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Volumn 36, Issue 1, 2007, Pages 51-60

Beat tracking by dynamic programming

Author keywords

[No Author keywords available]

Indexed keywords


EID: 36049016758     PISSN: 09298215     EISSN: 17445027     Source Type: Journal    
DOI: 10.1080/09298210701653344     Document Type: Article
Times cited : (330)

References (19)
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  • 2
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  • 3
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    • Automatic extraction of tempo and beat from expressive performances
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  • 4
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    • Dixon, S., Goebl, W. & Cambouropoulos, E. (2006). Perceptual smoothness of tempo in expressively performed music. Journal of New Music Resarch, 23(3), 195-214.
    • (2006) Journal of New Music Resarch , vol.23 , Issue.3 , pp. 195-214
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  • 6
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    • data set. Web resource, retrieved 11 July 2007, from
    • Ellis, D.P.W., Berenzweig, A. & Whitman, B. (2003). The "uspop2002" pop music data set. Web resource, retrieved 11 July 2007, from http://labrosa.ee.columbia.edu/projects/musicsim/uspop2002.html
    • (2003) The uspop2002
    • Ellis, D.P.W.1    Berenzweig, A.2    Whitman, B.3
  • 7
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    • Ellis, D.P.W. & Poliner, G. (2007). Identifying cover songs with chroma features and dynamic programming beat tracking. In Proceedings of the IEEE International Conference on Acoustics, Speech, and Signal Processing, Hawai'i, pp. IV-1429-1432.
    • Ellis, D.P.W. & Poliner, G. (2007). Identifying cover songs with chroma features and dynamic programming beat tracking. In Proceedings of the IEEE International Conference on Acoustics, Speech, and Signal Processing, Hawai'i, pp. IV-1429-1432.
  • 8
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    • A beat tracking system for acoustic signals of music
    • San Francisco, CA, pp
    • Goto, M. & Muraoka, Y. (1994). A beat tracking system for acoustic signals of music. In: Proceedings of ACM Multimedia, San Francisco, CA, pp. 365-372.
    • (1994) Proceedings of ACM Multimedia , pp. 365-372
    • Goto, M.1    Muraoka, Y.2
  • 10
    • 34547424288 scopus 로고    scopus 로고
    • PhD thesis, MIT Media Lab, Cambridge, MA, USA
    • Jehan, T. (2005). Creating music by listening. PhD thesis, MIT Media Lab, Cambridge, MA, USA.
    • (2005) Creating music by listening
    • Jehan, T.1
  • 12
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    • Efficient tempo and beat tracking in audio recordings
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    • Laroche, J.1
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    • Web resource, retrieved 11 July 2007, from
    • McKinney, M.F. & Moelants, D. (2006a). Audio Beat Tracking from MIREX 2006. Web resource, retrieved 11 July 2007, from http://www.music-ir.org/ mirex2006/index.php/Audio_Beat_Tracking
    • (2006) Audio Beat Tracking from MIREX
    • McKinney, M.F.1    Moelants, D.2
  • 15
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    • Ambiguity in tempo perception: What draws listeners to different metrical levels?
    • McKinney, M.F. & Moelants, D. (2006b). Ambiguity in tempo perception: What draws listeners to different metrical levels? Music Perception, 24(2), 155-166.
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    • Tempo perception and musical content: What makes a piece fast, slow, or temporally ambiguous?
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    • Moelants, D. & McKinney, M.F. (2004). Tempo perception and musical content: What makes a piece fast, slow, or temporally ambiguous? In S.D. Lipscomb, R. Ashley, R.O. Gjerdingen & P. Webster (Eds.), Proceedings of the 8th International Conference on Music Perception and Cognition, Evanston, IL, pp. 558-562. Sydney: Casual Productions.
    • (2004) Proceedings of the 8th International Conference on Music Perception and Cognition , pp. 558-562
    • Moelants, D.1    McKinney, M.F.2


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