Starting in the middle: Auxiliary cadences in the Beatles' songs

Music Analysis

Volumn 25, Issue 1-2, 2006, Pages 155-169

  Wagner, Naphtali ^a  

^a NONE

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[No Author keywords available]

Indexed keywords

EID: 60949405589     PISSN: 02625245     EISSN: None     Source Type: Journal    
DOI: 10.1111/j.1468-2249.2006.00236.x     Document Type: Article

References (18)

1. 'Continuity in the Fourth Symphony (First Movement)', in Crawford Howie, Paul Hawkshaw and Timothy Jackson (eds.), Perspectives on Anton Bruckner (London: Ashgate Press, 2001), pp. 114-44
2. 'Brucknerian Models: Sonata Form and Linked Internal Auxiliary Cadences', in Matti Huttunen, Kari Kilpeläinen and Veijo Murtomäki (eds.), Sibelius Forum II: Proceedings from the Third International Jean Sibelius Conference (Helsinki: Sibelius Academy, Department of Composition and Music Theory, 2003), pp. 154-70
3. Davidsbündlertänze, Op. 6 (nos. 2, 5, 7 and 9);
4. Carnaval, Op. 9 (nos. 3, 4, 6, 7 and 8);
5. Phantasiestücke, Op. 12 (nos. 2 and 3);
6. Kinderszenen, Op. 15 (nos. 4, 5, 11 and 13).
7. Dichterliebe, Op. 48 (nos. 1, 5, 9 and 12).
8. Roger Kamien ('Quasi-Auxiliary Cadences Beginning on a Root-Position Tonic Chord: Some Preliminary Observations', Journal of Schenkerian Studies, 1 (2005), pp. 32-43
9. 'Unraveling Schenker's Concept of the Auxiliary Cadence', Music Theory Spectrum, 27/ii (2005), p. 159.
10. 'Unraveling Schenker's Concept of the Auxiliary Cadence', pp. 159; 168-70
11. 'Tonal Oscillation in the Beatles' Music', in Yrjö Heinonen, Marcus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatles Studies 3: Proceedings of the Beatles 2000 Conference (Jyväskylä: University of Jyväskylä, 2001), pp. 87-96.
12. Schenker, Burstein ('Unraveling Schenker's Concept of the Auxiliary Cadence', pp. 174-6)
13. The Beatles as Musicians: Revolver through the Anthology (New York: Oxford University Press, 1999), p. 136, Ex. 2.7.
14. The Beatles as Musicians: The Quarry Men through Rubber Soul (New York: Oxford University Press, 2001)
15. 'Analysis Today', Musical Quarterly, 46/ii (1960), pp. 182-3,
16. Musical Form and Musical Performance (New York: Norton, 1968), p. 26.
17. 'Domestication of Blue Notes in the Beatles' Songs', Music Theory Spectrum, 25/ii (2003), pp. 353-66,
18. 'Fixing a Hole in the Scale: Suppressed Notes in the Beatles' Songs', Popular Music, 23/iii (2004), pp. 257-69.