Anchoring effects in music: The resolution of dissonance

Cognitive Psychology

Volumn 16, Issue 4, 1984, Pages 485-518

  Bharucha, J J ^a  

^a DARTMOUTH COLLEGE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0000963496     PISSN: 00100285     EISSN: None     Source Type: Journal    
DOI: 10.1016/0010-0285(84)90018-5     Document Type: Article

References (29)

1. Cognition of complex events: Visual scenes and music
2. Event hierarchies, tonal hierarchies, and assimilation: A reply to Deutsch and Dowling
3. The representation of harmonic structure in music: Hierarchies of stability as a function of context
4. Tonal hierarchies in the music of North India
5. Melody recognition: The experimental application of musical rules
6. Delayed pitch comparisons and the principle of proximity
7. The processing of structured and unstructured tonal sequences
8. Two issues concerning tonal hierarchies: (Commentary on “Tonal hierarchies in the music of North India” by Castellano et al.
9. The internal representation of pitch sequences in tonal music
10. Scale and contour: Two components of a theory of memory for melodies
11. The psychological representation of musical pitch in a tonal context
12. Key distance effects on perceived harmonic structure in music
13. Perceived harmonic structure of chords in three related musical keys
14. Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys
15. Quantification of the hierarchy of tonal functions within a diatonic context
16. Toward a theory of real-time processing of pitch hierarchies
17. On the internal structure of perceptual and semantic categories
18. Cognitive reference points
19. Circularity in judgments of relative pitch