Feasible aesthetic formalism

Nous

Volumn 33, Issue 4, 1999, Pages 610-629

  Zangwill, Nick ^a  

^a UNIVERSITY OF GLASGOW   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34250836161     PISSN: 00294624     EISSN: None     Source Type: Journal    
DOI: 10.1111/0029-4624.00196     Document Type: Article

References (38)

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3. Kant (Critique of Judgment, transl. Meredith, Oxford: Oxford University Press, 1928, pp. 67-68).
4. Roger Fry Plastic Colour, Transformations, London: Chatto & Windus, 1926.
5. Rae Langton and David Lewis, "Intrinsic Properties", Philosophy and Phenomenological Research, 1998.)
6. Colin McGinn, The Subjective View, Oxford: Clarendon, 1982.
7. "Another Look at Color", Journal of Philosophy, 1996.)
8. Martin Davies and Lloyd Humberstone in "Two Notions of Necessity", Philosophical Studies, 1980.
9. Mary Mothersill, Beauty Restored, Oxford: Oxford University Press, 1984;
10. Alan Goldman, Aesthetic Value, Boulder, Colorado: Westview, 1995.
11. "The Beautiful, The Dainty and the Dumpy", British Journal of Aesthetics, 1995.
12. "The Concept of the Aesthetic", European Journal of Philosophy, 1998.
13. John Mackie, Ethics, Harmonsworth: Penguin 1977
14. Arthur Danto The Transfiguration of the Commonplace, Cambridge, Mass.: Harvard University Press, 1981).
15. Ruth Lorand, "Kant on Free and Dependent Beauty", British Journal of Aesthetics, 1989.
16. Eva Schaper, Studies in Kant's Aesthetics, Edinburgh: Edinburgh University Press, 1979, chapter 4.
17. Peter Geach, "Good and Evil", reprinted in Philippa Foot (ed.), Theories of Ethics, Oxford: Oxford University Press, 1967.
18. G. E. Moore, Principia Ethica, Cambridge: Cambridge University Press, 1903, chapter 6.
19. Clive Bell, Art, London: Chatto & Windus, 1914.
20. Roger Fry, Vision and Design, London: Chatto & Windus, 1920
21. Noel Carroll "Clive Bell's Aesthetic Hypothesis", in George Dickie et al. (eds.) Aesthetics: A Critical Anthology, second edition, New York: St. Martin's Press, 1989.
22. Roger Fry, Vision and Design, p. 23, p. 29, p. 197.
23. Richard Wollheim "Seeing-in, Seeingas, and Pictorial Representation", in Art and its Objects, second edition, Cambridge: Cambridge University Press, 1980.
24. Clement Greenberg: The Collected Essays and Criticism, Volume 4, (ed.) John O'Brian, Chicago: University of Chicago Press, 1993.
25. Paul Churchland, A Neurocomputational Perspective, Cambridge, Mass.: MIT Press, 1992;
26. Shelly Kagan, The Limits of Morality, Oxford: Oxford University Press, 1989.
27. Malcolm Budd, Values of Art, London: Allen Lane, 1995.
28. Roger Scruton, The Aesthetics of Architecture, chapter 3.
29. Monroe Beardsley Aesthetics, Indianapolis: Hackett, 1958, pp. 230-37.
30. Lewis Carroll Through the Looking Glass, London: Oxford University Press, 1971).
31. A. C. Bradley "Poetry for Poetry's Sake", in his Oxford Lectures on Poetry, Oxford: Oxford University Press, 1909.
32. Stuart Sim, "Structuralism and Post-structuralism" in Oswald Hanfling, Philosophical Aesthetics, Oxford: Blackwell, 1992.
33. On the Musically Beautiful, Indianapolis: Hackett, 1986.
34. Peter Kivy, "The Fine Art of Repetition", reprinted in his The Fine Art of Repetition, Cambridge: Cambridge University Press, 1993.
35. Eduard Hanslick, On the Musically Beautiful, p. 18.
36. Malcolm Budd Music and the Emotions (London: Routledge & Kegan Paul, 1985).
37. "Metaphor and Realism in Aesthetics", Journal of Aesthetics and Art Criticism, 1991.
38. Edward Cone "The Picture and the Frame: The Nature of Musical Form", in Musical Form and Musical Performance, New York: Norton, 1968, pp. 18-22).