The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage

Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography

Volumn , Issue , 2023, Pages 35-55

  Marcus, George E ^a  

^a RICE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85165398313     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.2307/jj.2711614.7     Document Type: Chapter

References (10)

1. Keith Cohen, Film and Fiction: The Dynamics of Exchange (New Haven, 1979), 219.
2. Marshall Berman, All That Is Solid Melts into Air (New York, 1982), 8.
3. George E. Marcus, “The Constructive Uses of Deconstruction in the Ethnographic Study of Notable American Families,” Anthropological Quarterly 68 (1988): 3-16.
4. Cohen, Film and Fiction, 208-9.
5. Teresa de Lauretis, Technologies of Gender: Essays on Theory Film and Fiction (Bloomington, Ind., 1987), 122.
6. Michael Taussig, Colonialism, Shamanism, and the Wild Man: A Study in Terror and Healing (Chicago, 1987), 444 45.
7. David Lodge, Small World (Harmondsworth, 1985) 43-44.
8. Cohen, Film and Fiction, 141.
9. Zachary Leader, Review of the BBC production of Small World, Times Literary Supplement (March 1988): 280.
10. Stephen Fay, Beyond Greed (New York, 1981).