Code switching and the globalisation of popular music: The case of North African rai and rap

Multilingua

Volumn 25, Issue 4, 2006, Pages 367-392

  Davies, Eirlys E ^a   Bentahila, Abdelali ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 36948999288     PISSN: 01678507     EISSN: 16133684     Source Type: Journal    
DOI: 10.1515/MULTI.2006.020     Document Type: Article

References (44)

1. Aidi, Hisham (2000). B-boys in 'Les banlieues': Hip hop culture in France, http://www.africana.com
2. - (2002). Hip hoppers and black panthers in the Holy Land. http://www.africana.com, 23 September 2002.
3. Ali, Lorraine (2002). Sing like an Egyptian. Newsweek, June 24, 2002: 62.
4. Armistead, S. G. and J. T. Monroe (1983). Albas, mammas, and code-switching in the kharjas: A reply to Keith Whinnom. La Corónica 11, 174-206.
5. Asensio, Susanna (2002). The politics of hybridization in rai music. In Steingress, Gerhart (ed.), Songs of the Minotaur: Transculturation and Popular Music in the Era of Globalization. Hamburg/London: LIT Verlag, 51-82.
6. Bentahila, Abdelali (1983). Language Attitudes among Arabic-French Bilinguals in Morocco. Clevedon: Multilingual Matters.
7. Bentahila, Abdelali and Eirlys E. Davies (1983). The syntax of Arabic-French code switching. Lingua 59, 301-330.
8. - (1991). Constraints on code switching: A look beyond grammar. Papers for the symposium on code switching in bilingual studies: Theory, significance and perspectives. European Science Foundation network on code switching and language contact 2, 369-403.
9. - (1992). Code switching and language dominance. In Harris, R. J. (ed.), Cognitive Processing in Bilinguals. Amsterdam: Elsevier, 443-458.
10. - (1995). Patterns of code switching and patterns of language contact. Lingua 96, 75-93.
11. - (1998). Codeswitching: An unequal partnership? In Jacobson, Rodolfo (ed.), Codeswitching Worldwide. Berlin and New York: Mouton de Gruyter, 25-49.
12. - (2002). Language mixing in rai music: Localisation or globalisation? Language and Communication 22, 187-207.
13. Brien, Patricia (1999). France's rock revival: Bands with buzz go global. The Paris Free Voice, June 1999. http://parisvoice.com
14. Buchanan, Kerry (2000). Un Maori à la conquête de nouveaux territoires. Courrier de l'UNESCO July-August 2000, 32-33.
15. Chang, Jeff (2000). La flamboyante odyssee du hip-hop. Courrier de I'UNESCO, July-August 2000, 23-25.
16. - (2000b). Le cri des jeunes Algériens contre la guerre. Courrier de I'UNESCO, July-August 2000, 34-35.
17. Daoudi, Bouziane and Hadj Meliani (1996). L'aventure du rai: Musique et sociéléμ. Paris: Editions du Seuil.
18. Deshpande, Sudhanva (2000). Le bhangra, fierté de la jeunesse indienne. Courrier de I'UNESCO, July-August 2000, 49-50.
19. Farley, Christopher John (2001). Music goes global. http://wvw.time.com.
20. Hiel, Betsy (2001). Egyptian balancing act. Tribune Review, 12 June 2001. http.//www.pittsburghlive.com.
21. Intik interview (2000). http:Avww.ukhh.com
22. Jacobson, Rodolfo (1977). The social implications of intra-sentential code-switching. In Amastae, Jon and Lucia Elias-OIivares (eds.), Spanish in the United Sidles: Sociolinguistic Aspects. Cambridge: Cambridge University Press.
23. - (1998). Conveying a broader message through bilingual discourse: An attempt at contrastive codeswitching research. In Jacobson, Rodolfo (ed.), Codeswitching Worldwide. Berlin and New York: Mouton de Gruyter, 51-76.
24. Kartomi, Margaret J. (1981). The processes and results of musical culture contact. Ethnonmsicology 25, 120-155.
25. Konkka, Aino(1998). Power, pride and politics in rap music. http://www.uta.fi/FAST/US8/PAPS/ak-rap.html
26. Labesse, P. (2001). Du choix de chanter en arabe ou en français. LeMonde 8 February 2001: 14.
27. Marranci, Gabriele (2000). A complex identity and its musical representation: Beurs and rai music in Paris. Music & Anthropology 5. http://www.muspe/unibo.it/period/ma/index/number5.
28. MBS record review (undated). http://www.99octane.com.
29. McBroom, Patricia (2000). Rap locally, rhyme globally. http://www.berkeley.edu
30. Melville, Caspar (2000). Dance avec les rebelles ⋯ Counter de I'UNESCO, July-August 2000, 40-41.
31. Muysken, Peter (1990). Language contact and grammatical coherence: Spanish and Quechua in the wayno of Southern Peru. Papers for the workshop on constraints, conditions and models. European Science Foundation Network on code switching and language contact, 159-188.
32. Myers-Scotton, Carol (1993). Social Motivations for Codeswitching: Evidence from Africa. Oxford: Clarendon Press.
33. Myllynen, Ville (2001). American rap music: Language and stereotypes. http://www.utq.fi/FAST/US8/PAPS.
34. Picone, Michael D. (2002). Artistic codemixing. University of Pennsylvania Working Papers in Linguistics 8(3), 191-207.
35. Pratt, Timothy (2000). Le cartel colombien du rap. Courrier de I'UNESCO, July-August 2000, 38-39.
36. Sancton, T. (2000). Mixing bowl. Time Europe 155, 23.
37. Schendl, H. (1996). Text types and code switching in medieval and early modern English. Vienna English Working Papers 5, 50-62.
38. - (1997). 'To London fro Kent/Sunt predia depopulantes': Code switching and medieval English macaronic poems. Vienna English Working Papers 6, 52-66.
39. st Annual Convention, Los Angeles, March 2000. http://www.ciaonet. org.
40. Simmons, Russell (2001). As much as we like Shakespeare, the future's going to like DMX. http://www.msnbc.com/nevvs
41. Stern, S. M. (1948). Les vers finaux en espagnol dans les muvvassahs hispano-he-braiques: Une contribution à l'histoire et à 1'étude du vieux dialecte espagnol mozarabe. Al-Andalus 13, 299-346.
42. Swedenburg, Ted (undated). Islamic hip-hop vs. Islamophobia: Aki Nawaz, Natasha Atlas, Akhenaton.
43. Zafrani, Haim (1983). Mille ans de vie juive au Maroc. Paris: Maisonneuve et Larose.
44. - (2003). Traditions poétiques et musicales juives du Maroc: Centralité religieuse et fonctions sociales. In Zafrani, Haim (ed.), Le Judaisme Maghrébin: Le Maroc, Terre des Rencontres des cultures et des civilisations. Rabat: Marsam, 211-225.