B. Loyall, and W.S. Reilly, 'Integrating reactivity, goals and emotions in a broad agent', Technical Report CMU-CS-92-142, School of Computer Science (Pittsburgh: Carnegie Mellon University, 1992).
12. B. Blumberg, Old Tricks, New Dogs: Ethology and Interactive Creatures, PhD Dissertation (Massachussets: MIT Media Lab, 1996).
13. A. Stern, A. Frank and B. Resner, 'Virtual Petz: A Hybrid Approach to Creating Autonomous, Lifelike Dogz and Catz', in Proceedings of the Second Intl. Conference on Autonomous Agents (Menlo Park: AAAI Press, 1998), pp. 334-35.
14. A. Stern, Creating Emotional Relationships with Virtual Characters, Austrian Research Institute for Artificial Intelligence workshop on 'Emotions in Humans and in Artifacts' (2000), publication forthcoming.
15. C. Crawford, 'A Better Metaphor for Game Design: Conversation', and 'Fundamentals of Interactivity', Interactive Entertainment Design (1993), at http://www.erasmatazz.com/library.html (February 2000).
16. A. Stern, 'Al Beyond Computer Games', in Proceedings of the 1999 AAAI Spring Symposium, Artificial Intelligence and Computer Games, SS-99-02 (Menlo Park: AAAI Press, 1999), pp. 77-80.
17. R. Picard, Affective Computing (Massachussets: MIT Press, 1997).
18. Examples of current natural language understanding research can be found at http://www.lim.univ-mrs.fr/NLULP99 (February 2000).
19. T. Binkley, 'Autonomous Creations: Birthing Intelligent Agents', Leonardo, 31, no. 5 (1998), pp. 333-36.
20. J. Murray, Hamlet on the Holodeck: The Future of Narrative in Cyberspace (New York: The Free Press, 1997).