Template-based estimation of time-varying tempo

Eurasip Journal on Advances in Signal Processing

Volumn 2007, Issue , 2007, Pages

  Peeters, Geoffroy ^a  

^a Université Pierre et Marie Curie   (France)

Author keywords

[No Author keywords available]

Indexed keywords

ALGORITHMS; CORRELATION METHODS; DECODING; FOURIER TRANSFORMS; FREQUENCY DOMAIN ANALYSIS; SYSTEMS ANALYSIS;

AUTOCORRELATION FUNCTIONS; DISCRETE FOURIER TRANSFORM; SPECTRAL ENERGY FLUX;

ACOUSTIC SIGNAL PROCESSING;

EID: 33846258842     PISSN: 11108657     EISSN: 16870433     Source Type: Journal    
DOI: 10.1155/2007/67215     Document Type: Article

References (32)

1. J. Bilmes Timing is of the essence: perceptual and computational techniques for representing, learning, and reproducing expressive timing in percussive rhythm. MIT Cambridge, Mass, USA 1993 M.S. thesis
2. A. Klapuri A. Eronen J. Astola Analysis of the meter of acoustical musical signals. IEEE Transactions on Audio, Speech and Language Processing 14 2006 1 342 355
3. F. Gouyon A computational approach to rhythm description. Universitat Pompeu Fabra Barcelona, Spain 2005
4. F. Gouyon fgouyon@iua.upf.es S. Dixon simon@oefai.at A review of automatic rhythm description systems. Computer Music Journal 29 1 2005 34 54
5. J. C. Brown Determination of the meter of musical scores by autocorrelation. Journal of the Acoustical Society of America 94 4 1993 1953 1957
6. P. Allen R. Dannenberg Tracking musical beats in real time. Proceedings of the International Computer Music Conference and International Computer Music Association San Francisco, Calif, USA 1990 140 143
7. A. Klapuri Sound onset detection by applying psychoacoustic knowledge. Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP '99) Phoenix, Ariz, USA 6 1999 3089 3092
8. F. Gouyon P. Herrera P. Cano Pulse-dependent analyses of percussive music. Proceedings of AES 22nd International Conference on Virtual, Synthetic and Entertainment Audio Espoo, Finland 2002 396 401
9. J. Bello Towards the automated analysis of simple polyphonic music: a knowledge based approach. Queen Mary University of London London, UK 2003
10. C. Uhle J. Herre Estimation of tempo, micro time and time signature from percussive music. Proceedings of the 6th International Conference on Digital Audio Effects (DAFx '03) London, UK 2003 84 89
11. M. Goto An audio-based real-time beat tracking system for music with or without drum-sounds. Journal of New Music Research 30 2001 2 159 171
12. E. D. Scheirer eds@media.mit.edu Tempo and beat analysis of acoustic musical signals. Journal of the Acoustical Society of America 103 1 1998 588 601
13. J. Paulus A. Klapuri Measuring the similarity of rhythmic patterns. Proceedings of the 3rd International Conference on Music Information Retrieval (ISMIR '02) Paris, France 2002 150 156
14. S. Dixon Automatic extraction of tempo and beat from expressive performances. Journal of New Music Research 30 2001 1 39 58
15. J. C. Brown M. S. Puckette Calculation of a "narrowed" autocorrelation function. Journal of the Acoustical Society of America 85 4 1989 1595 1601
16. F. Gouyon P. Herrera Determination of the meter of musical audio signals: seeking recurrences in beat segment descriptors. Proceedings of the 114th Convention of Audio Engineering Society (AES '03) Amsterdam, The Netherlands 2003
17. J. Laroche Efficient tempo and beat tracking in audio recordings. Journal of the Audio Engineering Society 51 4 2003 226 233
18. F. Gouyon A. Klapuri S. Dixon An experimental comparison of audio tempo induction algorithms. IEEE Transactions on Speech and Audio Processing 14 2006 5 1832 1844
19. F. J. Harris On the use of windows for harmonic analysis with the discrete Fourier transform. Proceedings of the IEEE 66 1 1978 51 83
20. P. Flandrin Time-Frequency/Time-Scale Analysis. Academic Press San Diego, Calif, USA 1999
21. G. Peeters X. Rodet Sinola: a new analysis/synthesis using spectrum peak shape distortion, phase and reassigned spectrum. Proceedings of the International Computer Music Conference (ICMC '99) Beijing, China 1999 153 156
22. G. Peeters Modèles et modélisation du signal sonore adaptés ses caractéristiques locales. Université Paris VI Paris, France 2001
23. A. Röbel A new approach to transient processing in the phase vocoder. Proceedings of the 6th International Conference on Digital Audio Effects (DAFx '03) London, UK 2003 344 349
24. S. Hainsworth P. Wolfe Time-frequency reassignment for music analysis. Proceedings of International Computer Music Conference (ICMC '01) La Habana, Cuba 2001 14 17
25. R. Maher J. Beauchamp Fundamental frequency estimation of musical signals using a two-way mismatch procedure. Journal of the Acoustical Society of America 95 1994 4 2254 2263
26. B. Doval X. Rodet Fundamental frequency estimation and tracking using maximum likelihood harmonic matching and HMMs. Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP '93) Minneapolis, Minn, USA 1 1993 221 224
27. G. Peeters Music pitch representation by periodicity measures based on combined temporal and spectral representations. Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP '06) Toulouse, France 2006 53 56
28. A. Viterbi Error bounds for convolutional codes and an asymptotically optimum decoding algorithm. IEEE Transactions on Information Theory 13 1967 2 260 269
29. L. R. Rabiner Tutorial on hidden Markov models and selected applications in speech recognition. Proceedings of the IEEE 77 2 1989 257 286
30. G. Peeters Rhythm classification using spectral rhythm patterns. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR '05) London, UK 2005 644 647
31. S. Dixon E. Pampalk G. Widmer Classification of dance music by periodicity patterns.. Proceedings of the 4th International Conference on Music Information Retrieval (ISMIR '03) Baltimore, Md, USA 2003 159 165
32. H. Vinet The Semantic Hifi project. Proceedings of the International Computer Music Conference (ICMC '05) Barcelona, Spain 2005 503 506