In defence of moderate aesthetic formalism

Philosophical Quarterly

Volumn 50, Issue 201, 2000, Pages 476-493

  Zangwill, Nick ^a  

^a UNIVERSITY OF GLASGOW   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949227119     PISSN: 00318094     EISSN: None     Source Type: Journal    
DOI: 10.1111/1467-9213.00201     Document Type: Article

References (14)

1. K. Walton, 'Categories of Art', Philosophical Review, 79 (1970), pp. 334-67.
2. 'Defusing Anti-formalist Arguments', forthcoming in British Journal of Aesthetics.
3. 'Feasible Aesthetic Formalism', Noǔs, 33 (1999), pp. 610-23.
4. 'The Concept of the Aesthetic', European Journal of Philosophy, 6 (1998), pp. 78-93.
5. Clive Bell, Art (London: Chatto & Windus, 1914).
6. J.R. Searle, Intentionality (Cambridge UP, 1983).
7. 'The Creative Theory of Art', American Philosophical Quarterly, 32 (1995), pp. 307-23.
8. Crispin Sartwell 'Appropriation and Interpretation', Journal of Value Inquiry, 28 (1994), pp. 327-38.
9. Jerrold Levinson 'Defining Art Historically', in his Music, Art and Metaphysics (Cornell UP, 1990).
10. Donald Davidson in Essays on Actions and Events (Oxford: Clarendon Press, 1980).
11. E.H. Gombrich, Art and Illusion (London: Phaidon, 1959), p. 313.
12. Clement Greenberg's 'Review of Mondrian's "New York Boogie-Woogie" and Other New Acquisitions at the Museum of Modern Art', in J. O'Brian (ed.), Clement Greenberg: the Collected Essays and Criticism, Vol. 1 (Univ. of Chicago Press, 1986), p. 153.
13. M. Baxandall, Patterns of Intention (Yale UP, 1985), p. 61;
14. Barbara Herrnstein Smith, Poetic Closure (Univ. of Chicago Press, 1968), pp. 50-6.