Arguing with ethnography: The films of Bob Quinn and Pierre Perrault

Cinema Journal

Volumn 42, Issue 2, 2003, Pages 101-124

  White, Jerry ^a,b  

^a UNIVERSITY OF ALBERTA   (Canada)

^b Canadian Association for Irish Studies

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60950173845     PISSN: 00097101     EISSN: None     Source Type: Journal    
DOI: 10.1353/cj.2003.0006     Document Type: Review

References (25)

1. Laura U. Marks, The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses (Durham, N.C.: Duke University Press, 2000)
2. Catherine Russell, Experimental Ethnography: The Work of Film in the Age of Video (Durham, N.C.: Duke University Press, 1998)
3. David MacDougall, "The Subjective Voice in Ethnographic Film," in Leslie Devereaux and Roger Hillman, eds., Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography (Berkeley: University of California Press, 1995), 241
4. Lance Pettitt, Screening Ireland: Film and Television Representation (Manchester, U.K.: Manchester University Press, 1999), 80
5. Brian McIlroy, World Cinema, 4: Ireland (Trowbridge, U.K.: Flicks Books, 1988), 68
6. Kevin Rockett, Luke Gibbons, and John Hill, Cinema and Ireland, (Syracuse, N.Y.: Syracuse University Press, 1988), 129
7. Nuala C. Johnson, "Making Space: Gaeltacht Policy and the Politics of Identity" in Brian Graham, ed., In Search of Ireland: A Cultural Geography (New York: Routledge, 1997), 185
8. William Rothman, Documentary Film Classics (Cambridge, U.K.: Cambridge University Press, 1997), 1
9. Gilles Marsolais, L'Aventure du cinéma direct revisitée (The Direct Cinema Adventure Revisited) (Laval, Québec: Les 400 Coups, 1997), 107
10. Phillipe Pilard, "Notes à propos du Flaherty Country et du Pays Perrault" (Notes Regarding "Flaherty Country" and "Perrault Country"), in Paul Warren, ed., Pierre, Perrault: Cinéaste-Poète (Montréal: L'Hexagone, 1999), 156
11. George Marcus, "The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage," in Devereaux and Hillman, Fields of Vision, 35-36
12. Bill Nichols, Blurred Boundaries (Bloomington: Indiana University Press, 1994), 66
13. Bob Quinn, "What Happened to the Bishop?" Film Ireland 39 (February-March 1994): 8
14. Michel Brûlé, Pierre, Perrault, ou une cinéma national (Pierre Perrault, or a National Cinema) (Montréal: Les presses de l'Université de Montréal, 1971), 19
15. Jane Gaines, "Inventing and Preserving Appalachia: Appalshop Documentaries," Jump Cut 34 (March 1989): 56
16. Robert Daudelin, "Encounter between Fiction and the Direct Cinema," in Piers Handling and Pierre Vérroneau, eds., Self Portraits (Ottawa: Canadian Film Institute, 1980), 100
17. Brian Winston, Claiming the Real: The Documentary Film Revisited (London: British Film Institute, 1995), 182
18. Karl Heider, Ethnographic Film (Austin: University of Texas Press, 1976), 27
19. Gilles Deleuze, Cinema 2: The Time-Image, trans. Hugh Tomlinson and Robert Galeta (Minneapolis: University of Minnesota Press, 1989), 150
20. Bob Quinn, Atlantean: Ireland's North African and Maritime History (London: Quartet Books, 1986), 177
21. Aijaz Ahmad, In Theory: Nations, Classes, Literatures (London: Verso, 1992), 11
22. Édouard Glissant, Introduction à une poétique du divers (Introduction to a Poetics of Diversity) (Paris: Gallimard, 1995), 15
23. Édouard Glissant, Le discours antillais (Caribbean Discourse) (Paris: Gallimard, 1997), 327
24. Chris Bougie, Islands and Exiles: The Creole Identities of Post/Colonial Literature (Palo Alto, Calif.: Stanford University Press, 1998), 23
25. Laura U. Marks, "A Deleuzian Politics of Hybrid Cinema," Screen 35, no. 3 (fall 1995): 262