"Domestication" of blue notes in the Beatles' songs

Music Theory Spectrum

Volumn 25, Issue 2, 2003, Pages 353-365

  Wagner, Naphtali ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61949111179     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.1525/mts.2003.25.2.353     Document Type: Article

References (9)

1. Covach, John. 1997. "We Won't Get Fooled Again: Rock Music and Musical Analysis." In Theory Only 13 (1-4): 119-41
2. Everett, Walter. 1999. The Beatles as Musicians: Revolver through the Anthology. New York: Oxford University Press
3. -. 2001. The Beatles as Musicians: The Quarry Men through Rubber Soul. New York: Oxford University Press
4. Moore, Allan F. 1995. "The So-Called 'Flattened Seventh' in Rock." Popular Music 14: 185-201
5. -. 1997. The Beatles: Sgt. Pepper's Lonely Hearts Club Band. Cambridge: Cambridge University Press
6. Macdonald, Ian. 1995. Revolution in the Head: The Beatles Records and the Sixties. London: Pimlico Edition
7. Porter, Steven Clark. 1979. Rhythm and Harmony in the Music of the Beatles. Ph.D. dissertation, City University of New York
8. Reck, David R. 1985. "Beatles Orientalis: Influence from Asia in a Popular Song Tradition." Asian Music 16: 83-149
9. Wagner, Naphtali. 1999. The Beatles: The Seven Good Years. Jerusalem: Magnes Press