Metricality-enhanced temporal encoding and the subjective perception of rhythmic sequences

Cortex

Volumn 45, Issue 1, 2009, Pages 72-79

  Grube, Manon ^a   Griffiths, Timothy D ^a  

^a NEWCASTLE UNIVERSITY   (United Kingdom)

Author keywords

Ending; Feeling the beat; Meter; Pulse; Rhythm; Temporal encoding

Indexed keywords

ACCURACY; ACOUSTICS; ADULT; ARTICLE; FEMALE; HEARING; HUMAN; HUMAN EXPERIMENT; MALE; MUSIC; NORMAL HUMAN; PERCEPTION; PERIODICITY; RHYTHM; STIMULUS;

EID: 58149182701     PISSN: 00109452     EISSN: 00109452     Source Type: Journal    
DOI: 10.1016/j.cortex.2008.01.006     Document Type: Article

References (42)

1. Bengtsson S. On the Mind's Time. Secondary Title (2005), Karolinska Institutet, Stockholm
2. Bigand E. Perceiving musical stability: the effect of tonal structure, rhythm, and musical expertise. Journal of Experimental Psychology: Human Perception and Performance 23 (1997) 808-822
3. Boltz M. Rhythm and "Good endings": effects of temporal structure on tonality judgments. Perception and Psychophysics 46 (1989) 9-17
4. Boltz M. Time judgments of musical endings: effects of expectancies on the "Filled interval effect". Perception and Psychophysics 46 (1989) 409-418
5. Chen J.L., Penhune V.B., and Zatorre R.J. Tapping in synchrony to auditory rhythms: effect of temporal structure on behavior and neural activity. Annals of the New York Academy of Sciences 1060 (2005) 400-403
6. Dawe L.A., Platt J.R., and Racine R.J. Rhythm perception and differences in accent weights for musicians and nonmusicians. Perception and Psychophysics 57 (1995) 905-914
7. Deutsch D. Recognition of durations embedded in temporal patterns. Perception and Psychophysics 39 (1986) 179-186
8. Drake C., Jones M.R., and Baruch C. The development of rhythmic attending in auditory sequences: attunement, referent period, focal attending. Cognition 77 (2000) 251-288
9. Eck D. A positive-evidence model for rhythmical beat induction. Journal of New Music Research 30 (2001) 187-200
10. Essens P. Structuring temporal sequences: comparison of models and factors of complexity. Perception and Psychophysics 57 (1995) 519-532
11. Essens P.J. Hierarchical organization of temporal patterns. Perception and Psychophysics 40 (1986) 69-73
12. Essens P.J., and Povel D.J. Metrical and nonmetrical representations of temporal patterns. Perception and Psychophysics 37 (1985) 1-7
13. Fraisse P. Rhythm and tempo. In: Deutsch D. (Ed). The Psychology of Music (1983), Academic Press, New York
14. Grahn J., and Brett M. Rhythm and beat perception in motor areas of the brain. Journal of Cognitive Neuroscience 19 (2007) 893-906
15. Handel S. The differentiation of rhythmic structure. Perception and Psychophysics 52 (1992) 497-507
16. Handel S. The interplay between metric and figural rhythmic organization. Journal of Experimental Psychology: Human Perception and Performance 24 (1998) 1546-1561
17. Hannon E.E., Snyder J.S., Eerola T., and Krumhansl C.L. The role of melodic and temporal cues in perceiving musical meter. Journal of Experimental Psychology: Human Perception and Performance 30 (2004) 956-974
18. Hebert S., and Cuddy L.L. Detection of metric structure in auditory figural patterns. Perception and Psychophysics 64 (2002) 909-918
19. Jones M.R., Boltz M.G., and Klein J.M. Expected endings and judged duration. Memory and Cognition 21 (1993) 646-665
20. Jones M.R., Kidd G., and Wetzel R. Evidence for rhythmic attention. Journal of Experimental Psychology: Human Perception and Performance 7 (1981) 1059-1073
21. Keller P.E., and Burnham D.K. Musical meter in attention to multipart rhythm. Music Perception 22 (2005) 629-661
22. Kidd G., Boltz M., and Jones M.R. Some effects of rhythmic context on melody recognition. American Journal of Psychology 97 (1984) 153-173
23. Large E.W., and Jones M.R. The dynamics of attending: how we track time varying events. Psychological Review 106 (1999) 119-159
24. Lerdahl F., and Jackendoff R. A Generative Theory of Tonal Music (1983), MIT Press, Cambridge, Mass.
25. Levitt H. Transformed up-down methods in psychoacoustics. Journal of the Acoustical Society of America 49 (1971) 467-477
26. London J. Hearing in Time (2004), Oxford University Press, New York
27. Longuet-Higgins H.C., and Lee C.S. The rhythmic interpretation of monophonic music. Music Perception 1 (1984) 424-441
28. McAuley J.D., and Semple P. The effect of tempo and musical experience on perceived beat. Australian Journal of Psychology 51 (1999) 176-187
29. Palmer C., and Krumhansl C.L. Mental representations for musical meter. Journal of Experimental Psychology: Human Perception and Performance 16 (1990) 728-741
30. Parncutt R. A perceptual model of pulse salience and metrical accent in musical rhythms. Music Perception 11 (1994) 409-464
31. Patel A.D., Iversen J.R., Chen Y., and Repp B.H. The influence of metricality and modality on synchronization with a beat. Experimental Brain Research 163 (2005) 226-238
32. Povel D.J., and Essens P. Perception of temporal patterns. Music Perception 2 (1985) 411-440
33. Povel D.J., and Okkerman H. Accents in equitone sequences. Perception and Psychophysics 30 (1981) 565-572
34. Repp B.H. Multiple temporal references in sensorimotor synchronization with metrical auditory sequences. Psychological Research 72 (2008) 79-98
35. Ross J., and Houtsma A.J. Discrimination of auditory temporal patterns. Perception and Psychophysics 56 (1994) 19-26
36. Sakai K., Hikosaka O., Miyauchi S., Takino R., Tamada T., Iwata N.K., et al. Neural representation of a rhythm depends on its interval ratio. Journal of Neuroscience 19 (1999) 10074-10081
37. Smith K.C., and Cuddy L.L. Effects of metric and harmonic rhythm on the detection of pitch alterations in melodic sequences. Journal of Experimental Psychology: Human Perception and Performance 15 (1989) 457-471
38. Stewart L., von Kriegstein K., Warren J.D., and Griffiths T.D. Music and the brain: disorders of musical listening. Brain 129 (2006) 2533-2553
39. Todd N.P.M., O'Boyle D.J.O., and Lee C.S. A sensory-motor-theory of rhythm, time perception, and beat induction. Journal of New Music Research 28 (1999) 5-28
40. Wallin N.L., Merker B., and Brown S. The Origins of Music (2000), The MIT Press, Cambridge
41. Yee W., Holleran S., and Jones M.R. Sensitivity to event timing in regular and irregular sequences: influences of musical skill. Perception and Psychophysics 56 (1994) 461-471
42. Zanto T.P., Snyder J.S., and Large E.W. Neural correlates of rhythmic expectancy. Advances in Cognitive Psychology 2 (2006) 221-231