A generic model for compositional approaches to audiovisual media

Organised Sound

Volumn 3, Issue 3, 1998, Pages 199-

  Hunt, Andy ^a   Kirk, Ross ^a   Orton, Richard ^a   Merrison, Benji ^a  

^a UNIVERSITY OF YORK   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33646197356     PISSN: 13557718     EISSN: None     Source Type: Journal    
DOI: 10.1017/S1355771898003045     Document Type: Article

References (17)

1. Ash, K. 1999. MSc Thesis in Music Technology. University of York, September 1999.
2. Kirk, R., Abbotson, M., Abbotson, R., Hunt, A., and Cleaton, A. 1994. Computer music in the service of music therapy: the MIDIGRID and MIDICREATOR systems. Medical Engineering and Physics 16: 253.
3. Kirk, R., and Hunt, A. 1996. The MIDAS-MILAN system. Journal of the Audio Engineering Society 44(3): 119.
4. Kirk, R., and Orton, R. 1994. Evolution of timbres through the use of Tabula Vigilans on the MIDAS system. In S. Emmerson (ed.) Contemporary Music Review 10(2): 201–9. Switzerland: Harwood Academic Publishers.
5. Kirk, R., Whittington, P., Hunt, A., and Orton, R. 1995. Graphical control of unit generator processes on the MIDAS system: a digital VCS-3 demonstrator. Proc. of the ICMC, p. 499. Banff, Alberta.
6. Merrison, B. 1999. MSc Thesis in Music Technology. University of York, September 1999.
7. Orton, R. 1993. Musical applications of the tabular manipulations in Tabula Vigilans. Chroma, Journal of the Australian Computer Music Association.
8. Orton, R. 1993. Timeshadows. Tabula Vigilans composition first performed at the Australian International Symposium on Computer Music, Sydney 1993.
9. Orton, R. 1994. Tabula Vigilans User Manual, Version 1.0. Composers’ Desktop Project.
10. Orton, R. 1994. Ceci rfestpas un Orchestre. Tabula Vigil-ans composition first performed at the ‘Sound Encounters’ Festival of New Music, Cleveland, OH, 1994.
11. Orton, R. 1995. Gloria for Keyboard and Interactive Tabula Vigilans. First performance, York 1995.
12. Orton, R. 1996. Design strategies for algorithmic composition. Contemporary Music Review 15(3-4): 39–48. Amsterdam: Harwmod Academic Publishers.
13. Orton, R. 1996. Stellations for String Orchestra. Commissioned by the European Community Chamber Orchestra. First performance, 1996 (score composed with the aid of Tabula Vigilans).
14. Orton, R. 1998. Choice and chance in algorithmic composition. Paper delivered at the Workshop on Compositional Use of Computers, University of Limerick.
15. Orton, R. 1998. Tabula Vigilans User Manual, Version 1.2. Composers’ Desktop Project.
16. Orton, R., and Kirk, P. R. 1992. Tabula Vigilans. Proc. of the Int. Computer Music Conf. 1992, pp. 243–6. San
17. Francisco: International Computer Music Association. Whitney, J. 1980. Digital Harmony, Chap. 5. McGraw-Hill.