-
1
-
-
59549087058
-
-
BAKER, M. C. (2001). The atoms of language. New York: Basic Books.
-
BAKER, M. C. (2001). The atoms of language. New York: Basic Books.
-
-
-
-
3
-
-
0000963496
-
-
BHARUCHA, J. J. (1984). Anchoring effects in music: The resolution of dissonance. Cognitive Psychology, 16, 485-518.
-
BHARUCHA, J. J. (1984). Anchoring effects in music: The resolution of dissonance. Cognitive Psychology, 16, 485-518.
-
-
-
-
4
-
-
0039882028
-
-
BHARUCHA, J. J. (1996). Melodic anchoring. Music Perception, 13 383-400.
-
BHARUCHA, J. J. (1996). Melodic anchoring. Music Perception, 13 383-400.
-
-
-
-
5
-
-
0031241549
-
Global context effects on musical expectancy
-
BIGAND, E., & PINEAU, M. (1997). Global context effects on musical expectancy. Perception and Psychophysics, 59, 1098-1107.
-
(1997)
Perception and Psychophysics
, vol.59
, pp. 1098-1107
-
-
BIGAND, E.1
PINEAU, M.2
-
6
-
-
0029705805
-
Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training
-
BIGAND, E., PARNCUTT, R., & LERDAHL, F. (1996). Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training. Perception and Psychophysics, 58, 5-141.
-
(1996)
Perception and Psychophysics
, vol.58
, pp. 5-141
-
-
BIGAND, E.1
PARNCUTT, R.2
LERDAHL, F.3
-
8
-
-
59549094557
-
-
CONE, E. T. (1968). Musical form and musical performance. New York: Norton.
-
CONE, E. T. (1968). Musical form and musical performance. New York: Norton.
-
-
-
-
11
-
-
84968082089
-
Grouping conditions in listening to music: An approach to Lerdahl and Jackendoff's grouping preference rules
-
DELIEGE, I. (1987). Grouping conditions in listening to music: An approach to Lerdahl and Jackendoff's grouping preference rules. Music Perception, 4, 325-360.
-
(1987)
Music Perception
, vol.4
, pp. 325-360
-
-
DELIEGE, I.1
-
12
-
-
33645770328
-
Parsing of melody: Quantification and testing of the local grouping rules of Lerdahl and Jackendoff's A generative theory of tonal music
-
FRANKLAND, B.W., & COHEN, A. J. (2004). Parsing of melody: Quantification and testing of the local grouping rules of Lerdahl and Jackendoff's A generative theory of tonal music. Music Perception, 21 499-543.
-
(2004)
Music Perception
, vol.21
, pp. 499-543
-
-
FRANKLAND, B.W.1
COHEN, A.J.2
-
16
-
-
59549094706
-
A sketch of the use of formalized languages for the assertion of music
-
KASSLER, M. (1963). A sketch of the use of formalized languages for the assertion of music. Perspectives of New Music, 1, 83-94.
-
(1963)
Perspectives of New Music
, vol.1
, pp. 83-94
-
-
KASSLER, M.1
-
17
-
-
59549084454
-
-
KOMAR, A. J. (1971). Theory of suspensions. Princeton: Princeton University Press.
-
KOMAR, A. J. (1971). Theory of suspensions. Princeton: Princeton University Press.
-
-
-
-
19
-
-
30144444878
-
-
KRUMHANSL, C. L. (1983). Perceptual structures for tonal music. Music Perception, 1, 28-62.
-
KRUMHANSL, C. L. (1983). Perceptual structures for tonal music. Music Perception, 1, 28-62.
-
-
-
-
20
-
-
84940525750
-
-
KRUMHANSL, C. L. (1990). Cognitive foundations of musical pitch New York: Oxford University Press.
-
KRUMHANSL, C. L. (1990). Cognitive foundations of musical pitch New York: Oxford University Press.
-
-
-
-
21
-
-
0011299279
-
-
KRUMHANSL, C. L. (1996). A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas. Music Perception, 13, 401-432.
-
KRUMHANSL, C. L. (1996). A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas. Music Perception, 13, 401-432.
-
-
-
-
22
-
-
0036152927
-
Perceiving temporal regularity in music
-
LARGE, E.W., & PALMER, C. (2002). Perceiving temporal regularity in music. Cognitive Science, 26, 1-37.
-
(2002)
Cognitive Science
, vol.26
, pp. 1-37
-
-
LARGE, E.W.1
PALMER, C.2
-
23
-
-
33244456384
-
Musical forces and melodic expectations: Comparing computer models and experimental results
-
LARSON, S. (2004). Musical forces and melodic expectations: Comparing computer models and experimental results. Music Perception, 21, 457-498.
-
(2004)
Music Perception
, vol.21
, pp. 457-498
-
-
LARSON, S.1
-
25
-
-
84968157903
-
Tonal pitch space
-
LERDAHL, F. (1988). Tonal pitch space. Music Perception, 5, 315-350.
-
(1988)
Music Perception
, vol.5
, pp. 315-350
-
-
LERDAHL, F.1
-
26
-
-
84919774094
-
-
New York: Oxford University Press
-
LERDAHL, F. (2001). Tonal pitch space. New York: Oxford University Press.
-
(2001)
Tonal pitch space
-
-
LERDAHL, F.1
-
27
-
-
1542363592
-
The sounds of poetry viewed as music
-
I. Peretz & R. J. Zatorre Eds, New York: Oxford University Press
-
LERDAHL, F. (2003). The sounds of poetry viewed as music. In I. Peretz & R. J. Zatorre (Eds.), The cognitive neuroscience of music (pp. 413-429). New York: Oxford University Press.
-
(2003)
The cognitive neuroscience of music
, pp. 413-429
-
-
LERDAHL, F.1
-
31
-
-
59549088722
-
Toward a computer implementation of the GTTM/TPS analytic system
-
Unpublished manuscript
-
LERDAHL, F., & SEWARD, R. (2008). Toward a computer implementation of the GTTM/TPS analytic system. Unpublished manuscript.
-
(2008)
-
-
LERDAHL, F.1
SEWARD, R.2
-
32
-
-
59549100719
-
Analysis of Schubert's song "Morgengruss
-
Unpublished manuscript
-
LEWIN, D. (1974). Analysis of Schubert's song "Morgengruss." Unpublished manuscript.
-
(1974)
-
-
LEWIN, D.1
-
34
-
-
59549105761
-
-
MCCARTHY, J. J. (2001). A thematic guide to optimality theory Cambridge: Cambridge University Press.
-
MCCARTHY, J. J. (2001). A thematic guide to optimality theory Cambridge: Cambridge University Press.
-
-
-
-
35
-
-
0004243597
-
-
Englewood Cliffs, NJ: Prentice-Hall
-
NEISSER, U. (1967). Cognitive psychology. Englewood Cliffs, NJ: Prentice-Hall.
-
(1967)
Cognitive psychology
-
-
NEISSER, U.1
-
38
-
-
59549106633
-
Review of A generative theory of tonal music
-
PEEL, J., & SLAWSON, W. (1984). Review of A generative theory of tonal music. Journal of Music Theory, 28, 271-294.
-
(1984)
Journal of Music Theory
, vol.28
, pp. 271-294
-
-
PEEL, J.1
SLAWSON, W.2
-
41
-
-
62449267550
-
-
Ed, New York: Oxford University Press
-
SCHENKER, H. (1921-1923). Der tonwille (Vol. 1.). (W. Drabkin, Ed.). New York: Oxford University Press.
-
(1921)
Der tonwille
, vol.1
-
-
SCHENKER, H.1
-
42
-
-
0004074494
-
-
E. Oster, Trans, New York: Longman, Original work published 1935
-
SCHENKER, H. (1979). Free composition (E. Oster, Trans.). New York: Longman. (Original work published 1935)
-
(1979)
Free composition
-
-
SCHENKER, H.1
-
43
-
-
84990397082
-
Perceptions of musical dimensions in Beethoven's Waldstein Sonata: An application of tonal pitch space theory
-
SMITH, N. A., & CUDDY, L. L. (2003). Perceptions of musical dimensions in Beethoven's Waldstein Sonata: An application of tonal pitch space theory. Musicae Scientiae, 7, 7-34.
-
(2003)
Musicae Scientiae
, vol.7
, pp. 7-34
-
-
SMITH, N.A.1
CUDDY, L.L.2
-
44
-
-
59549089947
-
-
SNELL, J. L. (1979). Design for a Formal System for Deriving Tonal Music. Master's thesis, SUNY at Binghampton.
-
SNELL, J. L. (1979). Design for a Formal System for Deriving Tonal Music. Master's thesis, SUNY at Binghampton.
-
-
-
-
45
-
-
0039304806
-
Generative theories in language and music description
-
SUNDBERG, J., & LINDBLOM, B. (1976). Generative theories in language and music description. Cognition, 4, 99-122.
-
(1976)
Cognition
, vol.4
, pp. 99-122
-
-
SUNDBERG, J.1
LINDBLOM, B.2
-
47
-
-
59549097256
-
-
TEMPERLEY, D. (2007). Music and probability. Cambridge, MA: MIT Press.
-
TEMPERLEY, D. (2007). Music and probability. Cambridge, MA: MIT Press.
-
-
-
|