Linear ordering of the chromatic aggregate in classical symphonic music

Music Theory Spectrum

Volumn 18, Issue 1, 1996, Pages 22-50

  Burnett, Henry ^a   O'Donnell, Shaugn ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61149348607     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.2307/745844     Document Type: Review

References (17)

1. James M. Baker, "Chromaticism in Classic Music," Music Theory and the Exploration of the Past, ed. Christopher Hatch and David W. Bernstein (Chicago: University of Chicago Press, 1993): 233-307
2. "Chromaticism in Mozart's 'Jupiter' Symphony," Mozart-Jahrbuch 1991, ed. Rudolph Angermüller, Dietrich Berke, Ulrike Hofmann, and Wolfgang Rehm (Kassel: Bärenreiter, 1992): 1050-55
3. Haydn's Divertimento in Bmusic flat sign, op. 1 no. 1 (Hob.111:1, c. 1760)
4. Beethoven's Symphony No. 3 in Emusic flat sign, op. 55 (Eroica, 1803)
5. C. P. E. Bach's Symphonies No. 3 in C (1773)
6. No. 2 in Emusic flat sign, WQ 183/2 (c. 1775)
7. J. C. Bach's Symphony in Emusic flat sign, op. 6 no. 3 (publ. 1770)
8. Dittersdorf's Symphony in Emusic flat sign (1766)
9. Haydn's Symphonies No.92 in G (Oxford, 1789), No. 96 in D (Miracle, 1791)
10. George Perle, Twelve-Tone Tonality (Berkeley: University of California Press, 1977)
11. A more rigorous theoretical formulation appears in Henry Burnett, "Levels of Chromatic Ordering in Haydn's London Symphonies: A New Hypothesis," International Journal of Musicology, forthcoming
12. Heinrich Schenker in Free Composition (Der freie Satz), trans. and ed. Ernst Oster (New York: Longman, 1979), 103-105
13. "The Prelude from Bach's Suite No. 4 for Violoncello Solo: The Submerged Urlinie," Current Musicology 56 (1994), 66
14. Ellwood R. Derr, in "Beethoven's Long-Term Memory of C. P. E. Bach's 'Rondo in E-flat' W.61/1 (1787), Manifest in the 'Variations in E-flat for Piano,' Opus 35 (1802)," Musical Quarterly 70 (1984): 45-76
15. Irving Godt in "C. P. E. Bach His Mark," College Music Symposium 19/2 (1979): 154-61
16. David Schulenberg in The Instrumental Music of Carl Philipp Emanuel Bach (Ann Arbor: UMI Research Press, 1984), 42
17. James Webster, Haydn's "Farewell" Symphony and the Idea of Classical Style (Cambridge: Cambridge University Press, 1991): 167-73